Tag Archives: Becky Kilgore

BECKY, BUCKY, BEAUTY (2014, 2012)

becky

Beauty is so rare, so precious.  And it isn’t arrived at easily.  But it is one of the ways in which we can save ourselves, especially if we understand that in its deep center, it is love in action: the love of the music that leads an artist to spend a lifetime in creating it.  And that love is sent to us.  We all need it, as a salve for the wounds the world’s rough edges would inflict on us.

bucky-2012

Here are two performances of the same touching song, TRES PALABRAS, performed at the 2014 Atlanta Jazz Party (a duet between Becky and Bucky) and three years earlier (Bucky’s solo).

Beauty never goes to waste.

Maybe these will help.  And if you hiss, “There goes Michael again, one of those people who talk so much about love and beauty,” I accept it as a compliment.

May your happiness increase!

CONCENTRATIN’ ON FATS (Part Five): REBECCA KILGORE, HAL SMITH, ROSSANO SPORTIELLO, NICKI PARROTT, ANDY SCHUMM at the CLEVELAND CLASSIC JAZZ PARTY, September 11, 2015

This cheerful graphic is seriously at odds with the poignant song and performance that follows, but I love it.

FATS WALLER'S HAPPY FEELING

As you probably already know, Hal Smith (drums, leadership, ideas) and Rebecca Kilgore (song, inspiration) joined with Andy Schumm, clarinet; Rossano Sportiello, piano; Nicki Parrott, string bass, for a set at the 2015 Cleveland Classic Jazz Party, devoted to lesser-known Fats Waller songs.

The closing song of this set, DIXIE CINDERELLA, is one of my favorites — written for the 1929 revue, CONNIE’S  HOT CHOCOLATES — on a theme that needed and needs to be expressed.  We know the Waller-Andy Razaf BLACK AND BLUE, but DIXIE CINDERELLA, although the singer is apparently just a child, is aimed directly at the same target, racial discrimination.  No, it wasn’t the first song to express outrage and pain at this treatment (I think of PICKIN’ ON YOUR BABY and others) but it is very touching — and this performance captures its poignancy.

Becky’s verse and chorus couldn’t be more delicately lovely . . . and when she comes back, she expresses an intense bluesy wail — making deep sadness swing.

(I want to write, “Isn’t she wonderful?” but if you don’t get that from this performance and her sustained body of work, there’s no point in my saying so.)

And here are the four performances that preceded DIXIE CINDERELLA — each one perfectly poised, casually masterful.  Why isn’t this band on every festival roster?  Where’s the PBS special?  The DVD?  The pop-up book?  Jeepers.

May your happiness increase!

CONCENTRATIN’ ON FATS (Part Four): REBECCA KILGORE, HAL SMITH, ROSSANO SPORTIELLO, NICKI PARROTT, ANDY SCHUMM at the CLEVELAND CLASSIC JAZZ PARTY, September 11, 2015

Heart-Vs-Brain

Neurological research tells us that the condition known as infatuation can have serious effects on cognition, that the romantic individual often suffers from the most pleasing kind of attention-deficit disorder.  Fats Waller and Andy Razaf knew this well, and created a delightful song from this pleasant malady, CONCENTRATIN’ ON YOU.

Heart brain i-hate-it-when-you-make-me-look-like-an-idiot

Drummer / scholar Hal Smith, some years back, created a CD called CONCENTRATIN’ ON FATS — on which his Rhythmakers featured, among others, the wondrous Rebecca Kilgore.  They held a kind of swing reunion at the Allegheny Jazz Party (now known as the Cleveland Classic Jazz Party) on September 11, 2015.  Hal and Rebecca joined forces for an all-too-brief homage to lesser-known Fats songs — with Andy Schumm, clarinet; Rossano Sportiello, piano; Nicki Parrott, string bass.

Here are the three songs that preceded this beauty.

Never has ADD sounded so delightful.

There’s one more gorgeous Fats song to come.  I hope there will be more like this at the 2016 Cleveland Classic Jazz Party.

May your happiness increase!

CONCENTRATIN’ ON FATS (Part Three): REBECCA KILGORE, HAL SMITH, ROSSANO SPORTIELLO, NICKI PARROTT, ANDY SCHUMM at the CLEVELAND CLASSIC JAZZ PARTY, September 11, 2015

This was such a delightful session that I have been posting one or two songs from it at widely spaced intervals, because I know we will come to the end of the musical largesse.  But don’t despair: we can revisit these glorious performances, and — even better — the 2016 Cleveland Classic Jazz Party will offer even more joy.  I guarantee it.

FATS WALLER'S HAPPY FEELING

Here’s what happened already, for those of you who arrived just now.  And some more delight — a memorable song of rueful farewell which I (and most people) know from Louis’ poignant yet swinging Victor recording.  Becky and the band do the song, Fats, and Louis justice.  I would urge all singers to study her wondrous mixture of tenderness, wit, and swing.  And that band!  Words — for once — fail me:

Oh, how sweet.  A song for lovers who cannot bear to part.

May your happiness increase!

CONCENTRATIN’ ON FATS (Part Two): REBECCA KILGORE, HAL SMITH, ROSSANO SPORTIELLO, NICKI PARROTT, ANDY SCHUMM at the CLEVELAND CLASSIC JAZZ PARTY, September 11, 2015

Here’s more from a delightful set at the Cleveland Classic Jazz Party.  I’ve taken the liberty of reproducing Part One, for those who arrived late to this happy event.

FATS WALLER'S HAPPY FEELING

Something plaintive:

A question of identity — romance, not theft:

A wonderful musical experience (and there are more songs to come)!

May your happiness increase!

HOW ABOUT THIS? PABLO, EVAN, and ROB at CASA MEZCAL (February 7, 2016)

how about you cover

I originally wanted to title this post THE THREE EXPATS — Pablo Campos (piano) was visiting from France; Evan Arntzen (reeds / vocal) hails from Vancouver, and Rob Adkins came south from Boston . . . but the JAZZ LIVES legal staff warned me against possible misrepresentation.

So all I will say is that these three gentlemen made delightful music on Sunday, February 7  (while Ehud Asherie was having a coffee at the other end of the room and relaxing) — on two classics that (ironically) don’t get played or sung as much as they might by jazz people.  I associate GONE WITH THE WIND with Ben Webster, either with Art Tatum or Jimmy Rowles; HOW ABOUT YOU? with Judy Garland and Becky Kilgore.  Here are some new and delightful 2016 versions.

GONE WITH THE WIND (which predates the motion picture):

HOW ABOUT YOU?:

Two more performances from this afternoon — with Ehud back on the bench — will appear soon.  For now, please learn more about the very gifted Pablo Campos here.

May your happiness increase!

CONCENTRATIN’ ON FATS (Part One): REBECCA KILGORE, HAL SMITH, ROSSANO SPORTIELLO, NICKI PARROTT, ANDY SCHUMM at the CLEVELAND CLASSIC JAZZ PARTY, September 11, 2015

FATS WALLER'S HAPPY FEELING

Rebecca Kilgore makes us glad to be alive whenever she sings, even if the song is melancholy.  I’ve been admiring her work for a long time, and it is a great comfort to know that her glowing presence is no more distance than her latest CD.  But while you are waiting for that CD to arrive, may I offer you a treat that I think is beyond compare?

Perhaps twenty years ago, the superb jazz drummer Hal Smith (read more about Hal here) had a delightful little band in California that he called the RHYTHMAKERS, homage to the hottest band to ever record — ask Philip Larkin.  That band made a handful of superb CDs, discs I return to regularly, and one was a collection of lesser-known Fats Waller songs, CONCENTRATIN’ ON FATS.  The singer on those discs was one Becky Kilgore, floating and swinging magnificiently.

When Hal and Becky found that they were going to be among the stars of the 2015 Allegheny Jazz Party — now called the Cleveland Classic Jazz Party — Hal suggested that they do a set of those Waller songs, and Rebecca, who loves good songs and rare ones as well as the Songbook classics, agreed.

Hence, a wonderful little band, with Rebecca, Hal, Nicki Parrott, string bass; Rossano Sportiello, piano; Andy Schumm, clarinet.  (Yes, clarinet. Wonderfully, too.  As I was listening, I heard familiar sounds and tones — not Pee Wee or Tesch, exactly — but then “the penny dropped,” as they say in the UK.  Andy is inspired by Milton “Mezz” Mezzrow, and the result is as if Mezz had studied hard and practiced for hours — a very inspiring result.)

And here’s the first gem, HOW JAZZ WAS BORN, from 1928, and one of the hit songs of KEEP SHUFFLIN’:

I could listen to this band all day.  (Frankly, I’d like to see the concert tour, the NPR and PBS series, to say nothing of the associated merchandise.)

And be assured that they performed more songs in this set.

If you are still unsure of the origins of jazz, I know that Professors KilgoreSmithParrottSchummSportiello will be happy to explain in words and music at the 2016 Cleveland Classic Jazz Party and their other gigs.

May your happiness increase!