Tag Archives: Alex Levin

“SOME TUNEFUL CATS”: STREET OF DREAMS (SAM TAYLOR, GREG RUGGIERO, AIDAN O’DONNELL, BEN CLINESS)

STREET OF DREAMS one

A musician friend I respect told me about this new quartet — called, sweetly, STREET OF DREAMS, and I was instantly pleased by the videos below.  When I shared them with another jazz fancier — like me, a devotee of melodic improvisation — I got back a near-instant response, “Those are some tuneful cats!”  I completely agree, and think you will too.

STREET OF DREAMS two

That’s Sam Taylor, tenor saxophone; Greg Ruggiero, guitar; Aidan O’Donnell, string bass; Ben Cliness, drums.  (I’ve met and video-ed three of the four [so far Ben has been safe from me] and I am proud to know them.)

YOUNG AT HEART:

CLOSE YOUR EYES:

CORCOVADO:

DON’T GET AROUND MUCH ANYMORE:

AFTER YOU’VE GONE:

Melodists, making danceable music that is both deep and gossamer.  Those among us who play or sing know that making melody come alive is not easy. Ask Louis, ask Lester, ask Monk.  And I know that some devout jazz listeners might say that this band is less “innovative” or “adventurous” than they prefer, and I leave them to their search for what they like.

But beauty never has to innovate.  It just is.

To book this group — very new but by no means immature (!) — click here.

May your happiness increase!

WELCOME ALEX LEVIN!

I’m always delighted to learn about someone younger who has the real jazz spirit. 

Many people can play.  But not so many can really play — and there is a difference beyond the changed font. 

To get past one’s technique to be creative (without being self-indulgent); to honor the jazz tradition without being stuck in the past; to get a lovely sound out of one’s instrument; to create solos that stand on their own as artistically complete; to tell one’s story . . . that’s more rare.

Pianist Alex Levin’s first CD shows him to be one of the rare ones.  When you visit his website — as I hope you will — you’re greeted instantly with the opening bars of a lightly graceful CHEEK TO CHEEK: http://www.alexlevinjazz.com/

You’ll admire his light touch, his lovely voicings, the way he makes the piano sing out.  And he’s got an innate rhythmic enthusiasm that makes for danceable music — without sacrificing everything for the pure push of rhythm. 

Alex says he’s been inspired by the late Herman Foster, but he doesn’t sound like one of those technically-assured people with no ideas of their own.  You know, all those Jazz-Master-Clones, well-intentioned but ultimately limited. 

The musical pleasures I am describing are to be found on his new CD, called NEW YORK PORTRAITS (its neat cover, designed by Peter Moser, is at the top).

Without making jokes, Alex is witty — catch the extended intentional detour into JEEPERS CREEPERS on CHEEK TO CHEEK, fitting perfectly.  He’s courageous, too: it takes a certain candor and openness to approach BODY AND SOUL these days, and his version stands beautifully on its own. 

Alex has surrounded himself with the best talent: bassist Michael Bates and drummer Brian Floody, and left them space to breathe, to sing their own songs.  The two originals on this CD have their own melodic gravity — and shape, and the music Alex has created will (although accessible to people who “don’t like jazz”) will reverberate pleasantly in your ears for a long time.  Check him out.

As Billie Holiday said of Jimmy Rowles — she was telling Lester Young about this new White musician, unknown to Lester (who was suspicious), “I don’t know . . . boy can blow!”  As can Alex.  

SWING OUT WITH JUST ONE CLICK: ALL MONEY COLLECTED GOES TO THE MUSICIANS!

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