The eBay seller jgautographs continues to delight and astonish. They (she? he?) have several thousand items for sale as I write this, for auction or at a fixed price, and even if the later items are unusual yet unsigned photographs, what they have to show us is plenty, from Jacquelie Kennedy Onassis’ stationery, a Playbill signed by Arthur Miller (DEATH OF A SALESMAN, of course), Joey Heatherton, Eleanor Roosevelt, Robert Redford, Marjorie Kinnan Rawlings, Frederick Douglass, Stephen Sondheim, and more. When people signed their name in cursive, and often before ballpoint pens were ubiquitous.
And did I mention they have jazz autographs for sale? I remarked upon such wonders here and here about ten days ago. I’ll leave it to you to search the thousands of items, but here are some of very definite jazz interest. (This time, the seller is not showing the reverse of these signatures, as (s)he did earlier, so there is a slight air of mystery to these offerings. But someone was hip.)
There must still be thousands of Tommy Dorsey signatures still circulating, but this one’s unusual: did TD sign it for a family friend, or for someone who asked what his middle name was? I’ve not seen another like it, and the flourishes mark it as authentic.
Coleman Hawkins had gorgeous handwriting, which does not surprise me. I have no idea if the signature and photograph are contemporaneous, though:
and a signature rarely seen, Leon “Chu” Berry — also from the time when musicians not only signed their name but said what instrument they played:
So far, this post has been silent, but it would be cruel to not include the two small-group sides that bring together Hawk, Red, and Chu — under the leadership of Spike Hughes in 1933 (also including Sidney Catlett, Lawrence Lucie, Wayman Carver, Benny Carter, and Dicky Wells — truly all-star!
HOW COME YOU DO ME LIKE YOU DO?
SWEET SUE, JUST YOU (with a glorious Carver flute chorus):
Back to Chu Berry . . . he was playing in Cab Calloway’s band at the end of his life; in the trombone section was Tyree Glenn, who lived much longer (I saw him with Louis):
A star of that orchestra and a star in his own right, trumpeter Jonah Jones:
Here’s BROADWAY HOLDOVER, originally issued on the Staff label under Milt Hinton’s name, featuring Jonah, Tyree, Al Gibson, Dave Rivera, and J.C. Heard:
Our autograph collector friend also made it to a club where Pete Brown was playing — again, another signature rarely seen:
Pete, Tyree, Hilton Jefferson, Jerry Jerome, and Bernie Leighton join Joe Thomas for one of my favorite records, the Keynote YOU CAN DEPEND ON ME:
And (exciting for me) our collector made a trip to Nick’s in Greenwich Village, from whence the signatures of Pee Wee Russell and Miff Mole came. Now, two musicians from the same schools of thought — the short-lived Rod Cless:
and trumpet hero Sterling Bose:
and because they have been so rare, here are the four sides by the Rod Cless Quartet with Bose, James P. Johnson, and Pops Foster on the Black and White label — I am told that the Black and White sides will be a Mosaic box set, which is fine news. Here’s HAVE YOU EVER FELT THAT WAY? (with verse):
MAKE ME A PALLET ON THE FLOOR:
and James P., brilliantly, on I KNOW THAT YOU KNOW:
If I could play clarinet, I would like to sound like Cless.
And a postscript of a personal nature: the auction ended a few minutes ago. I bid on the Cless, the Pete Brown, the Bose, and on a whim (because I knew it would go for a high price) the Chu Berry. Chu went for nearly $171; someone beat me by a dollar for Sterling Bose, but my bids — not exorbitant — won the Cless and Pete. When they come in the mail, I envision a frame with Pee Wee, Rod, and Pete. It will give me pleasure, and some years from now, it will give someone else pleasure also.
May your happiness increase!