Tag Archives: birthday

TAKE ME TO THAT LAND OF GROSZ

I expect that Marty Grosz, who celebrates his eighty-fifth birthday on February 28, would say something acerbic about any fuss.  But those who know  him have worked hard to get around his sharp-edged humor, his nostalgia for the old days when jazz was played in “joints,” “saloons,” and “toilets,” to savor the swing alchemy he so generously offers.  And he has offered it to us on record since 1951, when the label read MART GROSS and then listed him in the credits as “Beef” Gross.

Marty in the studio, May 2008

Marty in the studio, May 2008

But returning to the fuss.  All I will say here is that I am delighted to live in his world, where getting hot is the highest aim of humankind — swinging, that is, not simply making a racket on the bandstand.  I admire his rhythmic pulse, the sound of his acoustic guitar in the ensemble.  And his singing — somewhere between Fats and Red McKenzie (he is a peerless balladeer, although his favorite tunes tend to be medium and medium-up) — as well as his arranging, something he’s less credited for.

I’d heard and seen Marty as far back as 1974, when he was an invaluable member of Soprano Summit, and then began to buy his records — the duets with Wayne Wright and the many small-band sides on Aviva, Stomp Off, Jazzology, Nagel-Heyer and others.  In 2004, I had an opportunity to renew my admiration, and heard at length from Marty about Trollope, Frank Chace, the old days, and the Decline of the West.  Most often I saw — and eventually video-recorded him — at Jazz at Chautauqua, now the Allegheny Jazz Party, with detours to Philadelphia and the occasional New York club.

Here are a few excursions into the Land of Grosz from Chautauqua.  (I’ve not enumerated the noble Men of Grosz but they are credited in the descriptions.)

CHERRY (2011):

TIN ROOF BLUES (2012):

IT’S A SIN TO TELL A LIE (2012):

You can find more — here — and other admirers worldwide have captured their very own Adventures in Swing under Marty’s leadership.

If you think about what a birthday celebration means, it may vary with age.  A six-year old’s birthday might mean, “Goodness, what a big person you are becoming!”  For someone older, I think the sentiment is, “We are so happy to have you with us.  We are grateful to you.”  As we are.

May your happiness increase!

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WE CELEBRATE MISTER MORGENSTERN!

Dan Morgenstern turns 85 on Friday, October 24.  But we celebrate him every day.  I know I have learned so much from reading his quiet, straightforward prose (I can recite passages from his Louis liner notes, his Hot Lips Page ones, and a hundred more), his magazine articles and Mosaic notes, his voice coming through the radio (“Jazz From the Archives” on WBGO-FM), and in person. He’s been generous to me and thousands of other researchers in his time at Rutgers, and his generosity didn’t stop when he retired.

He is a model of perception, and his range is never limited.  If it’s good, you’ll find him in the audience.  Yes, he is a link to the past (ask about naby hallowed musicians from 1947 onwards and he saw them and sometimes spoke with them) but he is also very much living in the present, someone who is excited about the gig he went to last night — not an elder who thinks all the glories are gone.

You will have two special opportunities to celebrate Dan, and to celebrate with Dan, this week.

On Wednesday, David Ostwald and the Louis Armstrong Eternity Band (that Birdland perennial) will be celebrating Dan with one of their special late-afternoon / early evening gigs. The musicians David has lined up for this celebration include Bjorn Ingelstam, Adrian Cunningham, Marion Felder, and Vince Giordano — but I’m sure that other notables will be in the house and on the stand to celebrate Dan.

Morgenstern Birdland

On Thursday, Will Friedwald is hosting one of his inimitable CLIP JOINT presentations of video performances that Dan has picked out himself as well as a few surprises . . .

Morgenstern clip

To reserve your seat, RSVP to Levis4402@yahoo.com — it’s $10 to join in.

I know both of these events will sell out, so make your reservations early so you aren’t left on the sidewalk.  And if you can’t make either one, a simple, “Mister Morgenstern, happy birthday and thanks so much!” will do when you encounter Dan at a gig.

May your happiness increase!

FOR BIX BEIDERBECKE (The Ear Inn, March 13, 2011)

I do not know what memories Bix Beiderbecke had of New York.  Aside from that terrible apartment in Sunnyside, Queens, where he died, I think that many of them were good: recording for OKeh, jamming in Harlem, playing against the Henderson band, drinking at Plunkett’s.  Bixians can, I am sure, supply more.

Although Bix has been gone a long time, New Yorkers still celebrate him in many ways: a vigil on the anniversary of his death; WKCR-FM plays his music on his birthday, and (this year) the EarRegulars devoted an evening to honoring him.

The EarRegulars were Jon-Erik Kellso (trumpet) and Matt Munisteri (guitar), founding members, with Pete Martinez (Albert system clarinet) and Greg Cohen (string bass).  And they played as if Bix was seated at the bar, grinning appreciatively — which, in a way, he always is.

Here’s Hoagy’s FREE WHEELING — later named RIVERBOAT SHUFFLE, a wondrous way to start things off.  Catch Jon-Erik’s clarion, flexible lines, Greg’s fervent support.  Pete’s quotation early in his first chorus is a delicious in-joke.  As ALONE, it is the romantic number in the Marx Brothers’ A NIGHT AT THE OPERA.  And his second chorus — only Matt could follow something like that, and how nimbly he does!  Jon-Erik soars; Greg stomps, and the closing ensemble is a triumphant paradox: searing hot and cool to the touch at the same time:

It took me several choruses to recall the name of the next selection — it’s THERE’LL COME A TIME and it’s a tribute to the deep affection and deeper recall that all the editions of the EarRegulars show — not in an academic or pretentious way, but with love.  This version, deliciously, has an easy stroll to it — it could be a 1938 Basie-inspired small group recording for Commodore, couldn’t it?  (Think of Buck, Lester, Durham, Page.)  And wait until the very end — the equine commentary is here and intact:

Pianist and wit Jeff Barnhart says that SAN has the distinction of being the Dixieland tune with the shortest title.  I wouldn’t deny that, but it’s also a rocking composition — especially the way the EarRegulars launch into it, with quartet telepathy all around:

Finally, a song I take as a tribute to my serene and well-establish standing in academia — the JAZZ ME BLUES — which has the immortal line, worthy of Keats, “Professor, come on and jazz me!”  I would have responded but it would have required that I put my camera down, so I couldn’t:

Bix thanks you.  We all thank you, gentlemen of the ensemble!

DON’T BE IN A MIST!  CLICK HERE TO GIVE SOMETHING BACK TO THE MUSICIANS IN THE VIDEOS (ALL MONEY COLLECTED GOES TO THEM):

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FOR EDDIE at 105

That’s Eddie Condon, born 105 years ago today. 

This filmed performance of ROYAL GARDEN BLUES — from the 1964 ABC-TV show, SALUTE TO EDDIE CONDON — doesn’t harm anyone, even though Eddie was present only in spirit.  The celebrants are Wild Bill Davison, cornet; Ed Hall, clarinet; Cutty Cutshall, trombone; George Wettling, drums; Willie “the Lion” Smith, piano, cigar, and derby; Al Hall, bass:

And another fast blues — this one from 1938 with Bobby Hackett, cornet; George Brunis, trombone; Pee Wee Russell, clarinet; Bud Freeman, tenor; Jess Stacy, piano; Eddie, guitar; Artie Shapiro, bass; Wettling, drums:

To be remembered with affection is a great thing, and it’s how we feel about Eddie and the musical worlds he created.