Tag Archives: Birdland Theater

THEY’RE BACK!

This is AN EVENT.

I’ve been a fan of Vince and the Nighthawks for twenty years or more, and they are unique at what they do. And now, a weekly gig again!

Almost all of the shows are sold out, but tickets are still available for December 13 and January 3. The Birdland Theater is a compact space, so I suggest you get tickets without delay. Visit BirdlandJazz.com . . . .

You’ll notice that I don’t offer video evidence, although I often brought my camera to the Nighthawks’ gigs. They are too large, too splendid for a camera of my sort — and Birdland does not allow video-ing, so they have to be caught live, hot, in person. If you know them, you know, and if you don’t know, come and be uplifted.

See you there, I hope.

May your happiness increase!

SO SWEET, SO MELANCHOLY: JINJOO YOO, KI-HONG JANG, JAMALE DAVIS: CLARENCE PROFIT’S “DON’T LEAVE ME” (February 8, 2020)

This beautiful rueful performance — created by Jinjoo Yoo, piano; Ki-Hong Jang, guitar; Jamale Davis, string bass, and video-recorded by Jackson Notier — from their February 8 evening at Gin Fizz — is doubly obscure but shouldn’t be.  “Obscure” because the melancholy composition, “Don’t Leave Me” is little-known, as is its composer, the pianist Clarence Profit, who died at 32.  (And, as a personal aside, I met Ms. Yoo because of her interest in Mr. Profit, which is a very gratifying thing indeed.)

Clarence Profit and his music are emotionally powerful to me — read here — so when I saw that this YouTube video had only 21 views, I thought to encourage JAZZ LIVES’ readers to partake of this beautiful interlude:

I found myself playing that video several times in a row, and hope you do also.  But let us assume you are one of those rare beings who actually understands the pleasure of hearing music live, not on the computer or through the phone: this supple trio will be playing their debut gig at The Birdland Theater on Sunday, March 15, 2020, from 9:45 to 11:15 PM: 315 West 44th Street, New York City.  It would be lovely if they had an audience, and even better an audience that applauded at the mention of Clarence Profit’s name.  Do I dream?

May your happiness increase!