Tag Archives: Ann Ronell

PARADOXES OF FEELING: BRIAN HOLLAND, MARC CAPARONE, JOHN OTTO, STEVE PIKAL, DANNY COOTS at the EVERGREEN JAZZ FESTIVAL (July 27, 2019)

Ann Ronell’s 1932 song is a terribly sad one, a story of romance that failed.  Here is the verse that few sing — perhaps because it is so openly melancholy:

Oh Lord, why did you send the darkness to me?
Are the shadows forever to be?
Where’s the light I’m longing to see?
Oh Lord, once we met by the old willow tree
Now you’ve gone and left nothing to me
Nothing but a sweet memory.

But the instrumental version I present here — although its hues are dark — does not leave this listener feeling despondent.  Rather, I admire the technical, lyrical, and emotional mastery of these players: Brian Holland, piano; Marc Caparone, cornet; John Otto, reeds; Steve Pikal, string bass; Danny Coots, drums, in this performance recorded at the 2019 Evergreen Jazz Festival:

One reason I call this post PARADOXES OF FEELING is that the five people playing such gloriously sad music are not in themselves depressives — to them it’s another artistic opportunity to enter an emotional world, fully inhabit it, and then move on to something of a different hue, perhaps CHINATOWN, MY CHINATOWN, and “be” that song as well.

Another reason, more personal, is that tomorrow morning, when it is still quite dark, I will be driving to the airport to travel to the San Diego Jazz Fest, where this band and others will work marvels right in front of us.  The other bands?  Hal Smith’s “On the Levee Jazz Band,” Grand Dominion, the Yerba Buena Stompers, John Royen’s New Orleans group, the Carl Sonny Leyland trio, the Chicago Cellar Boys, and too many others to mention . . . to say nothing of attending everyone’s set.  I’ll see my friends and heroes Jeff Hamilton, Kris Tokarski, Clint Baker, John Gill, Katie Cavera, and others — even if only in passing in the halls.

If I’m not laid low by a spoiled avocado or attacked by an enraged fan who wants to know why his favorite band doesn’t receive sufficient coverage on JAZZ LIVES, I will return with evidence of beauties, sad or joyous, to share with you.

May your happiness increase!

DELIGHT IN DURANGO: BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL, JUDY MULDAWER (March 24-26, 2017)

Imagine — a new band, five versatile creative players who obviously delight in the music and in the joyous collaboration.  At the moment, it’s called the Holland – Coots Quintet, with a more elaborate name to follow.  We’re fortunate to have an abundance of evidence about how good this band sounds, recorded by musician and archivist Judy Muldawer at the 5th annual Durango (Colorado) Ragtime and Early Jazz Festival, March 24-26, 2017.  The link to see the videos is http://www.banjojudy.com/2017/03/durango-ragtime-and-early-jazz-festival-2017-videos/.

The HCQ is Brian Holland, piano; Danny Coots, drums; Evan Arntzen, clarinet / tenor saxophone; Steve Pikal, string bass; Marc Caparone, trumpet.  Also at the festival were Carl Sonny Leyland, Morten Gunnar Larsen, and Adam Swanson. Here are brief biographies of all the players.

Judy’s YouTube channel is here, and it’s full of delights (I subscribed as soon as the first video emerged).  She also maintains a flourishing website with audio recordings from this and other festivals: for more video links and the audio files from the 2017 festival, visit http://banjojudy.com.  The key word in the search engine is “durango”.

and something sweet by James P., sung by Evan:

Doctor Caparone prescribes:

Judy has uploaded to YouTube more than fifty videos from this festival, and her own website has what seems like hours of audio, as if she’d stayed in her seat as a devoted archivist would.

And reliable sources have told me that this band — the HCQ — will be making a CD this summer.  I look forward to it.

May your happiness increase!

BACK BY POPULAR DEMAND!: TED BROWN / MICHAEL KANAN / MURRAY WALL / TARO OKAMOTO: Hotel Kitano, Jan. 12, 2011

This posting came about because at JAZZ LIVES, we take our mission seriously.  And when a trusted reader wrote in just an hour ago to say, “I was at Ted’s gig at the Kitano — it was one of the great evenings of jazz I remember.  Do you think you could post another couple of the swinging tracks?  He swung that night!”

Nothing simpler.  With pleasure!

FEATHER BED (on YOU’D BE SO NICE TO COME HOME TO):

LULLABY OF THE LEAVES:

Thank you, dear reader, and dear gentlemen of the ensemble.

SWING OUT WITH GENEROSITIES: CLICK HERE!

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