Tag Archives: Andrew Nemr

AN ECSTATIC EXPERIENCE NOT TO BE MISSED: MONA’S HOT FOUR AND FRIENDS! (Tuesday, December 11, 2012: Rockwood Music Hall, New York City)

With all due respect to every other gig, concert, club date that I have agitated for in the past few posts, I feel that if you miss this one . . . well, SOMEDAY YOU’LL BE SORRY.

Can I be any less subtle?

Because I have a day gig that starts rather early, I have been to Mona’s, the long narrow rectangular club in the Extreme East Village (that’s Greenwich Village, New York City) exactly twice.  Once I had a very good time listening to the band, and the second time it was already so crowded that I couldn’t squeeze myself in.  But the Tuesday-late-night / early-Wednesday morning jam sessions are legendary.  They feature a band called MONA’S HOT FOUR — Dennis Lichman, clarinet; Gordon Webster, piano; Jared Engel, string bass; Nick Russo, guitar / banjo.  But everyone who’s anyone in the New York hot jazz scene has made an appearance at Mona’s, and the immense joy / hilarity / heat have become mythic.

For those of you saying, “I can’t go to a weekday gig that starts after 11 PM,” I sympathize.  But Dennis Lichtman is riding to the rescue on behalf of people who have to go to work and people who couldn’t shoehorn themselves into Mona’s.

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On Tuesday, December 11, 2012:  Mona’s Hot Four will be having a CD/DVD release party / concert / ecstatic gathering at Rockwood Music Hall (Allen and Houston Streets in the East Village) at 8 PM, continuing until 9:15.

The Hot Four will be there with special guests: Tamar Korn, Emily Asher, Gordon Au, Mike Davis, and many more great musicians.   Admission is $10.

Those who don’t have to be awake early on Wednesday may continue the celebration after the show at Mona’s (Avenue B between 14th & 15th Street, beginning at 11 PM and going until 3:30 AM at the least.

Now, just in case you might be wondering, “How does Michael get to be so sure that an ecstatic jazz experience awaits those voyagers bold enough to get themselves to Allen and Houston Streets?”  I have been listening over and over to the CD while driving to work and everywhere else.  And the other drivers are, I am sure, more than a little puzzled at the man in the aging Toyota who is grinning and laughing and pounding the steering wheel in swingtime.

If the music at the Rockwood Music Hall is anywhere as elating as the CD, it will be a seventy-five minute set to remember, to tell the imaginary grandchildren.  Here’s some information about the CD, which contains these tracks: MY BLUE HEAVEN / CHANT IN THE NIGHT / TIGER RAG / WHAT A LITTLE MOONLIGHT CAN DO / LAZY RIVER / FIDGETY FEET / I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME / AVALON / SUGAR BLUES / WHEN I GROW TOO OLD TO DREAM.

In addition to MH4, there are guest appearances from Emily Asher, Ehud Asherie, Gordon Au, Bob Curtis, Mike Davis, Jim Fryer, J. Walter Hawkes, Tamar Korn, David Langlois, Dan Levinson, David McKay, Andrew Nemr, Jerron Paxton, Nathan Pick, Molly Ryan, Bria Skonberg, Dave Speranza, Chris St. Hilaire, and Miss Tess.

All I can say is that these recorded performances rank easily with the best music I have heard in New York City since I ventured out of my cocoon in May 2004.  I am still grinning at the sounds stuck happily in my memory from this CD.

And there’s more — a professionally-done DVD documentary (slightly less than twenty minutes) about the scene at Mona’s.  I have held off watching this on my computer because it will be shown on December 11.

The Beloved, a few years ago, taught me something about “non-violent communication,” which is a soulful way of expressing yourself without pushing your wishes on anyone.  So rather than saying, “If you miss this, you’re nuts,” or “You should go to this gig if you want some extra added pleasure,” I will say only, “Would you be willing to consider the idea of this evening?  I think it will make you very happy.”  And I do.  My idea of absolute bliss, of course, is this: attend Rockland Music Hall.  Buy CD / DVDs in plural, keep one, give the rest as gifts, support the music and the musicians who do so much for us.

Here’s the Facebook link.  Look for me there (and say “Hello!” after).

And if you live far away or are tied to some responsibility on Dec. 11, you can order the CD / DVD package here.

May your happiness increase.

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RHYTHM, RHYTHM: ANDREW J. NEMR

I had never heard about Andrew J. Nemr before February 2010.  This unassumingly dressed young man was part of the audience at a Cangelosi Cards concert at the Shambhala Meditation Center — and someone invited him to come forward and join the band.  He had no instrument but put a wooden board, painted flat black, on the floor . . . and proceeded to dazzle us:

Here’s Andrew in duet with Gordon Au in 2011:

Andrew and friends — make that Friends — will be presenting three concerts on Thursday, Friday, and Saturday, September 20, 21, and 22, at Aaron Davis Hall (the City College of New York).  The concerts begin at 7 PM; the doors open at 6:30.  Admission is $15 per person; students with ID get in for $10.  You may purchase tickets here.   And here’s  the event’s Facebook page.

One of the highlights of the concert programs will be Andrew’s recreation of Bill Robinson’s famous Stair Dance — but there will be marvels and feats of dance that no one has yet imagined.

May your happiness increase.

PAY ATTENTION! JAKE SANDERS IS MAKING MUSIC

Guitarist and banjoist Jake Sanders must have gotten tired of being told that his first name — in Twenties slang — is a synonym for “great,” as in “Everything’s Jake!” meaning things couldn’t be better . . . but the name fits.

Youthful Mr. Sanders creates lovely melodies; he knows how to swing; his musical vocabulary is broad and rich without ever being artificially enhanced.

JAZZ LIVES viewers have seen him here as one of the guiding lights of the Cangelosi Cards.  Now, Jake is doing some New York City gigs on his own, and will be dividing his time between Wisconsin and New York — so I encourage you to get out and hear him!

Jake’s gig calendar can be found here:

http://www.losmusicosviajeros.net/home/cangelosi-cards/calendar.html

But here’s something to pay attention to — an upcoming gig at the cozy Jalopy Theatre in Red Hook, Brooklyn, on May 27, 2011.  From 9 to 10, Jake will play an opening set in a duo with guitarist Marko Gazic, presenting acoustic traditional guitar music from Mexico and Europe.  Then, Jake’s Quintet will play two sets — he’ll be joined by my heroes Gordon Au (trumpet), Will Anderson (reeds), Rob Adkins (bass), and Giampaolo Biagi (drums).  Andrew Nemr will also tap dance for a few songs in each set.

P. S.  I won’t be there — because I’ll be in Sacramento at the Jubilee.  Does anyone want to audition for the position of JAZZ LIVES videographic understudy?

HEAVENLY! (THE CARDS AND ANDREW NEMR, Feb. 27, 2010)

Here are four more performances from the Cangelosi Cards’ Feb. 27, 2010 evening at the Shambhala Meditation Center in New York.

Everyone knows or should know by now who the Cards are, but if you’ve come late to this particular version of swing enlightenment, they are Tamar Korn, vocals; Jake Sanders, banjo; Dennis Lichtman, clarinet and electric mandolin; Marcus Milius, harmonica; Gordon Au, trumpet; Debbie Kennedy, string bass.  Thanks to Paul Wegener for booking the Cards at Shambhala for what I hope is a long series of memorable evenings.

I first saw the Cards perform amidst dancers, who reflected the music in their ecstatic, sometimes homegrown spins and dips.  At the Shambhala, however, they turned the stage over to Andrew Nemr — someone I hadn’t known — a divinely inspired tap dancer who brought his own tiny wooden stage.  Here’s Andrew working out on a Charles Mingus blues, MY JELLY ROLL SOUL:

And what could be more traditional than the Cards jamming on I GOT RHYTHM around Andrew:

Then, Tamar resumed her place onstage to sing YOU’RE DRIVING ME CRAZY, complete with two sets of lyrics to the verse.  There’s a subtext here: Tamar said, with a hint of wicked glee in her eye, that Jake always gets a little worried when she calls this song, wondering if Tamar means him in particular.  Watch Tamar’s face when she gets to the title of the song: if that isn’t great comic acting, I don’t know:

Finally, a wistful but swinging reading of Walter Donaldson’s paean to domestic bliss and home ownership — MY BLUE HEAVEN.  I know this was one of the songs the Cards performed when I first saw them, and I delight in their reading, including the verse: 

Heavenly!