Tag Archives: 1867 Sanctuary

BLISS (Part Two): DANNY TOBIAS, LARRY McKENNA, SILAS IRVINE, JOE PLOWMAN (1867 Sanctuary, Ewing, New Jersey, Sept. 21, 12019)

I saw the sign, and stopped for it.

Here is the first part of BLISS, and you will hear I don’t exaggerate: four songs performed by Danny Tobias, trumpet, fluegelhorn; Larry McKenna, tenor saxophone; Silas Irvine, piano; Joe Plowman, string bass, at the 1867 Sanctuary in Ewing, New Jersey, on September 21, 2019.

Celestial music, to be sure.

Here are some still photographs of the four illuminators, thanks to Verizon:

and

and

and

You’ve been patient.  Now for the moving pictures (with sound, too)!

Gershwin and Gershwin:

Rodgers and Hart:

Edgar Sampson:

Lerner and Loewe:

Youmans and Caesar:

What lovely unaffected music.  I can’t wait for this quartet’s return engagement.

May your happiness increase!

BLISS (Part One): DANNY TOBIAS, LARRY McKENNA, SILAS IRVINE, JOE PLOWMAN (1867 Sanctuary, Ewing, New Jersey, Sept. 21, 12019)

Everyone’s bliss is different.  But for me, one version is being close to and recording a small group of creative musicians playing splendidly, listening attentively to one another in a quiet space in front of a rapt audience.  It’s bliss when it happens, and also because it happens so rarely.

But it did happen in the lovely 1867 Sanctuary in Ewing, New Jersey, for two hours on September 21, 2019.  The noble creators were Danny Tobias, trumpet, fluegelhorn, and Eb alto horn; Larry McKenna, tenor saxophone; Silas Irvine, piano; Joe Plowman, string bass.  And here’s their first set: lyrical, controlled, passionate, swinging, deeply melodic.

Larry McKenna

They began with I’LL ALWAYS BE IN LOVE WITH YOU, which although it did not begin life as a swinging tune, Count Basie made it so — as do they:

What followed continued to make me and the rest of the audience happy, but if this quartet had decided that enough was enough with this single performance, I would have been satisfied.  Slightly mystified, but smiling.  But I am thrilled they continued.

The lovely MY IDEAL (check out the lyrics if you don’t know them):

Danny picked up his new / old Eb alto horn for MOOD INDIGO.  Wait until the end, after the last notes, for his musicological commentary and a patented Tobias comic flourish:

Danny’s own HOW’S IT GO? — based on chord changes that were part of the common language when there was one:

Get up, stretch, find some snacks, and the second half will be posted shortly. I bless these four creators and thank them as well.  Thanks also to Bob and Helen Kull, for making the 1867 Sanctuary a shrine for wonderful art.  This post is for John Scurry, John Herr, Sam Taylor, Melissa Gilstrap, and R1, of course.

May your happiness increase!

OH, HOW THEY SWING! (Part One): DANNY TOBIAS, WARREN VACHÉ, PHILIP ORR, PAT MERCURI, JOE PLOWMAN (September 22, 2018: 1867 Sanctuary, Ewing, New Jersey)

I love that I live about an hour from the jazz-metropolis that is New York City, but I will drive for hours when the music beckons.  It did last Saturday, when brassmen Danny Tobias and Warren Vaché joined with Philip Orr, piano; Joe Plowman, string bass; Pat Mercuri, guitar, for a wonderful afternoon of acoustic improvisations at the lovely 1867 Sanctuary Arts and Culture Center in Ewing, New Jersey.  (101 Scotch Road will stay in my car’s GPS for that reason.) Here’s some evidence — thanks to the very subtle photographer Lynn Redmile — to document the scene:

 

 

 

 

 

 

and the two Swing perpetrators:

It’s an immense compliment to the melodic swinging inventiveness of this ad hoc quintet, that their music requires no explanation.  But what is especially touching is the teamwork: when portrayed in films, trumpet players are always trying to outdo each other.  Not here: Danny and Warren played and acted like family, and a particularly loving branch.  They have very individual voices, but if I said that the approving ghosts up in the rafters were Ruby Braff, Joe Wilder, Kenny Davern, and Tony DiNicola, no one would object.  Phil, Joe, and Pat listened, responded, and created with characteristic grace.  Thanks to Bob and Helen Kull, the guiding spirits of the 1867 Sanctuary, for making us all so welcome with such fine music.

It was a memorable afternoon, and I wish only that this was a regular occasion, to be documented by CD releases and general acclamation.  We can hope.

I have a dozen beauties to share with you.  Here are the first four.

Irving Berlin’s ALL BY MYSELF, and someone in the band breaks into song, most effectively:

Another Berlin treasure, CHANGE PARTNERS:

Edgar Sampson’s paean to hope, IF DREAMS COME TRUE:

To celebrate the start of Fall, AUTUMN LEAVES:

May your happiness increase!