Tag Archives: Bernice Petkere

MUSIC WITH FRIENDS (Part Two): MICHAEL KANAN, GREG RUGGIERO, NEAL MINER (The Drawing Room, January 8, 2018)

Michael Kanan

This is the first part of a sextet of delicious performances by Michael Kanan, piano; Greg Ruggiero, guitar; Neal Miner, string bass, recorded on January 8, 2018, at the Drawing Room in Brooklyn.

Neal Miner

In that first segment of this impromptu session, these three lyrical friends performed  YOU DO SOMETHING TO ME, TAKE THE “A” TRAIN (which is how one gets to Jay Street-MetroTech, among other possibilities), and I’M JUST A LUCKY SO-AND-SO.  Now, for the patient faithful, this intuitive, subtle trio plays Neal Miner’s BLUES OKURA, IT’S ONLY A PAPER MOON, and LULLABY OF THE LEAVES.

Greg Ruggiero

Neal’s BLUES OKURA.  Make sure your seat belt is low and tight across your hips:

And an exceedingly tender IT’S ONLY A PAPER MOON, honoring Arlen’s intent — and I hear Harburg’s lyrics all the way through:

then the classic LULLABY OF THE LEAVES:

Wonderful reassuring music to be sure.  Thank you so much, gentlemen, for this casual affecting interlude.

May your happiness increase!

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MUSIC WITH FRIENDS (Part One): MICHAEL KANAN, GREG RUGGIERO, NEAL MINER (The Drawing Room, January 8, 2018)

Michael Kanan prizes friendship very highly, and not in some abstract way.  He is a true Embracer, and his deep love of community lasts longer than a simple hug.  He showed us this once again a few Mondays ago at a little gathering at his Brooklyn studio, The Drawing Room.

Michael Kanan

Michael’s colleagues in melodic exploration were his friends and ours, Greg Ruggiero, guitar; Neal Miner, string bass: each of them a thoughtful swinging intuitive orchestra in himself.

Greg Ruggiero

It was a jam session evening, so even though this trio played six songs (you’ll have the first three here) it wasn’t a mini-recital, more a gathering of friends who don’t get to play together often. They hadn’t played together in months, and after Michael had seen the videos, he called them “music in its raw natural state,” but it was an acknowledgment rather than a criticism.  I think of them as cherries picked from the tree, their stems still attached, as opposed to cherry pie filling from a can.

Neal Miner

Porter’s YOU DO SOMETHING TO ME:

Strayhorn’s TAKE THE A TRAIN:

Ellington’s I’M JUST A LUCKY SO-AND-SO:

When you’re invited to a party at Michael’s, you go home laden with gifts.

May your happiness increase!

STANDARD TIME: NEAL MINER AND FRIENDS

Neal Miner is not only a fine bassist and composer; he’s also a remarkable jazz videographer who gets splendid results without a truckload of equipment.  His YouTube channel is “gutstringrecords,” and I’ve taken two of his recent videos to share (and applaud) here.

The first is a nimble, sustained reading of the Schertzinger-Mercer I REMEMBER YOU for piano trio: Neal, Michael Kanan on piano, Rick Montalbano on drums:

Aside from the music itself, which is probing without losing the essential rhapsodic quality of the song, I would point out how neatly Neal has solved the problem of making a jazz video visually interesting without having fidgety cutting every few seconds. 

And here’s CLOSE YOUR EYES by Bernice Petkere, explored by the Pacific Jazz Quartet — Sasha Dobson on the evocative vocal, Neal, Rob Sudduth on tenor saxophone, and Dred Scott on drums:

Satisfying and intriguing — hats off to Neal and friends!