Thanks to the ever=devoted SFRaeAnn, we have a five-minute treatise on the most inspired floating, created in front of an audience at America’s Classic Jazz Festival in Lacey, Washington, on June 30, 2019. The players here are Ray Skjelbred, making that old keyboard sound exactly like new; Kim Cusack, clarinet; Josh Roberts, guitar; Matt Weiner, string bass; Jeff Hamilton, drums. And their particular text is LADY BE GOOD, by George and Ira Gershwin, first performed in 1924 and immediately taken up by jazz musicians, dance bands, and singers of all kinds — from Ben Bernie and the California Ramblers to the present day.
Perhaps because tempos in performance naturally increase, and because it is such a familiar set of chord changes (from the 1936 Jones-Smith, Incorporated recording on) it’s usually played at a brisk tempo. This performance is a sly glide, a paper airplane dreamily navigating the air currents before coming to a gentle landing. And — taking the Basie inspiration to new heights — this performance so lovingly balances appreciative silence with sound.
It doesn’t need my annotations: it reveals itself to anyone willing to pay attention. Watch the faces of the musicians; hear their delighted affirmations. As James Chirillo says, music was made:
Blessings on them all, past and present, visible and ectoplasmic. The Cubs lift us up but never drop us down.
May your happiness increase!