Tag Archives: Antti Sarpila

YOUR HAPPINESS LIES / RIGHT UNDER YOUR EYES, or POSTPONE THAT TRIP (2020 Edition)

I believe that the first version of this now-neglected classic song I heard was Jolson’s, then Billie’s . . . and it is even more pertinent now, as an antidote to the restless itch to be somewhere else, or to have a “bucket list” of places to visit.  In this time of sheltering-at-home, to me it seems the ideal soundtrack, even if your backyard is only imaginary or remembered.

From 2011:

2012:

Later that year, and closer to my backyard:

2014:

and 2016:

I even have a version of this song recorded in March 2020, but it hasn’t passed the Imperial Board of Censors just yet.  And since I am keenly aware of ironies, I know that for all but one of these performances celebrating the joys of one’s own place, I had to get on a plane to enjoy and record it.  Calling Steven Wright or perhaps Ralph Waldo Emerson — the latter of whom wrote “Traveling is a fool’s paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from.

So today, perhaps, I will put off the thrilling journey to the Post Office and, later, when adventure calls to me, I will take the cardboard boxes to the recycling area. Back in my own backyard for sure.  Possibly constrained, but reasonably safe from harm.

May your happiness increase!

 

WHEN IT’S APRIL IN WESTOVERLEDINGEN, GOOD SOUNDS HAPPEN (April 8-10, 2016)

Westoverledingen

Westoverledingen, Germany, a city with an imposing name, is not known worldwide as the cradle of jazz, but memorable music has been created there for the past thirty years and more by Manfred Selchow.  Manfred doesn’t play an instrument, but I feel secure in writing that he has done more for jazz than many people who do play.

I first encountered Manfred, or Mannie, as people call him, as a jazz scholar, because of his splendid documentation of clarinetist Edmond Hall’s life, performances, and recordings in a substantial book, PROFOUNDLY BLUE. Then he did the same thing for another hero of mine, trombonist Vic Dickenson, in a book he called, properly DING! DING!.

But Manfred likes the real thing, created on the spot, as much as he adores recordings — so he has invented and produced concert tours and festivals of some of the greatest musicians of this era.  (Many of his concerts have been recorded and the results issued on the Nagel-Heyer label.)

I first met Manfred and his wife Renate in 2007, when I also had the distinctive pleasure of encountering Menno Daams, Frank Roberscheuten, Colin T. Dawson, Oliver Mewes, Chris Hopkins, Shaunette Hildabrand, Bernd Lhotzky, and others.  At the time I didn’t have a blog or a video camera, so perhaps I only documented those evenings for the much-missed The Mississippi Rag.  

Jazz im Rathaus

Here’s a wonderful example of what takes place under Mannie’s amiable direction — a 1992 romp by Marty Grosz, Peter Ecklund, Dick Meldonian, Keith Ingham, Bob Haggart, Chuck Riggs (video by Helge Lorenz):

and more recently, a 2013 session with Menno Daams, Nicki Parrott, Bert Boeren, Antti Sarpila, Engelbert Wrobel, Joep Peeters, Chris Hopkins, Helge Lorenz, Jan Lorenz:

And since I gather that “Jazz im Rathaus” means roughly “Jazz at the Town Hall,” the shades of Louis and Eddie Condon are properly approving.

Now, for April 2016!  Consider the listings below:

Friday, April 8, 2016 – 8:00 – 10: 30 p.m.

Swingin’ Ladies + 2
Jazzfestival
(with Engelbert Wrobel, reeds; Stephanie Trick, Paolo Alderighi, piano; Nicki Parrott, bass / vocal)
Rathaus Ihrhove
Bahnhofstraße
26810-Westoverledingen
Germany

Saturday, April 9, 2016 – 8:00 – midnight.

Jazzfestival “Jam Session Night”
(with Engelbert Wrobel, Paolo Alderighi, Nicki Parrott, Menno Daams, Enrico Tomasso, trumpet; Bert Boeren, trombone; Matthias Seuffert, reeds; Niels Unbehagen, piano; Nico Gastreich, bass; Moritz Gastreich, Bernard Flegar, drums)

Set One: “We Called It Music”: Enrico Tomasso, Bert Boeren, Matthias Seuffert, Niels Unbehagen, Nico Gastreich (leader), Moritz Gastreich.

Set Two: “Around Broadway”: Engelbert Wrobel (leader), Paolo Alderighi, Stephanie Trick, Nicki Parrott, Bernard Flegar.

Set Three: “The Stardust Road”: Menno Daams (leader), Matthias Seuffert, Engelbert Wrobel, Paolo Alderighi, Nicki Parrott, Moritz Gastreich.

Set Four: “What A Wonderful World”: Enrico Tomasso, Bert Boeren, Matthias Seuffert, Niels Unbehagen, Nico Gastreich, Bernard Flegar.

At the finale all the musicians join in.

same location as Friday

Sunday, April 10, 2016 – 11:00 a.m. – 2 p.m.

Jazzfestival “Jazz Frühschoppen”
(with Engelbert Wrobel, Paolo Alderighi, Nicki Parrott, Menno Daams, Enrico Tomasso, Bert Boeren, Matthias Seuffert, Niels Unbehagen, Nico Gastreich, Moritz Gastreich, Bernard Flegar)

Set One: “Basie Jam”: Enrico Tomasso, Bert Boeren (leader), Engelbert Wrobel, Niels Unbehagen, Stephanie Trick, Helge Lorenz, guitar; Nico Gastreich, Moritz Gastreich.

Set Two: “To Billie, Teddy, and Pres”: Menno Daams, Matthias Seuffert, Paolo Alderighi, Stephanie Trick, Nicki Parrott (leader), Bernard Flegar.

Set Three: “Jazz at the Philharmonic Remembered”: Matthias Seuffert (leader) plus all of the other musicians in various combinations.

same location as Friday and Saturday

And here is another version of that information.  (And now I know what “Vorschau” means, so don’t let anyone tell you that blogging isn’t educational.)

Vorschau

I’m going.  How could I resist?  So I hope to meet some of the faithful there — even people who know of this blog — for good music and good times.

My dear friend Sir Robert Cox tells me that there are many good hotels in Papenburg and Leer only minutes away at €90 – €100/night ($100-110) with breakfast.

For more information, use the phone number on the bottom of the program:

(0049) 04955 933225. (Mainly German speaking, possibly some English)
email: helmer.alberring@westoverledingen.de

or Manfred Selchow (0049) 04955 8216. (English and German)

or Bob Cox (0044) 01634 232934. (English)
email: coxes@tesco.net

May your happiness increase!

HELP FAST EDDIE GET BACK TO SPEED

Eddie Erickson and Becky Kilgore, striking a pose in 2008

Eddie Erickson and Becky Kilgore, striking a pose in 2008

If you don’t know Eddie Erickson, I humbly suggest that your life has been incomplete.  “Fast Eddie,” as he’s also called, is many things: a swinging solo and rhythm guitarist; a blazing banjoist; an incomparable clown and vaudevillian; a remarkably moving ballad singer.  I first encountered him as one-third or one-fourth (who’s counting?) of B E D, named for Becky Kilgore, Eddie, and Dan Barrett, with essential swing counseling from the “silent J,” Joel Forbes.

Here is Eddie as the captivating balladeer (in 2011, with Sue Kroninger and Chris Calabrese):

Here is Eddie as the wonderful swingster (in 2014, with Becky Kilgore, Dan Barrett, Rossano Sportiello, Nicki Parrott, Ed Metz):

Here is Eddie the irrepressible comedian, making old jokes seem new (in 2014, with Johnny Varro, Bria Skonberg, Antti Sarpila, Nicki Parrott, Chuck Redd):

How could a man so ebullient have medical problems?  Well, if you know Eddie, you know he’s recently recovered from serious heart surgery — a replacement valve — and is slowly, slowly doing all right.  He is recovering at home.

But he has expenses to pay.  You know what those white envelopes that come from the hospital, the medical group, and other people look like?  He’s got a pile of them.  And a free-lance jazz musician, a Swing Troubadour, is not always a bourgeois sort with a regular salary.  So if you can’t gig for some time while recovering . . . you can imagine.

(This is not, I assure you, an empty appeal.  I don’t like to use JAZZ LIVES to sell products or to raise money — but this afternoon I walked to the mailbox and sent a check before writing this blogpost.)

“Here’s the deal,” as Eddie and  Bill Dendle would say.

This little appeal for funds has been vouched for by Sue Kroninger, someone I trust deeply, and I’ve just gotten off the phone with Elinor Hackett, someone who loves Eddie sincerely — another secular saint.

Elinor, a dear friend/fan/supporter of Eddie (indeed a supporter of trad jazz, youth programs, festivals and live music) has opened an account at Chase, which will be used to collect any donations to help Eddie in his efforts to get well and pay his medical bills. Eddie has given so much love to so many people throughout his life, that it seems fitting that this time it’s his turn to receive some love in return.  At the moment, the account is in Elinor’s and Eddie’s sister, Diane’s name — Eddie will be able to access the money when he is a little stronger.

Thanks for giving this your attention. Please pass it along to anyone who you feel might also be interested.  I know that many people who love Eddie don’t always have computers or spend as much time on them as we do.

Please send as ample a check as you can to Elinor Hackett at the address below. Make the check out to Elinor, and write “Gift of Love to Eddie” in the memo space of your check.  Mail it to Elinor Hackett, 9037 Mojave Dr, Sacramento, Ca 95826-4521.

All checks will be logged and deposited in this special “Love Eddie” account.
Questions?  Email elnor2jaz@gmail.comor / phone 916-363-8895

And a few lines for me: it is more blessed to give than to receive, and the joys of doing a kindness last longer than the pleasure one has in being the recipient.  I don’t want to belabor the point, but I shall: if everyone who’d ever laughed hilariously or grown teary at a performance by Eddie Erickson sent him the price of a Starbucks coffee or a two-pound bag of supermarket potato chips, he would never have to worry.

Thank you for reading this.  And thank you even more on Eddie’s behalf.

May your happiness increase!

SWEET AND SALTY: EDDIE ERICKSON’S AMERICANA at the 2014 SAN DIEGO JAZZ PARTY

This version of SIDE BY SIDE, performed by Mr. Erickson at the  February 2014 San Diego Jazz Party, has some surprises.

Eddie’s co-conspirators (some of them who may not know the script) are Johnny Varro, piano; Nicki Parrott, string bass; Chuck Redd, drums; Bria Skonberg, trumpet; Antti Sarpila, clarinet.  But the spotlight is justifiably on Mr. Erickson, great guitarist, seductive vocalist, splendid improvisatory-theatre director and comedian, creating a sweet collective experience that turns comic at the end:

I read what I could about the closing verse and one source says that of course the author is Anonymous, but this set of lyrics is said to have originated during the Second World War.  Seems right to me: the sort of thing that soldiers could sing to amuse themselves, that children could learn and horrify their parents, and that we could all remember — a sort of guilty pleasure.

May your happiness increase!

KILGORE SWINGS EMERSON

In SELF-RELIANCE, Ralph Waldo Emerson writes, “The soul is no traveller; the wise man stays at home.” BACK IN YOUR OWN BACKYARD, written by Dave Dreyer, Billy Rose, and Al Jolson in 1928 (I would give almost all of the credit to Mr. Dreyer) makes the same claim in a different way. It proposes that home is so lovely that it makes travel unnecessary, and that those who roam find their greatest happiness when they return — nostalgia more than transcendentalism, perhaps, but the effect is the same.

Rebecca Kilgore doesn’t present herself as a philosopher, although she does hail from Massachusetts, home of Emerson, Thoreau, and the Alcotts, but she makes this philosophical statement exultant in its hopefulness and its swing.

This performance was recorded at the 26th San Diego Jazz Party, on February 22, 2014.  The other philosophers on the stand are Chuck Redd, drums; Nicki Parrott, string bass; Eddie Erickson, guitar; Johnny Varro, piano; Bria Skonberg, trumpet; Antti Sarpila, clarinet.

Home is where such music is.

May your happiness increase!

FABULOUS FRIDAY at the SAN DIEGO JAZZ PARTY (Part One): FEBRUARY 21, 2014

A week ago (that would be February 21) I was ready to have fun at my first-ever San Diego Jazz Party.  And I certainly did.  The music below will speak — and play and sing — for itself, but the SDJP was a real pleasure . . . comfort all around, the details managed gently and wisely, the musicians smiling.  As were we.

Here are a few shining examples of how fine the music was, how comfortable the musicians were . . . couldn’t ask for more!

If you need more words — data, information, facts —   here is what I wrote about the party as it was in progress.  But I think you’ll want to hear and see some of the joyousness first.

WABASH BLUES (Ed Polcer, cornet; Dan Barrett, trombone; Antti Sarpila, soprano saxophone; Bucky Pizzarelli, guitar; John Cocuzzi, piano; Richard Simon, string bass; Ed Metz, drums):

ROBBINS’ NEST (John Allred, trombone; Harry Allen, tenor saxophone; Chuck Redd, vibes; Jason Wanner, piano; Dave Stone, string bass; Butch Miles, drums):

THE FIVE O’CLOCK WHISTLE (Rebecca Kilgore, vocal; Eddie Erickson, guitar; Dan Barrett, trombone; Rossano Sportiello, piano; Nicki Parrott, string bass; Ed Metz, percussion and miscellaneous instruments):

That, dear friends, is just a sample of how delicious the whole weekend was.  And my videos — which I am proud of — can’t convey the whole experience.  You’ll just have to be there in 2014.

May your happiness increase!

GOOD, BETTER, BEST: SWEET NOTES FROM THE 26th SAN DIEGO JAZZ PARTY

The musicians are taking a break; it’s too early for another meal; what should I do?  I can share my joy at being at the San Diego Jazz Party, that’s what.

It’s only about twenty percent through (there’s still a full day-and-a-half of music to come) but it has been splendid.  Nicely organized, humanely planned — all the things that make a jazz weekend comfortable as well as gratifying — and the music last night was often spectacular.  You can find out the complete list of players here but I just want to speak of a few delicious moments that happened last night so you, too, can get a taste . . .

Even before the official festivities began, there was wonderful music during the cocktail hour: Harry Allen, Dan Barrett, Eddie Erickson, Jason Wanner, and Dave Stone started slow and easy and then romped through a closing IDAHO; Antti Sarpila, Chuck Redd, Bria Skonberg, Rossano Sportiello, and Nicki Parrott followed with a passionate NEW ORLEANS and an old-school SOMEBODY STOLE MY GAL.

(During the soundcheck that followed, Sarpilla sat down at the piano and quietly — as if no one had been listening — played a sweet, streamlined DROP ME OFF IN HARLEM, which was a private treat.)

A ten-minute swaggering WABASH BLUES was offered to us by Ed Polcer, Bria, Antti, Bucky Pizzarelli, John Cocuzzi, Richard Simon, Ed Metz.  A smaller group — John Allred, Harry Allen, Chuck Redd, Jason Wanner, Dave Stone, and Butch Miles — showed us what Groovy and Sweet meant in less than half an hour, with a coasting ROBBINS’ NEST, a from-the-heart SOLITUDE, and an exuberant CHEROKEE.  Becky Kilgore, looking mighty glamorous, took the stage with old pals Barrett and Erickson, Rossano Sportiello, Nicki Parrott, and Ed Metz for a set that culminated in the best FIVE O’CLOCK WHISTLE since Ivie Anderson, and a Romany duo: Becky’s own THE GYPSY (which began with a tender Sportiello-Barrett duet) followed by Eddie’s narrative of finding love and caffeine, IN A LITLE GYPSY TEAROOM.

And four more sets followed!  How about a duo of Venerables Bucky Pizzarelli and Mundell Lowe (the latter now 91) for — among other beauties — I REMEMBER YOU and an Oscar Pettiford blues?  Bria Skonberg told us all about Ruth Etting and then sang and played — with real ardor — LOVE ME OR LEAVE ME.  Houston Person wooed the crowd with medium-tempo ballads and Ellington; Anti Sarpilla took out his curved soprano for SUMMERTIME and his clarinet for RUNNIN’ WILD, and a band of Harry Allen, Bria, and Dan Barrett, Rossano, Richard Simon, and Butch Miles created a hot THEM THERE EYES, which made many pairs shine and gleam.

If you were in the audience, you know I am understating what we all saw and heard.  More to come.  Save your quarters, make your plans for 2105.

May your happiness increase! 

UNDER WESTERN SKIES, JAZZ HORIZONS

Long-Beach-California-Sunrise

With great pleasure, I have transplanted myself from one coast to the other, from suburban New York to Marin County in California, where I will be for the next eight months.  So what follows is a brief and selective listing of musical events the Beloved and I might show up at . . . feel free to join us!

Clint Baker and his New Orleans Jazz Band will be playing for the Wednesday Night Hop in San Mateo on January 8: details and directions here.

Emily Asher’s Garden Party will be touring this side of the continent in mid-January, with Emily’s Hoagy Carmichael program.  On January 16, she, friends, and sitters-in will make merry at a San Francisco house concert: details here.  On the 17th, the Garden Party will reappear, bright and perky, at the Red Poppy Art House, to offer another helping of subtle, lyrical, hot music: details to come here.

Clint and Friends (I don’t know the official band title, so am inventing the simplest) will be playing for the Central Coast Hot Jazz Society in Pismo Beach on January 26.  Details are not yet available on the website, but I have it on good authority that the band will include Marc Caparone, Dawn Lambeth, Mike Baird, Carl Sonny Leyland, and Katie Cavera.

A moment of self-advertisement: I will be giving a Sunday afternoon workshop at Berkeley’s The Jazz School  — on February 9, called LOUIS ARMSTRONG SPEAKS TO US.  Details here.’

And, from February 21-23, the Beloved and I will be happily in attendance at the San Diego Jazz Party — details here — to be held at the Del Mar Hilton, honoring guitar legend Mundell Lowe and featuring Harry Allen, John Allred, Dan Barrett, John Cocuzzi, John Eaton, Eddie Erickson, Rebecca Kilgore, Ed Metz, Butch Miles, Nicki Parrott, Houston Person, Bucky Pizzarelli, Ed Polcer, Chuck Redd, Antti Sarpila, Richard Simon, Bria Skonberg, Rossano Sportiello, Dave Stone, Johnny Varro, Jason Wanner.  The sessions will offer solo piano all the way up to nonets, with amiable cross-generational jazz at every turn.  In a triumph of organization, you can even see here who’s playing with whom and when, from Friday afternoon to Sunday farewell.

In March, the Jazz Bash by the Bay in Monterey . . . make your plans here!

And — a little closer to the here and now — if you don’t have plans for a New Year’s Eve gala, check out ZUT! in Berkeley.  Good food — and Mal Sharpe and the Big Money in Jazz (with singer Kallye Gray) will be giving 2013 a gentle push at the stroke of midnight.  Details here.

We hope to see our friends at these events!

May your happiness increase!

WHEN SWING BECOMES BLISS: ADVENTURES WITH ENGELBERT WROBEL and FRIENDS

EngelSax2010

The man smiling at you might not be a familiar sight, but he is a superb reed player named Engelbert Wrobel.  (Ask Dan Barrett about this master of the saxophones and clarinet).  Wrobel is a splendidly swinging player on his own — who also puts together irreplaceably gratifying jazz ensembles.

Before we proceed, how about some evidence?  Here’s LADY BE GOOD — performed a few years ago by Engelbert, clarinet, tenor; Chris Hopkins, piano; Rolf Marx, guitar; Henning Gailing, string bass; Oliver Mewes, drums — with reed guests Antti Sarpila and Frank Roberscheuten.  Thus, THE THREE TENORS OF SWING:

Evocative without being an exact copy — except when the frontline launches into a delightful reading of Lester’s 1936 solo, something I look forward to.

3_tenors_nahga

This group has made one recording for its own Click label (which delightfully duplicates the black-and-white splendor of a 1938 Brunswick 78 label — we care about such things!) and a new one is just out — THE THREE TENORS OF SWING ON STAGE, recorded at two concerts in 2011.  (In the photograph on the left, it’s Antti Sarpila on the left, Frank Roberscheuten in the center, and Engelbert on the right.)

The sound on the CD is wonderful, the musicians delightfully inspired, and the repertoire varied.  I was listening to it for the first time this afternoon, and when the disc was about halfway through, I stopped it, and said to myself, “I have to write about this right now.  It is so good.”  It features Antti Sarpilla, Frank Roberscheuten, and Engelbert on reeds, with a rhythm section of Rolf Marx, guitar; Chris Hopkins, piano; Henning Gailing, string bass; Oliver Mewes, drums.

Three_Tenors_on_Stage__2_

The songs will say a great deal about the variety and range of this group, evoking (but not copying) Lester Young, Coleman Hawkins, Ben Webster, Benny Goodman small groups, the Ellington reed section, the Basie band, Bob Crosby’s Bobcats and more: BEAN STALKING / SHAKE IT AND BREAK IT / BLACK AND TAN FANTASY / THE WORLD IS WAITING FOR THE SUNRISE / ANTTIBERT WROPILLA / JUBILEE STOMP / LA VIE EN ROSE / SOUTH RAMPART STREET PARADE / LESTER’S BOUNCE / SIX CATS AND A PRINCE / THE MOOCHE / I LET A SONG GO OUT OF MY HEART / TILL TOM SPECIAL / MISTY MORNING / WEBSTERITY.

I expected a smooth — but not slick — ensemble sound, with a swinging rhythm section, and I wasn’t disappointed.  What was even better was the writing: not just three horns playing in harmony or in unison, but clever arrangements that made this septet sound full and rich.  And although the repertoire (except for four original compositions) predates 1945, there isn’t the slightest hint of “repertory” stuffiness.  One track seems even more fresh and creative than the last, and it’s amazing that this was recorded in concert, with the energy built in to that situation.  It’s the kind of CD about which I say, “I want to go hear that again right now.”  You will, too.

My involvement with the second CD — featuring the International Hot Jazz Quartet (Engelbert, Duke Heitger, trumpet / vocal; Paolo Alderighi, piano; Bernard Flegar) is more personal.  I had heard, replayed, and much admired the first effort by this group — with Mewes on drums — on the Arbors label.

Some readers may know that I write liner notes for jazz compact discs.  But since my range is admittedly (or proudly) narrow, I don’t get asked to write about music outside my pleasure zone . . . and I won’t write about something I don’t like.

I read on Facebook that Engelbert had completed this disc and, perhaps coyly, sent him a message, “Do you need liner notes for this CD?”  Happily, the answer was yes . . . and the music is even happier.  Here are pictures of the covers and you can, I hope, read what I wrote — with no artificial ingredients.

still havin´ cover 200

Inside . . .

still havin´2

And . . . .

still havin´3

And . . . .

Still havin´4

Finally . . . .

still havin´back 200

Now you have it all — all except the music contained within, which is a thorough pleasure.  (I don’t know why the four members are photographed at school desks — they surely have graduated from any institutions of higher swing learning.  But no matter.)

To purchase this CD or others with Engelbert and friends, visit here.  You’ll be lifted into bliss — or your money back.

May your happiness increase!

IT’S THAT BOY AGAIN: JOHN COCUZZI, ANTTI SARPILA, EDDIE ERICKSON, JOHN SHERIDAN, NICKI PARROTT, ED METZ Jr.

What I mean is CHINA BOY, recorded on February 25, 2011, at the San Diego Jazz Party (held in the Del Mar Hilton) — performed by John Cocuzzi, vibraphone; Antti Sarpila, soprano sax; Eddie Erickson, guitar; John Sheridan, piano; Nicki Parrott, bass; Ed Metz, Jr., drums.

And here it is — at a splendidly fast tempo and in glorious black and white!

Who said, “Swing won’t stay and it’s dying out?”  I can prove I’m in the groove and they don’t know what they’re talking about!

For more information about the San Diego Jazz Party, visit http://www.sdjp.org.

“AIR MAIL SPECIAL”: JOHN COCUZZI, ANTTI SARPILA, BUCKY PIZZARELLI, JASON WANNER, RICHARD SIMON, and BUTCH MILES

Benny Goodman and Charlie Christian and the small groups they levitated (for only a brief time, 1939-41) continue to resonate, even though I believe that none of the original players survive.

But the music does.

Here is a fervent sample — recorded live at the 2011 San Diego Jazz Party.  (It comes from the “swingink” YouTube channel.)

This all-star sextet (led by Antti Sarpila) is playing AIR MAIL SPECIAL — composer credits Goodman, Christian, and Mundy — although my guess is that the composition should read CHARLES CHRISTIAN (100%), BENJAMIN DAVID GOODMAN (fine-tuning after the fact, percentage undetermined), and JAMES MUNDY (arrangement for big band).  Poor Charlie didn’t even live long enough to enjoy the royalties from his one-third, but that’s another story.

Many Goodman tributes are overseen by clarinetists, senior or junior, who have memorized the King’s fleet set-pieces without understanding the central nervous system that made them work so well.  Goodman seemed to use many notes, but he also had an intuitive grasp of space — how silence, like breathing, was essential to swing.  He had great flexibility on his instrument but was never shrill; he was melodic rather than loud.  Finnish clarinetist ANTTI SARPILA knows this from the inside out, having studied with the Master Robert Sage Wilber.

Then there’s the vibraphone / vibraharp — another instrument that lends itself, in the wrong hands, to swirling excesses: too many arpeggiated chords, too much jumping up and down a la Hamp, too much pounding.  If you simply watch JOHN COCUZZI’s mallets, you’ll be hypnotized — they go so fast, and in this performance one disintegrates under the strain (where is Dixie Rollini when you need her now?) but don’t let the flashing sticks fool you.  John’s phrases are elegant, his constructions logical and hot but never losing their cool.  He rocks!

Then there’s that wonderfully age-defying rhythm section: Uncle BUCKY PIZZARELLI, who is both the single-string Friend of Charlie Christian and a chording dynamo (a long-time Goodman alumnus); young titan JASON WANNER, spinning out beautifully nuanced piano lines; reliable swinger RICHARD SIMON; engine-room man BUTCH MILES.

Put them all together and you have an AIR MAIL SPECIAL that’s both riotous and right on time!

And for a reason to save your pennies or to make your own coffee now and again — John Cocuzzi has just recorded a delicious CD called GROOVE MERCHANT for the Arbors people — with Antti, the irreplaceable pianist John Sheridan, guitarist James Chirillo, bassist Frank Tate, and drummer Joe Ascione.  I’ve heard an advance copy and it swings in a lovely, insinuating way — and some tracks have become instant classics, stuck in the JAZZ LIVES car player.  Coming soon!

For now, dig this AIR MAIL SPECIAL: it repays frequent watchings.

HOW I WOULD SPEND MY SUMMER VACATION . . .

If I had what W.C. Fields used to call “the spondulics,” mountains of them, (“bucks,” for the uninitiated), I’d be following these bands around Europe.  I especially pant for the Schloss Elmau Swing Festival, which collects some of the finest musicians I’ve ever seen, many of them who have not made many American tours.  To see the gorgeous hotel, click here:

SCHLOSS ELMAU Swing Festival (“The Musicians’ Party”)

 Musical director: BERND LHOTZKY  

 May 27th – June 4th, 2010

Shaunette Hildabrand (voc), Scott Hamilton (ts), George Washingmachine (vio/voc), Duke Heitger (tp), Menno Daams (tp), Chris Hopkins (p/as), Frank Roberscheuten (cl/sax), John Allred (tb), Howard Alden (g), Bernd Lhotzky (p), Joel Forbes (b), Eddie Metz (dm), Michael Keul (dm).

 27.05.10: “The Grand Opening” | 28.05.10: “Moon Songs” | 29.05.10: “Dancing on the Ceiling – A Caribbean Affair” | 30.05.10: “George Gershwin Night” | 31.05.10: “Scott Hamilton” | 01.06.10: “The Various Talents of Mr. Daams” | 02.06.10: “Frank Roberscheuten’s Hiptett” | 03.06.10: “Metzo Forte” | 04.06.10: “Vive Le Hot Club De France – A Joyful Celebration of Django Reinhardt’s 100st Birthday” |

Information and booking: Schloss Elmau, 82493 Elmau / Bavaria (Germany), Tel.: D – 08823 / 18-0.  http://www.schloss-elmau.de

Special swing festival package – 7 nights // Special short stay saver – 5 nights

ECHOES OF SWING

Colin Dawson, Chris Hopkins, Bernd Lhotzky, Oliver Mewes  >4 Jokers in the Pack – and more!<

Their recent album was awarded the “Grand Prix du Disque de Jazz” du Hot Club de France

19.04.10 (20:30), NL-5691 Son, De Zwaan, NL – 0492 / 599890  //  20.04.10 (19:30), D-51399 Burscheid, Kulturscheune Dierath, D – 02174 / 81 47  // 21.04.10 (19:30), D-46236 Bottrop, Kammermusiksaal, D – 02041 / 3 40 18  // 22.04.10 (20:00), D-33102 Paderborn, Kulturwerkstatt, D – 05251 / 3 17 85 //  23.04.10 (20:30), B-4800 Verviers, Königl. Stadttheater, B – 087 / 64 72 67  //  24.04.10 (20:00), D-48249 Dülmen, Aula des Cl.-Brentano-Gymnasiums, D – 02594 / 12400  //  25.04.10 (11:00), D-42699 Solingen, Rheinisches Industriemuseum, D – 0212 / 23 24 1-12  //  26.04.10 (20:00), D-90523 Wendelstein, Jegelscheune, D – 09129 / 90 97 87  //  27.04.10 (19:30), D-97877 Wertheim, Arkadensaal im Rathaus, D – 09342 / 219 11  //  08.05.10 (19:30), D-86911 Dießen/Ammersee, Theatersaal im Augustinum, D – 08807 / 70115  //  09.05.10 (20:00), D-85591 Vaterstetten, Rathaus, D – 089 / 90 90 11 86  //  26.05.10 (20:00), A-6840 Götzis (Voralberg), Kulturbühne Ambach, A – 05523 / 54949  //  18.06.10, D-45127 Essen, Kulturpfadfest, Lichtburg, D – 0201 / 88 45045  //  27.06.10, D-82493 Elmau, Schloss Elmau, D – 08823 / 18-0  //  28.06.10, D-82493 Elmau, Schloss Elmau, D – 08823 / 18-029.06.10, D-82493 Elmau, Schloss Elmau, D – 08823 / 18-0  //  30.06.10, D-82493 Elmau, Schloss Elmau, D – 08823 / 18-0  //  08.08.10 (11:00), D-65343 Eltville am Rhein, Schloss Reinhartshausen, D – 01805 / 74 34  //  30.09.10 (20:30), D-86156 Augsburg, Spectrum Club, D – 0821 / 257 28-28  //  01.10.10 (20:00), D-84508 Burgkirchen, Bürgerzentrum, D – 08679 / 91503-210  //  14.10.10 (19:30), D-81375 München, Theatersaal im Augustinum, D – 089 / 1893799-24  //  15.10.10 (20:00), D-82380 Peißenberg, Tiefstollenhalle, D – 08803 / 63 23 03  //  16.10.10 (20:00), D-82229 Seefeld, Schloss Seefeld, D – 08152 / 98 08 97  //  29.10.10 (20:00), D-53925 Kall, Kulturraum der KEV, D – 02441 / 82300  //  30.10.10 (20:30), D-55218 Ingelheim am Rhein, Weiterbildungszentrum, D – 06132 / 89 71 24  //  04.11.10 (20:00), D-49716 Meppen, Theater im Windthorst-Gymnasium, D – 05931 / 15 33 78  //  05.11.10 (20:30), D-26871 Papenburg, Forum Alte Werft, D – 04961 / 82337  //  06.11.10 (20:00), D-24306 Plön, Aula am Schiffsthal, D – 04522 / 8187  //  04.12.10 (20:30), D-63322 Rödermark, Jazzclub Rödermark, D – 06074 / 93200  //  06.12.10 (20:00), D-47051 Duisburg, Theater ‘Die Säule’, D – 0203 / 20125  //   

David Lukács – Menno Daams Orchestra feat. Frank Roberscheuten, Chris Hopkins a.o.

28.04.10 (20:00), NL-1018 Amsterdam, Hermitage Amsterdam, NL – 020 / 530 87 51

The THREE TENORS OF SWING feat. Antti Sarpila, Frank Roberscheuten, Engelbert Wrobel   

24.04.10 (14:00), NL-4201 Gorinchem, Jazzfestival, NL – 0183 / 62 52 58  //  25.04.10 (18:00), D-53111 Bonn, Collegium Leoninum, D – 0228 / 94 92 6-0  //  26.11.10 (20:30), D-73257 Köngen, Schloss Köngen, D – 07024 / 86730  // 

INTERNATIONAL STRIDE PIANO SUMMIT  >virtuoso classic jazz performed on two grand pianos<   

feat. Chris Hopkins, Louis Mazetier, Bernd Lhotzky & Paolo Alderighi:

10.06.10 (20:00), D-59439 Holzwickede, Wasserburg Haus Opherdicke, D – 02303 / 27 25 41   

feat. Bernd Lhotzky, Paolo Alderighi, Ehud Asherie, Chris Hopkins:

21.10.10 (20:00), D-85045 Ingolstadt, Audi Forum, D – 08431 / 4 12 33

feat. Ehud Asherie, Bernd Lhotzky, Rossano Sportiello, Chris Hopkins, Louis Mazetier, Stephanie Trick & Nicki Parrott (bass):

23.10.10 (19:00), CH-5623 Boswil (Zürich), Alte Kirche, CH – 056 / 634 31 32

24.10.10 (17:00), CH-5623 Boswil (Zürich), Alte Kirche, CH – 056 / 634 31 32

Engelbert Wrobel’s Swing Society feat. Chris Hopkins, Rolf Marx, Henning Gailing, Oliver Mewes   

04.07.10 (11:30), D-45964 Gladbeck, Mathias-Jakobs-Stadthalle, D – 02043 / 2 26 74

25.07.10 (11:00), D-53113 Bonn, Bundeskunsthalle, D – 0228 / 66 88-242

21.09.10 (20:00), D-59348 Lüdinghausen, Burg Lüdinghausen, D – 02591 / 926 176

26.09.10 (11:30), D-40764 Langenfeld (Rheinland), Stadthalle Langenfeld, D – 02173 / 794 926

05.10.10 (19:30), D-58511 Lüdenscheid, Kulturhaus Lüdenscheid, D – 02351 / 171 299

07.11.10 (19:00), D-51379 Leverkusen, Scala, D – 02171 / 76 79 59

JAZZIN’ JULY WORKHOP July 5th – 11th, 2010

NL-5595 LEENDE (Nähe Eindhoven), Golden Tulip Jagershorst, Valkenswaardweg 44

Teachers: Shaunette Hildabrand (vocal), Colin Dawson (trumpet), Dan Barrett (trombone), Frank Roberscheuten (saxophone/clarinet), Engelbert Wrobel (clarinet/saxophone), Chris Hopkins (piano/saxophone), Bernd Lhotzky (piano), Howard Alden (guitar/banjo), Karel Algoed (bass), Oliver Mewes (drums).

Information & Booking: +32-11-515326 (Frank Roberscheuten, director)   

More Info: http://www.swingcats.nl/workshop2010

Flyer-Download: JazzinJulyWorkshop2010

Chris Hopkins meets his Piano Friends: Louis Mazetier (Paris)

>virtuoso classic jazz performed on two grand pianos<

16.09.10 (19:00), D-53229 Bonn, Klavierhaus Klavins, D – 0228 / 94 92 6-0

17.09.10 (19:30), D-44869 Bochum, Kunstwerkstatt am Hellweg, D – 01805 / 00 18 12  (14 Ct./Min.)

18.09.10 (20:00), D-58332 Schwelm, Kulturfabrik Ibach-Haus, D – 02336 / 990 540

19.09.10 (16:00), D-44869 Bochum, Kunstwerkstatt am Hellweg, D – 01805 / 00 18 12  (14 Ct./Min.)

For more Information please  visit these websites.

info@hopkins.de

http://www.hopkins.de

info@EchoesOfSwing.com

http://www.EchoesOfSwing.com