The acetates have not turned up, but, thanks to an eBay seller, we have the program that documents the 1933 appearance of the Earl Hines Orchestra at the Chicago World’s Fair.
The Hines band was identified by their prestigious radio broadcast affiliation — but that they were only one act of a long evening:
The seller describes this as “Original program from a concert titled “A Nite of Centuries” at the Auditorium Theatre, Chicago, June 12, 1933, four pages, 8.75 x 5.75 in. One clipped corner (not affecting any text), and a very faint vertical crease, otherwise clean and very good.”
A “Sizzling Study in Sepia” indeed. I won’t be content with the home-recorded discs of this; I want to see the newsreel footage as well, so that I can enjoy “3 Lightning Flashes and an ensemble of singers and dancers.”
It must have been a spectacular evening: note the appearance of Sophie Tucker, Martha Raye; Vincent Lopez; The Radio Rubes, “radio’s famous hill-billies”; Baby Rose Marie, “remarkable child artist of the stage, screen, and radio”; World’s Fair Frolics, “a dazzling ballyhoo of Chicago World’s Fairest”; and others.
I doubt that anyone who saw this show still walks this earth, which is (to me) a sobering thought.
May your happiness increase!
Posted in "Thanks A Million", Bliss!, Generosities, Ideal Places, Irreplaceable, Jazz Titans, Swing You Cats!, The Real Thing, The Things We Love
Tagged baby Rose Marie, Chicago World's Fair, Earl Hines, Ebay, Jazz Lives, Martha Raye, Michael Steinman, Sophie Tucker, Vincent Lopez
I had heard a number of Janet Klein’s performances on CD and seen some videos on YouTube, but they hadn’t prepared me for her work in person. Although she may be perfectly at ease in this century, someone who can use an ATM while drinking her latte, when she gets onstage, she seems to be absolutely from another world. As someone once said of Max Morath, Janet is consciously out of touch with her environment, and that is a compliment.
Although her musicians may have iPhones in their pockets, Janet creates a small time-bubble that sits comfortably in some undefined realm between 1929 and 1936. Mae Questel hangs out there, as do Joe Venuti and Eddie Lang. See for yourself. Here are Janet (vocal and ukulele) and her Parlor Boys (Dan Weinstein on a variety of instruments, including violin, cornet, and trombone; Marquis Howell on string bass; our own John Reynolds on guitar and other things with strings; Brad Kay on piano as a guest star).
A LITTLE BIT INDEPENDENT was a very popular song in 1936, I believe, and it was recorded by Fats Waller and several of the pianist-singers who floated in his wake. It’s not Porter, but you’ll find yourself humming it for some time:
MOUNTAIN GREENERY was a sweetly ironic commentary on the urban surroundings:
And a song recorded (as far as I know) only by Baby Rose Marie, who grew up to be a mainstay of the Dick Van Dyke television show — SAY THAT YOU WERE TEASING ME, its content more sad than frolicsome:
I’m glad that Janet and her Parlor Boys took us away from 2011 for a little while!
Posted in Ideal Places, Pay Attention!, Swing You Cats!, The Things We Love
Tagged baby Rose Marie, Brad Kay, Cole Porter, Dan Weinstein, Fats Waller, Janet Klein, Jazz Lives, John Reynolds, Marquis Howell, Max Morath, Michael Steinman, Rodgers and Hart, Sweet and Hote Music Festival