Tag Archives: Bob Kull

BLISS (Part Two): DANNY TOBIAS, LARRY McKENNA, SILAS IRVINE, JOE PLOWMAN (1867 Sanctuary, Ewing, New Jersey, Sept. 21, 12019)

I saw the sign, and stopped for it.

Here is the first part of BLISS, and you will hear I don’t exaggerate: four songs performed by Danny Tobias, trumpet, fluegelhorn; Larry McKenna, tenor saxophone; Silas Irvine, piano; Joe Plowman, string bass, at the 1867 Sanctuary in Ewing, New Jersey, on September 21, 2019.

Celestial music, to be sure.

Here are some still photographs of the four illuminators, thanks to Verizon:

and

and

and

You’ve been patient.  Now for the moving pictures (with sound, too)!

Gershwin and Gershwin:

Rodgers and Hart:

Edgar Sampson:

Lerner and Loewe:

Youmans and Caesar:

What lovely unaffected music.  I can’t wait for this quartet’s return engagement.

May your happiness increase!

BLISS (Part One): DANNY TOBIAS, LARRY McKENNA, SILAS IRVINE, JOE PLOWMAN (1867 Sanctuary, Ewing, New Jersey, Sept. 21, 12019)

Everyone’s bliss is different.  But for me, one version is being close to and recording a small group of creative musicians playing splendidly, listening attentively to one another in a quiet space in front of a rapt audience.  It’s bliss when it happens, and also because it happens so rarely.

But it did happen in the lovely 1867 Sanctuary in Ewing, New Jersey, for two hours on September 21, 2019.  The noble creators were Danny Tobias, trumpet, fluegelhorn, and Eb alto horn; Larry McKenna, tenor saxophone; Silas Irvine, piano; Joe Plowman, string bass.  And here’s their first set: lyrical, controlled, passionate, swinging, deeply melodic.

Larry McKenna

They began with I’LL ALWAYS BE IN LOVE WITH YOU, which although it did not begin life as a swinging tune, Count Basie made it so — as do they:

What followed continued to make me and the rest of the audience happy, but if this quartet had decided that enough was enough with this single performance, I would have been satisfied.  Slightly mystified, but smiling.  But I am thrilled they continued.

The lovely MY IDEAL (check out the lyrics if you don’t know them):

Danny picked up his new / old Eb alto horn for MOOD INDIGO.  Wait until the end, after the last notes, for his musicological commentary and a patented Tobias comic flourish:

Danny’s own HOW’S IT GO? — based on chord changes that were part of the common language when there was one:

Get up, stretch, find some snacks, and the second half will be posted shortly. I bless these four creators and thank them as well.  Thanks also to Bob and Helen Kull, for making the 1867 Sanctuary a shrine for wonderful art.  This post is for John Scurry, John Herr, Sam Taylor, Melissa Gilstrap, and R1, of course.

May your happiness increase!

OH, HOW THEY SWING! (Part Three): DANNY TOBIAS, WARREN VACHÉ, PHILIP ORR, PAT MERCURI, JOE PLOWMAN (September 22, 2018: 1867 Sanctuary, Ewing, New Jersey)

The proceedings, photographed from above by Lynn Redmile

I apologize to all concerned: because of being overwhelmed and a filing system that I keep in my overwhelmed head, this third part of a glorious afternoon got away from me for a bit.  But all is not lost!  And here is the music created in the first and second sections.

I don’t know who took the picture of Warren (left) and Danny (right) but it is quite nice:

However, it leaves out the rest of the heroes: Philip Orr, piano; Pat Mercuri, guitar; Joe Plowman, string bass.  Here are the four remaining performances — quiet mastery by artists who really know and feel what heartfelt improvisation is:

A Tobias original (based on a song about soporific nature) dedicated to the much-missed Tony Di Nicola:

Harold Arlen, always welcome, as is Danny’s playing the Eb alto horn:

A gorgeous TOO LATE NOW:

And the real national anthem:

What beautiful warm inspired music these heroes make.

May your happiness increase!

EMBRACED WARMLY BY MUSIC: DANNY TOBIAS, GEORGE RABBAI, PHIL ORR, PAT MERCURI, JOE PLOWMAN (Part Three): March 24, 2018

THIS JUST  IN: Danny and George will be back at the 1867 Sanctuary on Saturday, September 22, from 2-4 PM.  Mark it down.)

Here are the closing performances — the second set — from a lovely afternoon of rewarding music.  Those who missed the first two segments may savor them here.


That picture gives all the needed details, but it can’t convey the genial loving spirit that animated the music: friendly conversations among players who deeply respect and value each other, on and off the bandstand.  And you would have to be at the 1867 Sanctuary to hear how fully it welcomes creativity.

A feature for the rhythm section, led by the lyrical Mr. Plowman — from GUYS AND DOLLS:

The great Fifties Basie groove on a composition by Freddie Green:

Danny’s romp on familiar chord changes (test yourself!) which is also the title of his latest CD, COMPLETE ABANDON:

Danny’s feature — THESE FOOLISH THINGS — on his special new / old cornet:

A gorgeous bouquet of sound, scored for two fluegelhorns, EMILY:

And the brief closing selection, IT’S YOU OR NO ONE:

What wonders!  I believe that Danny and George have talked of doing another afternoon performance at the unique 1867 Sanctuary and I hope this comes to fruition soon.  All I can tell you is that I left the address in my car’s GPS and I will keep it there.  “Worth a trip from anywhere!” as a radio commercial used to tell us.  Thank you, Danny, George, Joe, Phil, Pat, Bob and Helen Kull, Caroline Roth, Lynn Redmile, and everyone else who made this possible.

May your happiness increase!

A SANCTUARY FOR MUSIC: DANNY TOBIAS, JOE HOLT, and MAX DONALDSON (Ewing, New Jersey: June 11, 2017)

Beautiful music doesn’t always get a suitable place to grow and shine, but on June 11, 2017, it did, for a few hours.

The place is the  1867 Sanctuary at Ewing at 101 Scotch Road in Ewing, New Jersey, and the lovely music was created by Danny Tobias (trumpet, Eb alto horn), Joe Holt (piano), and guest Max Donaldson (tenor saxophone).  Here are several of the highlights of that most rewarding concert.

Think of Fred and Ginger, or of Ella and Louis — but let us all bow low to Irving Berlin, without whom we’d have no CHEEK TO CHEEK:

For ALL THE THINGS YOU ARE, Danny invited up young Mister Max Donaldson, who certainly played splendidly.  Max told me, “I am a 17 year old junior in high school and have been playing saxophone since the 5th grade. I discovered jazz in the 7th grade and found my passion. Some of my favorite jazz greats to listen to are Dexter Gordon, Benny Golson, and Sonny Rollins, though I listen to and appreciate all types of jazz.”  Watch out for this young man: I predict a creative future for him.

For his first feature, Joe chose to improvise on Beethoven’s Minuet in G Major, WoO 10, No. 2.  To which I could only say (under my breath, politely), “WoO!”:

Here’s Danny’s own romping variations on a jazz classic, which he has titled HOW’S IT GO?:

Danny has picked up another brass horn, the neglected but beautiful Eb alto horn — think of Dick Cary and Scott Robinson — and here the duo improvises a BLUES FOR MAX in honor of their tenorman:

Holt meets Joplin, with happiness, for MAPLE LEAF RAG:

And finally, Richard Rodgers – Lorenz Hart’s moody SPRING IS HERE, a song Joe hadn’t known before — how beautifully he finds his way:

Gorgeous music in a serenely beautiful place.  Thanks to Danny, Joe, Max, Lynn Redmile, and to Bob Kull for making this all happy and possible.

May your happiness increase!