Tag Archives: 1867 Sanctuary at Ewing

MUSIC THAT FALLS KINDLY ON THE EAR: DANNY TOBIAS, JACK SAINT CLAIR, SILAS IRVINE, SAM HARRIS at the 1867 SANCTUARY (Ewing, New Jersey: April 6, 2019)

Some of the most memorable sessions — improvising without arrangements — are marked by a delightful ensemble tension coming out of competitiveness.  Think of almost any date Roy Eldridge played on, for an example close to hand.  Others are marked by an equally pleasing calm friendliness: we’re all here for the same purpose, and let’s have a good time.  A collective hug rather than head-cutting.

The quietly impressive group that Danny Tobias — master of various brass instruments — brought to the 1867 Sanctuary in Ewing, New Jersey, on Saturday, April 6, really exemplified the affectionate community of the second example.  Danny assembled very gifted young men from Philadelphia: reedman Jack Saint Clair, here solely on tenor; pianist Silas Irvine, and string bassist Sam Harris.  Here’s their sweet version of CHEROKEE — not at a racetrack tempo, but as a waltz:

And the Rodgers and Hart SPRING IS HERE, wistful, pensive, still swinging:

Danny’s secret indulgence (one that makes me particularly glad) is the Eb alto horn — beloved of Dick Cary and very few others.  This particular specimen, Danny notes, was a gift from his friend, the very fine trombonist Gil Toth, who was in the audience.  (Also in the audience were dance luminaries Lynn Redmile and Renee Toplansky.)

What better way to say “Thank you” to Gil and all of us than with this heartfelt rendition of SOMEONE TO WATCH OVER ME?

Every jazz concert needs a song with disputed authorship, so here’s DIG, a line on SWEET GEORGIA BROWN, that Miles Davis took credit for:

Even if your idea of paradise is King Oliver 1923, I hope you can hear the sweet floating beauties on display here.  And let’s not forget Jack Saint Clair’s melancholy-uplifting solo feature, posted earlier.

It was a wonderful afternoon at the 1867 Sanctuary — where art flourishes — and Danny, Jack, Silas, and Sam gave us great gifts.

May your happiness increase!

OH, HOW THEY SWING! (Part Three): DANNY TOBIAS, WARREN VACHÉ, PHILIP ORR, PAT MERCURI, JOE PLOWMAN (September 22, 2018: 1867 Sanctuary, Ewing, New Jersey)

The proceedings, photographed from above by Lynn Redmile

I apologize to all concerned: because of being overwhelmed and a filing system that I keep in my overwhelmed head, this third part of a glorious afternoon got away from me for a bit.  But all is not lost!  And here is the music created in the first and second sections.

I don’t know who took the picture of Warren (left) and Danny (right) but it is quite nice:

However, it leaves out the rest of the heroes: Philip Orr, piano; Pat Mercuri, guitar; Joe Plowman, string bass.  Here are the four remaining performances — quiet mastery by artists who really know and feel what heartfelt improvisation is:

A Tobias original (based on a song about soporific nature) dedicated to the much-missed Tony Di Nicola:

Harold Arlen, always welcome, as is Danny’s playing the Eb alto horn:

A gorgeous TOO LATE NOW:

And the real national anthem:

What beautiful warm inspired music these heroes make.

May your happiness increase!

OH, HOW THEY SWING! (Part Two): DANNY TOBIAS, WARREN VACHÉ, PHILIP ORR, PAT MERCURI, JOE PLOWMAN (September 22, 2018: 1867 Sanctuary, Ewing, New Jersey)

What a wonderful afternoon of music this was, among friends, in a splendid place.  Here is my post of the first four performances.

What brass friendship looks like.  Warren’s on the left.

 

 

 

 

 

 

 

 

 

and the scene of the musical joy:

The proceedings, photographed from above by Lynn Redmile

Here’s the second helping, with two band-within-a-band delights as well.

I NEVER KNEW:

an Ellington blues for the supple rhythm section:

Don Redman’s NO ONE ELSE BUT YOU, with memories of Louis and Ruby:

and a real delicacy by Pat Mercuri (who explains it all) and Joe Plowman:

How wonderful, I think.

May your happiness increase!

A SANCTUARY FOR MUSIC: DANNY TOBIAS, JOE HOLT, and MAX DONALDSON (Ewing, New Jersey: June 11, 2017)

Beautiful music doesn’t always get a suitable place to grow and shine, but on June 11, 2017, it did, for a few hours.

The place is the  1867 Sanctuary at Ewing at 101 Scotch Road in Ewing, New Jersey, and the lovely music was created by Danny Tobias (trumpet, Eb alto horn), Joe Holt (piano), and guest Max Donaldson (tenor saxophone).  Here are several of the highlights of that most rewarding concert.

Think of Fred and Ginger, or of Ella and Louis — but let us all bow low to Irving Berlin, without whom we’d have no CHEEK TO CHEEK:

For ALL THE THINGS YOU ARE, Danny invited up young Mister Max Donaldson, who certainly played splendidly.  Max told me, “I am a 17 year old junior in high school and have been playing saxophone since the 5th grade. I discovered jazz in the 7th grade and found my passion. Some of my favorite jazz greats to listen to are Dexter Gordon, Benny Golson, and Sonny Rollins, though I listen to and appreciate all types of jazz.”  Watch out for this young man: I predict a creative future for him.

For his first feature, Joe chose to improvise on Beethoven’s Minuet in G Major, WoO 10, No. 2.  To which I could only say (under my breath, politely), “WoO!”:

Here’s Danny’s own romping variations on a jazz classic, which he has titled HOW’S IT GO?:

Danny has picked up another brass horn, the neglected but beautiful Eb alto horn — think of Dick Cary and Scott Robinson — and here the duo improvises a BLUES FOR MAX in honor of their tenorman:

Holt meets Joplin, with happiness, for MAPLE LEAF RAG:

And finally, Richard Rodgers – Lorenz Hart’s moody SPRING IS HERE, a song Joe hadn’t known before — how beautifully he finds his way:

Gorgeous music in a serenely beautiful place.  Thanks to Danny, Joe, Max, Lynn Redmile, and to Bob Kull for making this all happy and possible.

May your happiness increase!