Tag Archives: Adam Moezinia

BLISS AT 326 SPRING STREET: JON-ERIK KELLSO, DANNY TOBIAS, SCOTT ROBINSON, ADAM MOEZINIA, ROB ADKINS (August 14, 2016)

EAR INN sign

Nine minutes of the real thing, no side effects aside from possible stiffness from sitting on a barstool for longer than is doctor-prescribed.  Yours for the asking, created on Sunday, August 14, 2016, by the gracious and eminent EarRegulars du jour: Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone; Adam Moezinia (note his variations on AC-DC CURRENT), and Rob Adkins, string bass.  All this joy took place at The Ear Inn, 326 Spring Street, Soho, New York City, where such bliss is regularly offered on Sunday nights from eight to eleven o’clock, approximately.  But there’s nothing approximate about the on-the-spot riffing and solos that these brilliant players gave us.  The song?  AVALON, which dates back to 1920 and still sounds gorgeously fresh in 2016.

I’m posting this on the morning of Sunday, September 4, 2016.  If you read it early and are in the NYC area, this band — with Pat O’Leary in for Rob — will be playing at The Ear tonight.  Just leave me a barstool or two in front of the band so that I can capture some more joy for JAZZ LIVES, especially for the Brazilian contingent.

May your happiness increase!

A VERY SIMPLE REQUEST IN MUSIC at THE EAR INN: JON-ERIK KELLSO, SCOTT ROBINSON, ADAM MOEZINIA, ROB ADKINS (August 14, 2016)

BABY WON'T YOU PLEASE COME

Beauty never gets old.  Here’s a nearly-ancient jazz classic made new and wistful at a serenely floating tempo, performed by the EarRegulars at The Ear Inn (326 Spring Street, Soho, New York City) on August 14, 2016.  The EarRegulars, for this particular session, are Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone; Adam Moezinia, guitar; Rob Adkins, string bass.  And not only are the individual solos so richly personal, but this band — led by Jon-Erik — displays a true orchestral instinct, as evidenced in the hums and phrases played while Rob (eloquent Mister Adkins) is soloing.  Hear, see, and marvel:

This song, I am told, was composed in 1919 by Charles Warfield “and” Clarence Williams; the quotation marks are to suggest that Williams’ authorship is in doubt.  But enough legal prose.  I digress to write that I seem to be one of the few people — but don’t call me didactic or a grammarian — who write the title of this song with a comma after BABY and a question mark at the end.  Is their omission a matter of thrifty typography?  I don’t know.  But BABY WON’T YOU PLEASE COME HOME seems abrupt, too rushed, without the proper punctuation.  A sample label below (you can find the music on YouTube).

BABY Louis

But the music that the EarRegulars create doesn’t need any punctuation.  The most scrupulous English professor gives it the highest grades possible. (And, speaking of professors, this one is also dedicated to the glowing scholar from Bahia.)

May your happiness increase!

A LITTLE JAM AT THE EAR INN: DANNY TOBIAS, SCOTT ROBINSON, FELIX LEMERLE, JOANNA STERNBERG (Sunday, August 14, 2016)

EAR INN sign

Sometime in July 2017, the EarRegulars will celebrate ten straight years of improving the universe through swing on Sunday nights at The Ear Inn (that’s 326 Spring Street, Soho, New York City).  One of the conventions of their collective frolics is that the first set is usually devoted to the quartet — most often led by Jon-Erik Kellso, with guitarist Matt Munisteri the most Regular of the EarRegulars.  The second set welcomes approved musical guests who are invited to join in.  Last Sunday, the “house band” was Jon-Erik, Scott Robinson on wondrous reeds and brass — Eb clarinet, Eb alto horn, tenor saxophone — Adam Moezinia, guitar; Rob Adkins, string bass.

For the final performance of the night, Felix Lemerle took Adam’s place (and borrowed his guitar), and Joanna Sternberg did the same with Rob’s string bass. Jon-Erik ceded the trumpet chair to our friend Danny Tobias, trumpet.  And this happened.

“The Ear.  So dear,” is what I think.  See you there some Sunday or another!

This post is dedicated to the Professor from Bahia, the source of many goodnesses.

May your happiness increase!