σπεῦδε βραδέως. “Make haste slowly.”
Yes, this post begins with classical Greek and a photograph of Louis Armstrong singing to a horse — all relevant to the performances below, recorded just ten days ago at the remarkable cultural shrine of San Francisco, Bird and Beckett Books and Records (653 Chenery Street). Thanks, as always, to the faithful Rae Ann Berry for documenting this facet of Ray Skjelbred’s California tour.
As bands play familiar repertoire over the decades, tempos speed up. Perhaps it’s to stimulate the audience; perhaps it’s a yearning to show off virtuosity . . . there are certainly other reasons, conscious as well as unexamined, that are part of this phenomenon. But Medium Tempo remains a lush meadow for musicians to stroll in, and it’s always pleasing to me when they count off a familiar song at a groovy slower-than-expected tempo. I present two particularly gratifying examples, created by Ray Skjelbred, piano; Clint Baker, trumpet; Riley Baker, drums. Here, JEEPERS CREEPERS is taken at the Vic Dickenson Showcase tempo, or near to it, reminding us that it’s a love song, even if sung to a horse:
and a nice slow drag for AFTER YOU’VE GONE, in keeping with the lyrics:
I don’t know how many people have seen the film clip below from the 1938 Bing Crosby film GOING PLACES, where Louis Armstrong introduced the Harry Warren – Johnny Mercer song JEEPERS CREEPERS. (There is a brief interruption in the video: the music will resume.)
For the full story of Louis, the horse (a mean one), and the movie, you’ll have to wait for Ricky Riccardi’s splendid book on Louis’s “middle years,” 1929-47, HEART FULL OF RHYTHM. For now, who knows the uncredited rhythm section on this clip?. I imagine it to be Joe Sullivan and Bobby Sherwood, but that may be a fantasy, one I happily indulge myself in.
And what Eric Whittington makes happen at Bird and Beckett Books is no fantasy: he deserves our heartfelt thanks, whether in classical Greek or the San Francisco demotic of 2019.
May your happiness increase!