Tag Archives: Betty Comden

A LOVE-DRAMA IN THREE ACTS, CREATED AND PERFORMED BY WESLA WHITFIELD and MIKE GREENSILL (Sept. 20, 2013)

I am now honored to present a love-drama in three acts — three moving musical performances by the irreplaceable duet of Wesla Whitfield (song, voice) and Mike Greensill (song, piano) — recorded on September 20, 2013, at Jazz at Chautauqua — now renamed the Allegheny Jazz Party.

Here, Wesla and Mike move through three moods of Amour:

Sweet wistful yearning for the Ideal.  

Erotic transports, enacted and imagined.  

The sadness when the relationship has faded.

Their script is musical and lyrical, sweetly intense no matter what the emotions depicted, with not a note out of place or a gesture too broad. Three dear dramas, knit together subtly yet powerfully.

They do this by reinventing three beloved songs: one, a pop hit from the 1946; a two, 1922 Youmans / Caesar song so venerable that it gets taken for granted; three, the mournful Bernstein / Comden / Green classic from ON THE TOWN:

A SUNDAY KIND OF LOVE:

TEA FOR TWO:

SOME OTHER TIME:

Whitfield and Greensill, master musicians, subtle dramatists, wise psychologists. There’s no one like them.

May your happiness increase!

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SWEET THOUGHTS OF HOME: REBECCA KILGORE, DAN BARRETT, ROSSANO SPORTIELLO, MARTY GROSZ, FRANK TATE, JOHN VON OHLEN at JAZZ AT CHAUTAUQUA (September 22, 2013)

Lester Young said that sweetness was at the core of his music.  He would have loved the performance below: a sweet floating generous world shared with us in two minutes and twenty seconds.

The facts: this performance was the penultimate one in the long deliriously happy weekend that was Jazz at Chautauqua 2013.  The marvelous players: Rebecca Kilgore, vocal; Dan Barrett, trombone; Rossano Sportiello, piano; Marty Grosz, guitar; Frank Tate, string bass; John Von Ohlen, drums.  The song is from WONDERFUL TOWN — music by Leonard Bernstein, lyrics by Betty Comden and Adolph Green.  And the two-part harmony is a loving tribute to the original idea of the song, sung by two homesick sisters.  But enough facts!

I find that incredibly touching and heartfelt and expert and witty and deep. And when people say, “Michael, are you going to Jazz at Chautauqua again this year?” they will now understand better why I get this determined happy look on my face and say, “I wouldn’t — I couldn’t — miss it for the world.”

One more paragraph.  I have been listening to jazz records since childhood, and to jazz in person since 1967.  A long glorious span of time, you will agree. Records and cassettes and compact discs have the advantage of being tangible.  You can always replay them until you wear them out.  But live performance is more evanescent.

The best music — the most lasting music — will stay alive in my head as long as I am conscious.

This performance of OHIO is so dear, so memorable to me.  I shall never forget it.

Blessings on everyone here.  And to all my viewers.  May you always have a wonderful town, a wonderful home to go to.

May your happiness increase!