Tag Archives: Amnesia

SWEETLY INTIMATE SWING: MICHAEL GROH and NED BOYNTON at AMNESIA (June 2, 2013)

One of the pleasures of this 2013 California summer has been discovering this intimate, swinging duo — Michael Groh (whom I knew and admired from GAUCHO) on guitar and vocal, and Ned Boynton (new to me) on guitar.  Learn more about Ned here. They played a lovely varied set at Amnesia in San Francisco on Sunday, June 2, offering the kind of relaxed, creative music that we always imagine musicians play when there’s a small audience of people on the same wavelength.

Here are three highlights:

BUDDY BOLDEN’S BLUES (or I THOUGHT I HEARD BUDDY BOLDEN SAY), containing useful information for dancers and lovers of fresh breezes:

A sweetly mobile reading of FOR ALL WE KNOW:

W.C. Handy’s ever-relevant lament about duplicity on all levels, LOVELESS LOVE:

Michael somewhat whimsically called this duo — a compact, intimate band — THE NEW EXCELSIOR RHYTHM BABIES, a spinoff from a larger unit.  To get the full story, ask him on a set break.

May your happiness increase!

SISTER KALLY PRICE PREACHES THE SERMON and THE CONGREGATION (LEON OAKLEY, ROB REICH, JOHN WITTALA, STEVE APPLE) SAYS “AMEN!” at AMNESIA (June 2, 2013)

One of the delights of visiting the Bay Area is being able to hear and experience the delightfully impassioned singer / composer Kally Price.  She took the stage at Amnesia last Sunday night, June 2, 2013, and electrified us all with her own composition — an evocative dramatic performance in swing called THE LANGUAGE OF MUSIC.  She was accompanied by Rob Reich, piano; John Wittala, string bass; Steve Apple, drums; and a positively volcanic Leon Oakley, cornet.

If you didn’t believe in the righteous powers of Music before this, you certainly should have undergone a conversion.  Thank you, Sister Price — and the Brothers in the band!

May your happiness increase!

GAUCHO and TAMAR KORN CELEBRATE at AMNESIA (Aug. 29, 2012)

The cheerfully flexible gypsy-jazz organization known as GAUCHO celebrated its tenth anniversary at Amnesia (853 Valencia Street, San Francisco:  amnesia) on August 29, 2012.  Traditionally a tenth anniversary is celebrated with gifts of tin or aluminum . . . I hope that the tip basket brimming with bills stood in successfully for “tin.”  But the crowd at Amnesia gave GAUCHO and Tamar Korn an even better present — a warm reception.

And the videos that follow prove how deeply GAUCHO and Tamar were welcomed in San Francisco.  Occasionally the warmth proved physically exuberant: I and my tripod and camera were in fairly constant danger of being treated like Dorothy Gale by some positively athletic dancing couples.  But everyone survived.

For this celebration, GAUCHO consisted of leader – guitarist – composer Dave Ricketts and the eminent swing guitarist Michael Groh in tandem, with the vigorous reedman Ralph Carney, the wily Rob Reich on accordion and piano, the ingenious Ari Munkres on string bass.

They began the evening with an energized I’LL SEE YOU IN MY DREAMS:

Then one of Dave’s compositions that has reached a larger audience through the cinema, DOUBLE BARREL:

BACK HOME AGAIN IN INDIANA was anything but wistful Midwestern nostalgia:

Then Tamar joined them for the cautionary yet swinging COMES LOVE:

She followed with a romping DINAH:

And harking back to what I perceive as her roots, Berlin’s RUSSIAN LULLABY:

Finally, she offered two Ricketts (melody) – Korn (lyrics) collaborations:

PEARL:

SING ON:

This party also served to announce once again Gaucho’s new CD, PART-TIME SWEETHEART (all originals by Dave) with contributions from Leon Oakley, cornet; Clint Baker, various instruments; Georgia English, vocals; Vic Wong, guitar; Elizabeth Goodfellow, drums; Marty Eggers, tuba; Dave and Michael.  Look for it wherever better music is sold — in this case, gauchojazz.

May your happiness increase.

TAMAR KORN / “GAUCHO” IN SAN FRANCISCO

In the jazz world, new “Gypsy Swing” groups seem to proliferate.  Gaucho is one of the best of the Django-inspired small swing groups, a San Francisco staple, inventive and rocking.  They’ve recorded three CDs, each one delightfully consistent.  They are Dave Ricketts, Michael Groh, g; Rob Reich, acc; Ralph Carney, reeds; Ari Munkres, b; Pete Devine – d, perc, and Cheek-O-Phone (TM) — the last something you’ll have to see and hear in person.  “Gaucho,” incidentally, is the band’s version of “gadjo,” the term a Gypsy would bestow on a non-Gypsy.   

Here are two neat video clips that I just found out about, recorded in atmospheric black and white and HD at AMNESIA in San Francisco a few months back.  The YouTube channel is “PortoFrancoRecords,” a label that will be issuing a new Gaucho CD in the fall. 

AND these two videos (and the CD to come) feature the eloquent and always surprising TAMAR KORN.  Need I say more?    

I associate “The Anniversary Song” with a lugubrious reading in waltz-time, and it has always been credited to Al Jolson, who (not surprisingly) did little to create it aside from recording it.  Here it’s offered in a lilting swing four-four, with Tamar singing, dancing (to the accompaniment of Ralph’s adventurous clarinet solo) and improvising with soprano riffs to conclude:

“I Surrender Dear” comes from Mr. Crosby and Mr. Armstrong, but Tamar makes it her own, as always, floating on Gaucho’s impasioned pulse and invention:

Thanks to Peter Varshavsky of Porto Franco Records, whose new website will have a variety of independent music from swing jazz to modern permutations: http://www.portofrancorecords.com/videoblog.  Peter tells me that many musical things are happening quite fast, so there will be more to come very soon!  And energetic YouTube surfers will a number of other clips of Tamar and Gaucho in performance from “charlestonalley,” a friend of swing jazz and swing dance.