Tag Archives: Atlanta Jazz Party

FOR, WITH, AND BY BUCKY: NEW JERSEY JAZZ SOCIETY’S 45th ANNIVERSARY CONCERT (October 22, 2017)

The New Jersey Jazz Society is a fount of good things — concerts, publications, supporting the music and the musicians.  And no one has a bad word to say about Bucky Pizzarelli . . . so take a few very brief minutes and watch this:

For those who don’t want to watch even brief videos (there’s music in this one), a flurry of reiterated details:

Don Braden, Director, Tenor Sax/Flute
WBGO’s Rhonda Hamilton, Mistress of Ceremonies
Special guest Dorthaan Kirk, “Newark’s First Lady of Jazz”

Nathan Eklund Trumpet
Jason Jackson Trombone
Ed Laub, Dave Stryker Guitar
Tomoko Ohno Piano
Martin Pizzarelli Bass
Bernard Purdie Drums
Danny Bacher, Antoinette Montague, Alexis Morrast, Marlene VerPlanck Vocals
Leonieke Scheuble Piano
Tim Givens Bass
Nick Scheuble Drums
William Paterson University Students “Little Big Band”

Sunday, October 22, 2017
3:00– 6:00pm
Dorothy Young Center for the Arts on the campus of
Drew University, 36 Madison Avenue, Madison, NJ 07940

Big Band to Bebop and Beyond
A “Jersey Best” celebration of the rich jazz history of New Jersey; honoring the 75-year career of the Garden State’s own legendary guitarist Bucky Pizzarelli.
NJJS Members advance sale $30 each (at the door: $35)
Non-members advance sale $35 each (at the door: $40)
Students balcony seating $15 each (I.D. required)
Proceeds from the event benefit NJJS scholarships, and its educational program Generations of Jazz.  Please consider making a separate, tax-deductible contribution over and above the ticket price.
3 ways to order tickets:
• online: njjs.org
• by phone: 1-800-838-3006; select option 1.
• by mail: send a check payable to NJJS, including
a $3 per order handling fee, together with a stamped,
self-addressed envelope to: NJJS, c/o Kate Casano,
158 Cotton Street, Philadelphia, PA 19127.
Your order must be mailed no later than October 12.
NJJS is a qualified I.R.C. 501(c)(3)
dedicated to the performance, promotion and preservation of jazz.
Ticket price is not tax deductible.
NJJS is a qualified agency of the New Jersey Cultural Trust

It is possible but inconceivable that some people don’t know Bucky’s mastery (where might they have been hiding for the past decades?) so I offer two examples.

TRES PALABRAS, from the 2012 Atlanta Jazz Party:

and, on the other side of things, at the 2014 AJP. SING SING SING, with Allan Vache, John Cocuzzi, Paul Keller, and Ed Metz:

May your happiness increase!

BECKY, BUCKY, BEAUTY (2014, 2012)

becky

Beauty is so rare, so precious.  And it isn’t arrived at easily.  But it is one of the ways in which we can save ourselves, especially if we understand that in its deep center, it is love in action: the love of the music that leads an artist to spend a lifetime in creating it.  And that love is sent to us.  We all need it, as a salve for the wounds the world’s rough edges would inflict on us.

bucky-2012

Here are two performances of the same touching song, TRES PALABRAS, performed at the 2014 Atlanta Jazz Party (a duet between Becky and Bucky) and three years earlier (Bucky’s solo).

Beauty never goes to waste.

Maybe these will help.  And if you hiss, “There goes Michael again, one of those people who talk so much about love and beauty,” I accept it as a compliment.

May your happiness increase!

SQUEEZINGS

squeeze-3

I try to avoid soda, the beverage of my childhood, but I once bought a bottle of SQUEEZE because its affectionate logo charmed me.  The bottle vanished in one of several moves, but the melody lingers on.

Fats Waller’s first published song — although it was liberally based on a bawdy tune called THE BOY IN THE BOAT, whose central image was not nautical.  But here are a few versions . . . . the first one from Jazz at Chautauqua in 2011 with Marty Grosz, Jon-Erik Kellso, Scott Robinson, Frank Tate:

with a pause for liquid enlightenment here:

squeeze-2

and a solo version by Ray Skjelbred, recorded at Cline Cellars in California, June 2013:

with one more icon:

squeeze

and from the 2014 Atlanta  Jazz Party, with Dan Block, Duke Heitger, Bria Skonberg, Ed Polcer, John Cocuzzi, Paul Keller, Ed Metz:

Reading this post and listening to the music, I don’t know if you’ll suddenly crave an orange soda, look around for the right person to squeeze and be squeezed by . . . in such things, you’re on your own.  But perhaps at the Cleveland Classic Jazz Party — starting September 15 — someone will give this wonderful song another squeeze.  You never know.

May your happiness increase!

A LETTER FROM PHILIP AND PUALANI

pualani-and-philip-carroll

Atlanta Jazz Party

“We hoped we could create something that would be indefinitely sustainable.”

The Atlanta Jazz Party was founded in 1990 by Phil and Lee Carroll and family.

For 27 years they produced some of the most memorable events of our lives. They engaged some of the world’s finest jazz musicians to play in Atlanta.  Phil scheduled different combinations of musicians, invited jazz lovers from across the country, and his parties took hold.  Philip Carroll and Pualani kept it swinging for 8 more years.

WE, say thank you to all of our Guarantors, Patrons, Sponsors, Volunteers, and Attendees of AJP.  For those feeling inspired, Atlanta Jazz Party is asking fans to post their favorite memory on Facebook.

“With great regret, Atlanta Jazz Party 2017 has been cancelled. Details regarding refunds will be available shortly.”  The company is focusing on issuing/mailing refunds to Atlanta Jazz Party ticket holders.  “Thank you for your patience and understanding.”

It’s a very hard decision to make; it’s been 27 years of great memories.

If you are a ticket holder for the Atlanta Jazz Party 2017 event and would like to plan/ exchange your tickets to attend the Atlanta Motoring Festival and Concours d’Elegance from May 19, 20, 2017, please call the AJP hotline 770-645-6844.

“We hoped we could create something that would be indefinitely sustainable,” said Philip Carroll. If interested in hosting & sponsoring the AJP and the world-class musicians please email pualani_chapman@att.net

Finally, it’s time to share the new venture Atlanta Motoring Festival and Concours d’Elegance, a three day weekend event benefiting St. Jude Children’s Research Hospital.  In 2015 we scheduled a “Soft Event” on May 17th at the Chukkar Farm Polo Club, Alpharetta, Georgia.  This year the festival included a series of exciting activities for the classic car enthusiast, including a police escorted tour, a welcome reception and dinner, a gala with live music on Saturday evening presented by the Atlanta Jazz Preservation Society and two days of classic automobiles on display.  The Atlanta Athletic Club has extended a multiyear agreement in partnership with Johns Creek. Atlanta Motoring Festival and Concours d’Elegance will have many events over a three day weekend, with the main event held at Heisman Field, the serene green space across from the Atlanta Athletic Club on Saturday, May 20, 2017.  It is the beginning of what will become a regular event on the national circuit!  We invite local crafters/vendors and worldwide auto-related merchants. Atlanta Jazz Preservation presents live jazz which will be staged to accompany and complement this all-too rare viewing of these fine classic cars.

All the best,

Philip & Pualani Carroll

=======================================================

I learned this news about two weeks ago, but the thought of spreading the sad news just made me terribly gloomy . . . so I offer it now, belatedly.  I made it to the AJP four times only — 2007, 2012, 2014, and 2015 — but I saw the hard work that the whole family did, and I exulted in the great music.  Given this news, though, it seems right to post something slow, low, and tender, in honor of a great party and a grand musical tradition.  “Tres palabras” here, equals “Goodbye!  Thanks!  Love!”

May your happiness increase!

MUSIC THAT LASTS: RUSS PHILLIPS, DUKE HEITGER, BRIA SKONBERG, ALLAN VACHE, ROSSANO SPORTIELLO, SEAN CRONIN, DARRIAN DOUGLAS at the ATLANTA JAZZ PARTY (April 18, 2015)

Good music, like any good art, doesn’t grow old.  Here’s a venerable song — apparently composed in 1916, published in 1917, being performed ninety-eight years later at the Atlanta Jazz Party on April 18, 2015.  And meaning no disrespect to Mister Handy, it is more than possible that the song was accessible in parts long before 1916.

BEALE STREET BLUES

Good music is also flexible.  The venerable composition, so beloved of “Dixieland” players, gets a sweet Basie makeover here, at the hands of Russ Phillips, trombone; Duke Heitger, Bria Skonberg, trumpet; Allan Vache, clarinet; Rossano Sportiello, piano; Sean Cronin, string bass; Darrian Douglas, drums.

This is a rewarding interlude: I feel improved by its expert generous joys.

May your happiness increase!

FOR THREE, BY THREE: ROSSANO SPORTIELLO, NICKI PARROTT, CHUCK REDD (ATLANTA JAZZ PARTY, April 17, 2015)

One of the finest piano trios ever played amazing music at the 2015 Atlanta Jazz Party — Rossano Sportiello, piano; Nicki Parrott, string bass; Chuck Redd, drums.

ROSSANO

This lengthy performance — three moods, three interludes, three tributes — honors Erroll Garner, George Shearing, and Count Basie, with MISTY, SHE, and SHOE SHINE BOY — creating a world of melodic improvisation, moving from sweet slow rumination to Kansas City romp, Harlem stride — with beautiful string bass and drum work along the way.

Magnificent music: the sort of creative effusion that happens when one of these musicians is on the stand, and even more when the three of them get together.

May your happiness increase!

COZY VIRTUOSI: RUSS PHILLIPS, DAN BARRETT, ROSSANO SPORTIELLO, NICKI PARROTT, ED METZ at the 2015 ATLANTA JAZZ PARTY (April 19, 2015)

How do we define virtuosity?  Is it blinding technical skill, amazing displays of bravado, playing higher, faster, in ways that dizzy and delight?  Sometimes, perhaps.  I think Louis’ 250 high C’s in performances in the early Thirties must have delighted audiences.  But the true virtuosity (to me) is subtler, quieter, more subversive: Louis’ melody statement and solo on THAT’S FOR ME comes to mind.  Dear and deep melodic improvisations that stick in the mind as much as the original song; tone and touch that come to us with the sweet clarity and intensity of beloved voices; unerring yet relaxed swing.

Russ and Dan at Atlanta

The three performances offered here are perfectly virtuosic, although the general approach is spiritual rather than calisthenic, people playing for the happiness of the band rather than for the loudest applause.

Five people joined forces on the spot — not an organized band — at the 2015 Atlanta Jazz Party: Russ Phillips, Dan Barrett, trombone; Rossano Sportiello, piano; Nicki Parrott, string bass; Ed Metz, drums.

I’ve already posted this quintet’s made-fresh-while-you-wait masterpiece, improvisations on Artie Shaw’s blues line for his Gramercy Five, SUMMIT RIDGE DRIVE, but it bears repeated watching and listening:

Lovely in a blue haze, but with a swing: MOOD INDIGO:

And EAST OF THE SUN, which Professor Barrett explicates for us as preface to the glorious cosmological explorations:

These cozy virtuosi (thanks to Cole Porter) indeed.

May your happiness increase!

LIVING, BREATHING HISTORY: DUKE HEITGER, TOM FISCHER, ROSSANO SPORTIELLO, PAUL KELLER, CHUCK REDD: ATLANTA JAZZ PARTY, April 18, 2015

rwe_big_portrait

Some wish to honor the past by attempting to reproduce it exactly.  An honorable effort, but I much prefer those bold tightrope walkers who know that the only way to honor the glories of, say, 1929, is to make them alive in this century by adding personal innovative sparks to the outlines of the revered masterpieces.  (I know that this is a controversial position, but I also have enough evidence that the great masters didn’t approve of imitation; they preferred homage through individuality.  Ask Lester; ask Bix.  And I’ve done scholarly work for decades, but I also reverberate to Emerson’s tart words that Shakespeare was not made by the study of Shakespeare.)

So I present to you a too-short set by a vibrant jazz band onstage at the Atlanta Jazz Party (April 18, 2015) led by the eloquent Duke Heitger, trumpet, with Tom Fischer, clarinet / tenor; Rossano Sportiello, piano; Paul Keller, string bass; Chuck Redd, drums.

What they had to tell us was plenty — and it had no connections to the Wax Museum of Hot, although one could see and hear easily that the Ancestors were being honored: Buck Clayton, Lester Young, Count Basie, Benny Carter, Louis Armstrong, Bix Beiderbecke, Jelly Roll Morton, and their worthy colleagues. No academia, no didacticism, no laser pointer or Power Point.  Just wonderful hot music.

I NEVER KNEW:

IF WE NEVER MEET AGAIN:

I’M COMIN’ VIRGINIA:

BLACK BOTTOM STOMP (which begins with the time-honored invocation, “Meet you at the end”):

Five noblemen of jazz, honoring the past by being fully alive in Now.

May your happiness increase!

“WHEE!”: DAN BARRETT, DUKE HEITGER, BRIA SKONBERG, TOM FISCHER, DALTON RIDENHOUR, SEAN CRONIN, DARRIAN DOUGLAS at the 2015 ATLANTA JAZZ PARTY

Tom Lord, in his well-known online jazz discography, lists 749 versions of THAT’S A PLENTY, beginning with Prince’s Band / Orchestra in 1914, which might not be the same as this song (which most of us associate with the New Orleans Rhythm Kings).  The title seems to have been a slangy catchphrase at the start of the last century, so there are several songs with that title but different music and lyrics.

DanBarrett2

Here’s another version, quite elevating, from April 17, 2015, with Dan, trombone, leadership, and comedy; Duke Heitger, Bria Skonberg, trumpet; Tom Fischer, clarinet and tenor saxophone; Dalton Ridenhour, piano; Sean Cronin, string bass; Darrian Douglas, drums.

CONDON WHEE

WHEE! (When you begin to watch the video, all will be revealed):

It’s a wonderful song, a riotous performance, and a fine advertisement for the 2016 Atlanta Jazz Party.

May your happiness increase!

 

KINGS OF SWING: ALLAN VACHÉ, ROSSANO SPORTIELLO, JOHN COCUZZI, PAUL KELLER, DARRIAN DOUGLAS at the 2015 ATLANTA JAZZ PARTY (April 18, 2015)

ALLAN VACHE

Allan Vaché knows what swing is all about, and when you get him on a bandstand with a good rhythm section, floating jazz improvisations happen.  And that was the case at the 2015 Atlanta Jazz Party — when he and Rossano Sportiello, piano; John Cocuzzi, vibraphone; Paul Keller, string bass; Darrian Douglas, drums, took their happy way through three Charlie Christian / Lionel Hampton riff tunes that have been associated with Benny Goodman for seventy-five years.

I’m amused that one title seems to refer to air travel (more of a novelty in 1939 than now), one to Benny’s clarinet, one to shooting craps.

FLYIN’ HOME:

SOFT WINDS:

SEVEN COME ELEVEN:

Yes, we certainly could lament that this is no longer our popular music, and occasionally I myself dip into that pit of despair, but the music that these five people made and still make is a true cure for any sadness.

And here is the information you’ll need about the 2016 Atlanta Jazz Party, April 22-24.

May your happiness increase!

COOTS IN CHARGE: ALLAN VACHÉ, TOM FISCHER, DUKE HEITGER, BEN POLCER, BRIA SKONBERG, RUSS PHILLIPS, DAN BARRETT, DALTON RIDENHOUR, PAUL KELLER, DANNY COOTS (ATLANTA JAZZ PARTY, APRIL 18, 2015)

Danny Coots, who lives the words on the sign above his head.

Danny Coots, who lives the words on the sign above his head.

Four delights and four comic interludes from the very lovable and talented Danny Coots, with Duke Heitger, Bria Skonberg, Ben Polcer, trumpet; Dan Barrett, Russ Phillips, trombone; Allan Vaché, Tom Fischer, reeds; Dalton Ridenhour, piano; Paul Keller, string bass: recorded at the 2015 Atlanta Jazz Party —

OLD-FASHIONED LOVE:

BEI MIR BIS DU SCHOEN:

MOTEN SWING:

PANAMA:

The 27th Atlanta Jazz Party will take place in you-know-what-city from April 22 to 24, 2016.  Details to come here.

May your happiness increase!

JUST ANOTHER “DIXIELAND TUNE,” BUT OH HOW GOOD IT SOUNDS: DAN BARRETT, ED POLCER, DAN BLOCK, JOHN COCUZZI, FRANK TATE, ED METZ at the 2014 ATLANTA JAZZ PARTY

Even though now and again I feel the signs of a ROYAL GARDEN BLUES overdose approaching, there’s new life in “old music” that nobody can deny.

JAZZ ME BLUES

The JAZZ ME BLUES is surely an old chestnut, a “Dixieland classic,” a “good old good one” that some listeners and musicians assume comes from the era of faux-jazz: straw hats and striped jackets, jazz half-recreated rather than created.  But no material is in itself alive or dead; it depends on the energy, wit, ingenuity, and feeling that musicians can bring to it.

Thus, this artifact —

JAZZ ME BLUES 78

became something quite vivid and lively in an April 25, 2014 performance at the Atlanta Jazz Party by Dan Barrett, trombone; Ed Polcer, cornet; Dan Block, clarinet; John Cocuzzi, piano; Frank Tate, string bass; Ed Metz, drums (and a cameo appearance by Chair):

Notice the nice relaxed tempo, the little ingenuities, the backing figures, the eloquent but understated playing.  Nothing’s dead unless we choose to make it so is the moral of this particular story.  Also that the Atlanta Jazz Party is alive and well in 2016!  More details as the date approaches.

May your happiness increase!

LOUIS, ETERNALLY

I know that the physical remains of Louis Armstrong changed their form in 1971, but I believe that his living presence remains all around us: not only in musicians, but in anyone amplified by and aware of his loving joyous spirit.

But the musicians give us the most evident vibrating proof.

Marc Caparone, cornet, with High Sierra at the Suncoast Jazz Classic, recorded in 2014 by Cine Devine:

Bent Persson, trumpet; Petter Carlson, piano, last month, recorded by Claes Jansson:

Duke Heitger, trumpet; Dalton Ridenhour, piano; Sean Cronin, string bass; Darrian Douglas, drums, April 18, 2015, Atlanta Jazz Party, recorded by swingyoucats (that’s me!):

Three kinds of lyrical beauty — each individual, each glowing.  You don’t have to play a trumpet to embody Louis.  Send out love, act joyously and kindly; enjoy your life — every day — and Louis lives through you.

P.S.  I am posting this blog on July 4 — the date Louis believed was his birthday. Reasonable evidence still points to this date, although 1901 rather than 1900.  If nothing else, his mother called him her “firecracker baby,” and although Mayann’s formal education must have been limited, I believe that she wouldn’t confuse July and August when remembering her delivery.

May your happiness increase!

IN THE GROOVE AT ATLANTA: ALLAN VACHÉ, RUSS PHILLIPS, ROSSANO SPORTIELLO, CHUCK REDD, WAYNE WILKINSON, NICKI PARROTT, DANNY COOTS (April 17, 2015)

I was tempted to call this post TWO JUSTS AND A JIVE, but my legal staff talked me out of it.

It wasn’t formally billed as a Swingtet, but after sixteen bars you’ll know it couldn’t be called anything else. This romping set took place at the 2015 Atlanta Jazz Party, under the leadership of clarinetist Allan Vaché. The other notables on the stand are Rossano Sportiello, piano; Nicki Parrott, string bass; Danny Coots, drums; Wayne Wilkinson, guitar; Russ Phillips, trombone; Chuck Redd, vibes.

Cole Porter’s JUST ONE OF THOSE THINGS:

Harry “Sweets” Edison’s JIVE AT FIVE:

Jesse Greer’s JUST YOU, JUST ME (which goes all the way back to 1929):

The slightly unusual instrumentation is just delicious — what ensemble work and what solos!  In the groove for sure.

And the good news is that there is grooving planned at the 27th Atlanta Jazz Party April 15, 16, 17, of 2016.  “Good deal,” as one of my heroes was wont to say.

May your happiness increase!

SLIDING THE BLUES (RUSS PHILLIPS, DAN BARRETT, ROSSANO SPORTIELLO, NICKI PARROTT, JOHN COCUZZI at the ATLANTA JAZZ PARTY

When you’re sliding, the whole world slides with you.  Or we hope so.

These are trombonists I don’t mind encouraging, and a nifty medium-uptempo blues is a cure for many ills.

This one — the line Artie Shaw called SUMMIT RIDGE DRIVE after his home address of the time, recorded by the Gramercy 5 — is brought to swinging life by Russ Phillips (left), Dan Barrett (right), trombone; Rossano Sportiello, piano; Nicki Parrott, string bass; John Cocuzzi, drums.  One of the hundreds of sweet highlights of the 2015 Atlanta Jazz  Party.

And what a rhythm section.  Everyone‘s sliding, and not a cliche in sight.

May your happiness increase!

“THE HOME OF SWEET ROMANCE”: REBECCA KILGORE, DAN BARRETT, JOHNNY VARRO, WAYNE WILKINSON, NICKI PARROTT, DANNY COOTS at the ATLANTA JAZZ PARTY (April 18, 2015)

SAVOY

It wins you at a glance.

Where?  The Savoy Ballroom, of course.  The  Home of Happy Feet in Harlem stopped being a Swing mecca in 1958, but its spirit remains.

That spirit was very much in evidence at this year’s Atlanta Jazz Party, and on April 18, 2015, Rebecca Kilgore and a wonderful small band brought it even more sharply into focus with a performance of Edgar Sampson’s STOMPIN’ AT THE SAVOY. Her Stompers were Dan Barrett, trombone; Johnny Varro, piano; Wayne Wilkinson, guitar; Nicki Parrott, string bass; Danny Coots, drums.  (Does that closing riff owe its existence to Coleman Hawkins and Roy Eldridge?)

You don’t need a ballroom with these wonderful musicians.

May your happiness increase!

CONFESS YOUR FEARS AND THEY MAY BE TRANSFORMED: DUKE HEITGER, BEN POLCER, RUSS PHILLIPS, TOM FISCHER, JOHN COCUZZI, PAUL KELLER, DANNY COOTS at the ATLANTA JAZZ PARTY (April 17, 2015)

I’M CONFESSIN’ (a song with an unusual history — written in 1929 and published with another title and lyrics, then recreated a year later with the same melody, new lyrics, and an entirely different set of composers credited) is a lovely durable melody . . . of course, first made immortal by Louis Armstrong, who sang and played it for the next forty years.  I couldn’t find a copy of the first sheet music, but here is a later version:

I'M CONFESSIN'Many bands pick this as a reliable rhythm ballad — and some race through it as if on jazz cruise control, taking it as an interlude between one punishingly fast / loud number and the next.

Happily, this was not the case with Duke Heitger, Ben Polcer, trumpet; Russ Phillips, trombone; Tom Fischer, clarinet; John Cocuzzi, piano; Paul Keller, strig bass; Danny Coots, drums, at this year’s Atlanta Jazz Party (this performance was only the second song of the three-day marathon).  These master musicians created something frankly alchemical, transforming sadness into joy:

Everything about this performance entrances me: the sweet steady tread of the rhythm section (a wonderful team saying with every beat to the horn players, “Create whatever is in your heart and we will be there to support you, to make you feel safe”) to the compact singing utterances of the horns — how to make those instruments speak in such heartfelt ways in sixteen bars!  (Sixteen bars go by so quickly.)  The variety of sounds!

And just as a self-referential digression: inspired by the song, I stopped writing and went twenty feet to the other end of this long room, where a cherished cornet rests on blue velour in its ancient case.  I picked it up and “played” the first sixteen bars of I’M CONFESSIN’ and reminded myself only how incredibly difficult making an instrument sing is.  Mine sang, but I won’t describe how or what it was singing.

From the title alone, one would think that I’M CONFESSIN’ would be an exultant outpouring of love, with the Lover offering feelings openly.  And that is indeed the case.  But the Lover here is both frightened and self-aware, wondering if those feelings will be reciprocated or discarded.  And the Love Object — the source of power in this interlude — is both inscrutable and ambiguous: the eyes embody one “strange” message; the lips offer another.

I think that JAZZ LIVES readers might need to hear the lyrics as well as the melody. And thanks to my dear friend Austin Casey, here is THE version of the century: Louis on the Frank Sinatra Show.

Gorgeous, light-hearted, and heartfelt.  I offer this as evidence to those who think Louis didn’t care about the lyrics: here he offers each word as if it had been written by Keats.  Tonation and phrasing for the ages.  I also offer this performance not as a diminution of the one created on April 17, 2015, but to show that the two stand side-by-side, our heroes in this century so completely lit from within by Louis’ blessed spirit.

A last word about the alchemy of music, of candor.  The musicians in Atlanta did the impossible by transforming unease and anxiety into something beautiful, in the spirit of Louis.  This transformation is not always possible in what passes for real life, but it is worth attempting.  Keeping one’s terrors to oneself is what we have been trained to do.  Adults don’t talk about what scares them: they might terrify the children.  But I wonder if we said out loud to ourselves, “I am deeply afraid that ___________ might happen,” that the fear, put into syllables we can hear ourselves saying, might be more manageable.  Saying to the Love Object, “I’m afraid some day you’ll leave me / Saying ‘Can’t we still be friends?'” is a true act of courage, because the Love Object can always say back, “Indeed, that was just what I was thinking this very moment,” but [hence the MAY in my title] it could provoke reassurance.

JAZZ LIVES offers no advice in relationships, and hence is held harmless from any liability.  But speaking what you feel, embodying what you feel is always courageous, no matter what the result.

Keep CONFESSIN’, I say.

May your happiness increase! 

THE VIEW FROM TABLE 3 WAS GRAND; THE MUSIC, GRANDER: BEN POLCER, DAN BARRETT, ALLAN VACHÉ, JOHN COCUZZI, NICKI PARROTT, DANNY COOTS at the ATLANTA JAZZ PARTY (April 18, 2015)

I’m still grinning when I think of all the good music created last weekend (April 17-19) at the 26th Atlanta Jazz Party.

Here’s another leisurely sample, performed by Ben Polcer, trumpet; Allan Vaché, clarinet; Dan Barrett, trombone; John Cocuzzi, piano; Nicki Parrott, string bass; Danny Coots, drums.

It’s the ROYAL GARDEN BLUES.  Now, if I could see you, I would catch some of my readers in mid-wince.  “God, not that song again!  That’s what’s wrong with ‘traditional jazz’!”  Even I have been known to think and say, “I wish I could have a moratorium on ROYAL GARDEN,” but this performance reminds me again how little the repertoire has to do with the beauty created:

Although they play the song with the correct conventions, the appropriate gestures, there’s nothing locked-in here.  Once those gavottes are accomplished, you can feel the musicians relaxing into a medium-fast twelve bar blues . . . and each one has a beautiful story to tell.  Pay particular attention to that rhythm section!  And you all know and admire Messrs. Vaché and Barrett, but one of the great lyrical surprises of the AJP was Ben Polcer — who is so much more than just “Ed Polcer’s kid” — an easy, hot player with a fine range who knows the twists and turns but also has a swing feel . . . now and again reminding me of Buck Clayton, and that is high praise.

This performance was only one of more than a hundred at the AJP — and it is by no means the only standout.  Next year, the Party will be on April 15, 16, and 17. I hope to be there, and at Table Three.  My jazz home away from home for three days.

May your happiness increase!

JOY TO THE TENTH POWER: A GLIMPSE OF THE 2015 ATLANTA JAZZ PARTY (DANNY COOTS, PAUL KELLER, DALTON RIDENHOUR, ALLAN VACHÉ, TOM FISCHER, DUKE HEITGER, DAN BARRETT, BRIA SKONBERG, BEN POLCER, RUSS PHILLIPS, April 18, 2015)

C.S. Lewis never wrote a book called EXHAUSTED BY JOY, but I could do it for him — having just returned from the Atlanta Jazz Party, which ran deliciously through the weekend of April 17 through 19, 2015.  I will spare you the exuberant descriptions (because I still don’t have the energy) and just offer this: the closer from Danny Coots’ Saturday-night extravaganza, a splendidly compact and ebullient PANAMA. I’ve named the alchemists above, but in case you missed a turn, they are Danny, drums and instant planning; Dalton Ridenhour, piano; Paul Keller, string bass; Allan Vaché, clarinet; Tom Fischer, tenor saxophone; Dan Barrett, Russ Phillips, trombone; Ben Polcer, Bria Skonberg, Duke Heitger, trumpet:

All I know is that William H. Tyers just left a big LIKE on Facebook. If you find my title slightly inexplicable, just count the faces in the video.  And they were only part of the musical crowd.

You should have been there!  It’s happening next year on April 15-16-17.  Make plans.

May your happiness increase!

A REMINDER: THE ATLANTA JAZZ PARTY IS ALMOST HERE (April 17-19, 2015)

I am excited to be attending the 2015 Atlanta Jazz Party — a week away!  That’s April 17 through 19th in the very comfortable Grand Ballroom of the Westin Atlanta North at Perimeter.  It’s an incredibly lavish buffet of hot music: seven sets on Friday night, seven sets on Saturday afternoon, seven sets on Saturday night, and seven sets on Sunday. All performers are featured in each session. Atlanta Jazz Party Patrons and Guarantors get to attend all four sessions plus the exclusive Saturday morning jazz brunch!

And there’s something new and exciting: the new Jazz Dinner Buffets featuring surprise special guest performers on Friday and Saturday Night, in the newly created “Johnny Mercer Room” right across from the Grand Ballroom. This change is important to the Party’s survival.  And I know — don’t ask me how — that one of the “surprise special guest performers” is someone legendary.

Who’s playing and singing?  Ben Polcer, Duke Heitger, Bria Skonberg, Allan Vaché, Tom Fischer, Eddie Erickson, Darian Douglas, Sean Cronin, Dalton Ridenhour, John Cocuzzi, Johnny Varro, Rossano Sportiello, Dan Barrett, Russ Phillips, Nicki Parrott, Paul Keller, Danny Coots, Chuck Redd, Rebecca Kilgore.

Here’s Danny Coots and Ten at the 2014 AJP:

and since that sounds so good, let’s have another:

and the song that conveys the way I feel about the Party:

See you there, I hope.  It’s one of those enterprises that truly deserves your energetic support.

May your happiness increase!

“IN SWEET CONTENT, DREAMING AWAY”: REBECCA KILGORE, DAN BARRETT, DUKE HEITGER, DAN BLOCK, ED METZ, PAUL KELLER, ROSSANO SPORTIELLO at the 2014 ATLANTA JAZZ PARTY

It might be impolite to ask someone “What did you dream last night?” unless you are on very intimate terms, but here’s a deeply swinging answer to that question.

It’s an ancient but durable pop classic done with great style by Rebecca Kilgore, Duke Heitger, trumpet; Dan Block, tenor saxophone; Dan Barrett, trombone; Rossano Sportiello, piano; Paul Keller, bass; Ed Metz, drums.

This glowing performance took place on April 25, 2014, at the place where such things flourish — the Atlanta Jazz Party — which this year takes place from April 17 to April 19, which, like love, is just around the corner:

It would be nice to see you there, and you will get your money’s worth and more of music that makes you feel very good. Sweet content, in fact.

May your happiness increase!

 

GENTLY, THEY INQUIRE: ALLAN VACHE, ROSSANO SPORTIELLO, JOHN COCUZZI, RANDY NAPOLEON, PAUL KELLER, DANNY COOTS at the 2014 ATLANTA JAZZ PARTY

If you follow its lyrics, the 1929 song CAN’T WE BE FRIENDS? describes the sorrow and the disillusionment of a failed relationship.  But as a piece of instrumental music, it’s pretty and lilting rather than morose — as in the performance below, from the 2014 Atlanta Jazz Party.

The delightful inquirers on the bandstand are Allan Vache, clarinet; Rossano Sportiello, piano; John Cocuzzi, vibraphone; Paul Keller, string bass; Randy Napoleon, guitar; Danny Coots, drums:

Here is more information about this year’s Atlanta Jazz Party — the twenty-sixth — which will be held in a very comfortable hotel this coming April 17 through 19th.  And more information about practical matters.  I know many gentle questions will be asked, and will receive swinging, lyrical answers.

May your happiness increase!