Tag Archives: Bill Schneider

GRAB YOUR HIGHLIGHTERS: THE BAND SCHEDULE FOR FRESNO “SOUNDS OF MARDI GRAS” 2019 IS HERE (with some delightful MUSICAL EVIDENCE)

I’ve already posted this cheering bouquet of balloons, and I’m making my first trip to Fresno for “the sounds of Mardi Gras” early next month.  And not simply in hope of finding balloons.

Now, we can all get down to the delightful business of planning what to see and hear.  I’m sure there are people who simply amble through a festival, guided by the sounds they hear coming from one room or another.  But I’m a man with a mission: I know the bands I particularly want to hear and video . . . so I have to plan.  If I go to see X and her Jelly Whippers at 6, then I can’t (as Sir Isaac Newton reminds me) hear Y and her Joy Boys at the same time.  So either in the solace of my apartment or perhaps on the airplane, I bring out the highlighters so that I can plot and plan . . .
NEWS FLASH: as of January 25, some last-minute changes – – – –
On Friday, in Salon C/D, the morning – afternoon sequence is now Young Bucs / Yosemite / Climax / Tom Hook / High Sierra.  The evening sequence in C/D is now Bob Schulz, Dave Stuckey, and the rest unchanged.    As far as  my nearsighted eyes can tell, those are the only changes.  But the sole way to be sure you have the right schedule is to go to the Sounds of Mardi Gras and pick up the current paperwork.
I believe that an even larger version — spread it out on the floor so the whole family can play — can be found  here.  Since this is my maiden voyage to this festival, I haven’t any videos of my own to share.  But my colleagues have filled that need for years — one of them being the faithful Bill Schneider, who captured Bob Schulz’s band playing a lyrical YOU’RE DRIVING ME CRAZY at the 2018 festival — with lovely work from Bob, Kim Cusack, Ray Skjelbred, Doug Finke, Scott Anthony, Jim Maihack, and Ray Templin:

and a very hot MONA LISA from a 2010 performance by the New El Dorado Jazz Band co-led by Hal Smith and Clint Baker, with Marc Caparone, Howard Miyata, Mike Baird, Carl Sonny Leyland, Katie Cavera, and Georgia Korba.  Not everyone in this band will be at the 2019 festival, but their music is preserved for us thanks to RaeAnn Berry:

I look forward to the 2019 banquet of good sounds.  For details, visit the festival’s website and their Facebook page.  But don’t take so long looking for the right color highlighter that this hot weekend passes you by.

May your happiness increase!
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A REMARKABLE MUSICAL FAMILY

Before you read a word of mine, I urge you to set aside fourteen minutes (multi-tasking discouraged) and enjoy this performance of SWEET SUE and GEORGIA CABIN by Evan Arntzen, reeds / vocal; his grandfather Lloyd Arntzen, reeds / vocal; his brother Arnt Arntzen, guitar / vocal; James Meger, string bass; Josh Roberts, guitar; Benji Bohannon, drums. Recorded at the Vancouver 2013 Jazz Band Ball by Bill Schneider.

There have been some families in jazz but it’s a fairly uncommon phenomenon; in this century I can think of the Marsalis clan, then an A B C — Au, Baker, and Caparone — and I am sure my readers will tell me of others I am unintentionally slighting.  But the Arntzen dynasty is truly impressive. (I’ve heard Evan at close range a number of times, and his talent is no fluke.)

The occasion for this celebration is my listening to two fairly recent CDs, both cheerfully swinging without tricks — and they both suggest that the Arntzens have are a musically functional family. (I’m old-fashioned enough to be in favor of families that not only don’t hate each other, but that create something supportive and lasting.)

The first CD, BLACKSTICK, offers a sweet story as well as authentic hot jazz.

BLACKSTICK

This CD is an expression of gratitude to Grandpa Lloyd Arntzen, who taught Evan and Arnt, as children, not only musical fundamentals but gave them a deep love of melodic improvisation and hot jazz.  And the best part of the CD is that it is not an elegy or eulogy — but that Lloyd plays and sings (even a Tom Waits paean to New Orleans) throughout the disc.  Aside from Evan, Lloyd, and Arnt, the  other musicians are Jennifer Hodge, string bass, Dan Ogilvie, guitar; Benji Bohannon, drums.  The sound of the music is comfortable, too: what could be better than recording it — with only two microphones — in Lloyd’s “basement rec. room,” where it all began?  The music is a happy and free evocation of the Apex Club Orchestra, Sidney Bechet with and without Mezz Mezzrow, and even Soprano Summit: moving from gentle serenades to ferocious swing.  Here you can hear the CD and — if you are so moved — purchase an actual copy or downloads.

INTRO BROS ARNTZEN

The second CD, cleverly titled INTRODUCING THE BROTHERS ARNTZEN, is just that, a compact but winning introduction to their musical world — which features not only a good deal of expert instrumental interplay but almost as much delightful harmony singing.

BROS ARNTZEN photo

The CD isn’t slick or slickly produced: it sounds most gratifyingly like the music dear friends might make in their living room for the enjoyment of a small group of like-minded people.  (It is properly advertised on the cover as MUSIC FOR DANCING.)

I am not a fan of manufactured country-and-western music, but this disc has a lovely “roots” flavor to it . . . and when I was only on the second track, a stomping VIPER MAD, which was followed by a truly touching HOME, I was convinced.  Jennifer Hodge is back on string bass, and Andrew Millar plays drums most effectively. Evan sticks to the clarinet, Arnt to the banjo, but this foursome creates a rich sound.  As before, you may hear / purchase here.

The Brothers aren’t entirely down-home antiquarians: they have their own fraternal Facebook page.  They have already brought a good deal of restorative music and good emotions into my world: welcome them into yours.

May your happiness increase!