Tag Archives: Andy Schumm

IT’S CLASSIC! THE CLEVELAND CLASSIC JAZZ PARTY (Sept. 14-17, 2017)

Scott Robinson at the Cleveland Classic Jazz Party

Over the last dozen years, I have been to a variety of jazz parties and festivals, all of them deeply rewarding in singular ways.  But I have the longest ties to the Cleveland Classic Jazz Party.  Once it was Jazz at Chautauqua, then the Allegheny Jazz Party . . . but even when the name changes and the CCJP finds a new hotel to nest in, its spirited heart remains the same — very reassuring.  I also have a long history of writing about it: the very first post I did (2008) on this blog was called GOIN’ TO CHAUTAUQUA, and I’ve been posting videos from it for perhaps seven years now also.  Here is the post I wrote about the Party in June of this year: it has glorious music from Hal Smith, Frank Tate, and Rossano Sportiello at its center, too.

For those who shrink from Facebook as from Hades, the CCJP’s site is here.

Details?  On cornet / trumpet, Duke Heitger, Randy Reinhart, Andy Schumm; on trombone, Dan Barrett; on reeds, Dan Block, Ken Peplowski, Scott Robinson; on guitar / banjo, Howard Alden, Andy Brown; on piano, Ehud Asherie, James Dapogny, John Di Martino, Rossano Sportiello; on string bass, Joel Forbes, Nicki Parrott, Frank Tate; on drums, Ricky Malichi, Pete Siers, Hal Smith; on vocal, Petra van Nuis; gypsy swing quartet, the Faux Frenchmen; historian (giving a presentation on Ella’s centennial) Phil Atteberry.

On Thursday night, there’s an informal session (for donors and weekend patrons only) that begins at 7:30.  Friday begins with Phil Atteberry’s presentation on Ella (10:30-11:30) and then there are piano solos from 2-4 and an evening set from 5:30-11 and an hour’s set — anything goes — in the “Jazz Club.”  Saturday, music from 10-2 and again from 5:30-11 and 11-12.  Sunday, 9-1:30.  That is a banquet of music and good feeling, and because all the events are in the same hotel, there is no scuttling between one site and another.  Nancy Hancock Griffith and Kathy Hancock are kind and attentive to detail, so things work.  I booked the hotel some months back, and a plane trip more recently.

There’s nothing like being on the scene, digging the sounds, among like-minded and likeable people.  Now, some video evidence.

and

and

As musicians used to say, “Don’t sleep on this one.”  As I say, “It’s only six weeks away, and the CCJP has been known to sell out — not in an aesthetic way, mind you.  See you there!

And — to get darker, but only for two bars.  Money and health and plans get in the way of people attending parties and festivals and gigs, and no one could take those facts lightly.  But I meet so many people who say, nicely, “Oh, I’d love to go there.  Maybe in a couple of years!” and when the couple of years have passed, the “there” is no longer there.  If you can, bestir yourself.  Events — as large as the CCHP or as compact as the guitar trio at the local restaurant on Friday — vanish without your support.  And doing is always better than wishing you had done.  What’s gone is gone.

May your happiness increase!

BY ENLIGHTENED POPULAR DEMAND! MORE FROM HOT CLASSICISM — KRIS TOKARSKI, HAL SMITH, ANDY SCHUMM (Snug Harbor, Sept. 25, 2017)

I love this little band.  There!  I’ve said it.  Kris Tokarski, piano; Hal Smith, drums; Andy Schumm, cornet and clarinet.  Snug Harbor, New Orleans, September 25, 2016.

HOT CLASSICISM is on the move!  And this posting is in honor of Brother Hal, for many reasons, obvious and otherwise.

FORGET-ME-NOT (with ties to Bix and Whiteman):

SUNDAY (from 1927 on, a reliable mood-improver):

STOMP OFF, LET’S GO! (thanks to Erskine Tate and that chubby young man from Back O’Town):

SHIM-ME-SHA-WABBLE (a dance we all love — more about it here):

ANGRY (not really, just excited, courtesy of the NORK):

More to come.  Yes, still more!

May your happiness increase!

MORE FROM “HOT CLASSICISM” — KRIS TOKARSKI, ANDY SCHUMM, HAL SMITH — at SNUG HARBOR, SEPTEMBER 25, 2016

The trio of Kris Tokarski, piano; Hal Smith, drums; Andy Schumm, cornet and clarinet, called HOT CLASSICISM, is one of the most consistently satisfying jazz groups I know.

Here are a few more delights from their chamber recital in New Orleans last September.

A modern version of the Jelly Roll Morton – King Oliver duet on KING PORTER STOMP, scored for cornet and piano:

“Chicago style,” dirty but not unclean — fully realized on this rendition of MECCA FLAT BLUES:

PARKWAY STOMP (which, if my ears are right, is a very close cousin to Shelton Brooks’ DARKTOWN STRUTTERS’ BALL, and the 1928 recording originally featured Al Wynn, Punch Miller, and a very young Sidney Catlett).  In Big Sid’s honor, Hal “whips them cymbals” with precision and energy:

and, finally, for this interlude, an evocation of “the dear boy” from Iowa:

There will be more from this glorious compact inspired band to come.

May your happiness increase!

TRIO SONATAS FOR CLARINET, PIANO, and PERCUSSION, OPUS 9.25.16: KRIS TOKARSKI, ANDY SCHUMM, HAL SMITH at SNUG HARBOR

No, not Cortot-Thibaud- Casals, or any more formally garbed trio.  Rather, another visit to the marvelously melodic world of Hot Classicism, the trio of Kris Tokarski, piano; Andy Schumm, cornet and clarinet; Hal Smith, drums, described here.

One of the pleasures of visiting New Orleans last September for the Steamboat Stomp was the opportunity to visit some places new to me off the steamboat, one of them being Snug Harbor — living up to its name — to hear the trio perform on September 25, 2016.  I posted five glowing performances, glowing even in the purple haze, here, some time back, so now it’s time for more.

What makes these performances a little different is that they all have Andy on clarinet, which he plays with his usual passion and precision, here summoning up Noone, Dodds, early Benny, Don Murray, Fud, Tesch, Mezz who had stuck to practicing, and a few others — all nicely combined in his own beautiful personal synthesis. Incidentally, Andy does play some cornet here, but you already noticed that.  Kris and Hal show why they are intensely and intently reliable, creative, swinging, and surprising.

And some beautifully obscure, seldom-played songs to improvise on.

I’D RATHER CRY OVER YOU:

ORIENTAL MAN (where “Oriental” means generically Asiatic rather than Chinese, if I recall correctly):

FORGET-ME-NOT:

RED RIVER BLUES (with the most gorgeous Hal Smith press rolls):

There’s more to come from this peerless hot chamber trio.

May your happiness increase!

AUTUMN SERENADE: CLEVELAND CLASSIC JAZZ PARTY (Sept. 14-17, 2017)

I attended my first version of this party (it was then held in upstate New York and called JAZZ AT CHAUTAUQUA) in September 2004, and I wandered around in a dream-state, astonished by the music and the musicians, many of whom I’d heard for years but hadn’t been able to speak to in person.  And as a journalistic aside, the very first blogpost I wrote here — in early 2008 — was called GOIN’ TO CHAUTAUQUA — so this party and this blog have had a long cozy relationship.

A few years ago the party moved itself to Cleveland, Ohio, and reinvented itself — thanks to Nancy Griffith and Kathy Hancock — as the CLEVELAND CLASSIC JAZZ PARTY. Here is the event’s Facebook page.

In a world where jazz festivals get bigger and bigger and then sink without a trace, the CCJP is going strong.  From Thursday, September 14, to Sunday, September 17, 2017, music will be joyous and triumphant in comfortable surroundings among friends.  And the music is solid Mainstream, with no gimmicks — which you could expect, given the roster of performers.  The flyer I am looking at has, in small type, “Roster and Schedule subject to change,” but I think the players are fairly certain, barring attack by androids or arachnids.

On cornet / trumpet, Duke Heitger, Randy Reinhart, Andy Schumm; on trombone, Dan Barrett; on reeds, Dan Block, Ken Peplowski, Scott Robinson; on guitar / banjo, Howard Alden, Andy Brown; on piano, Ehud Asherie, James Dapogny, John Di Martino, Rossano Sportiello; on string bass, Joel Forbes, Nicki Parrott, Frank Tate; on drums, Ricky Malichi, Pete Siers, Hal Smith; on vocal, Petra van Nuis; gypsy swing quartet, the Faux Frenchmen; historian (giving a presentation on Ella’s centennial) Phil Atteberry.

On Thursday night, there’s an informal session (for donors and weekend patrons only) that begins at 7:30.  Friday begins with Phil Atteberry’s presentation on Ella (10:30-11:30) and then there are piano solos from 2-4 and an evening set from 5:30-11 and an hour’s set — anything goes — in the “Jazz Club.”  Saturday, music from 10-2 and again from 5:30-11 and 11-12.  Sunday, 9-1:30.  My math won’t stand the strain, but that is a great deal of music.  And as someone who feels morally committed to seeing and often recording everything, I appreciate the breaks, which give me and others time to sit and talk in tranquility.

For details — the name of the hotel, prices for individual sessions or the whole weekend, student scholarships, meals, and more, check here.

Should you go?  I think you should, if you can:

If that swinging jazz (from left, Hal Smith, Frank Tate, Rossano Sportiello) doesn’t in some ways motivate you, I don’t know what to suggest.

May your happiness increase!

“IS IT HOT IN HERE?” “NO, IT’S THE BAND”: HOT CLASSICISM ON THE RIVER (KRIS TOKARSKI, ANDY SCHUMM, HAL SMITH) SEPT. 23, 2016, PART TWO

HOT CLASSICISM is the name adopted by Kris Tokarski, piano; Andy Schumm, cornet and clarinet; Hal Smith, drums.  I am proud to know them and happy to hear them.  This is the second part of their set on the Steamboat Natchez during the 2016 Steamboat Stomp; here is the first.

What follows is another lively tour of all the shadings of hot, inspired by the heroes of Chicago, New Orleans, New York, and elsewhere — precision without stuffiness, eagerness without chaos.  The repertoire is classic but not exhausted, and the performances are vibrant.

NOBODY’S SWEETHEART NOW:

MISTER JOE:

JUST GONE:

MY GAL SAL:

TOM CAT BLUES (a duet for Andy and Kris):

STOMP OFF, LET’S GO!:

Wonderful cohesive inspired music.  Follow Kris, Hal, and Andy on Facebook to track down their next gigs.

May your happiness increase!

“FROGGIE MOORE” and SO MUCH MORE: HOT CLASSICISM ON THE RIVER (KRIS TOKARSKI, ANDY SCHUMM, HAL SMITH) SEPT. 23, 2016

hot-classicism

What’s hot, has six legs, and floats?  Easy.  HOT CLASSICISM, the trio of Kris Tokarski, piano; Andy Schumm, cornet and clarinet; Hal Smith, drums, when they’re on board the steamboat Natchez on the Mississippi River — in this case, Saturday, September 23, 2016, as part of last year’s Steamboat Stomp.  But you knew the answer already.  (And in the name of accuracy, they float even when on dry land — musically, that is.)

Here’s the first half of a hot, historical but expansively creative set that this trio performed for us on the boat: with admiring glances at Jelly Roll Morton, Tiny Parham, King Oliver, Bix Beiderbecke, Doc Cooke, Freddie Keppard, Albert Wynn, Sidney Catlett, Punch Miller, and dozens of New Orleans and Chicago hot players whose names you would also know.

This Morton tune is called FROG-I-MORE or FROGGIE MOORE RAG (I think those are all the variants) and Mister Morton said it was named for a vaudeville contortionist.  No doubt:

SUNDAY, a tune that all the musicians in the world love to play, takes me back to Jean Goldkette in 1927, even though the Keller Sisters and Lynch didn’t make it to the boat:

Are your tamales hot?  They should be.  Freddie Keppard’s were:

A beautiful slow groove:

I could be wrong, but I think PARKWAY STOMP is a romp on the changes of DARKTOWN STRUTTERS’ BALL — something that was being done long before ANTHROPOLOGY and ORINTHOLOGY.  The Albert Wynn recording with Punch Miller is also an early Sidney Catlett recording, something the Honorable Hal Smith knows well:

Who remembers Tiny Parham?  Jen Hodge does, and I do, and Milt Hinton did.  So does HOT CLASSICISM:

What a wonderful hot band!  There’s another serving to come, but until then, you might investigate this delight.  And HOT CLASSICISM has gigs to come: follow Kris, Hal, Andy on Facebook.  You will be rewarded for diligence.

May your happiness increase!