Tag Archives: Brandi Disterheft

TRAVELS WITH MOLLY: “LET’S FLY AWAY”

Molly Ryan by Don Spiro

Molly Ryan by Don Spiro

I’ve been admiring Molly Ryan’s singing — and her instrumental bandmates — for almost a decade now.  Her latest CD, her third, LET’S FLY AWAY, is a beautifully elaborate production, consistently aloft.

Molly Ryan CD cover

Here are the details.  The CD features a theme (hooray!) — the delights of travel, with some ingenious choices of repertoire:  WANDERER / BEYOND THE BLUE HORIZON / FAR AWAY PLACES / LET’S FLY AWAY / FLYING DOWN TO RIO / A RAINY NIGHT IN RIO / SOUTH SEA ISLAND MAGIC / THE GYPSY IN MY SOUL / THE ROAD TO MOROCCO / UNDER PARIS SKIES / TRAV’LIN’ ALL ALONE / IT’S NICE TO GO TRAV’LIN’ / ANYWHERE I WANDER . . .

and alongside Molly (vocal and guitar) some of the finest jazz players on the planet:  Bria Skonberg, Randy Reinhart, Dan Barrett, Dan Levinson, Adrien Chevalier, John Reynolds, Joel Forbes, Mike Weatherly, Mark Shane, Dick Hyman, Kevin Dorn, Scott Kettner, Raphael McGregor, with arrangements by the two Dans, Levinson and Barrett.

When I first heard Molly — we were all much younger — I was immediately charmed by her voice, which in its youthful warmth and tenderness summoned up the beautiful Helen Ward.  But Molly, then and now, does more than imitate. She has a gorgeous sound but she also knows a good deal about unaffected swing, and in the years she’s been singing, her lyrical deftness has increased, and without dramatizing, she has become a fine singing actress, giving each song its proper emotional context.  She can be a blazing trumpet (evidence below) or a wistful yearner, on the edge of tears, or someone tart and wry.

The band, as you’d expect, is full of great soloists — everyone gets a taste, as they deserve, and I won’t spoil the surprises.  But what’s most notable is the care given to the arrangements.  Many CDs sound as if the fellows and gals are on a live club date — “Whaddaya want to play next, Marty?” “I don’t know.  How about X?” and those informal sessions often produce unbuttoned memorable sounds.  But a production like LET’S FLY AWAY is a happy throwback to the glory days of long-playing records of the Fifties and Sixties, where a singer — Teddi King, Lena Horne, Doris Day, Carmen McRae — was taken very good care of by Neal Hefti or Frank DeVol or Ralph Burns, creating a musical tapestry of rich sensations.

Now, below on this very same page, you can visit the page where LET’S FLY AWAY is for sale, and hear samples.  But Molly and friends have cooked up something far more hilariously gratifying — a short film with an oddly off-center plot, dancers, visual effects, hard to describe but a pleasure to experience:

Yes, it does make me think of Mildred Bailey’s WEEK-END OF A PRIVATE SECRETARY, but perhaps that association is my own personal problem.

And tomorrow — yes, tomorrow, Thursday, September 3, at 9:30 PM — Molly and friends are having a CD release show at Joe’s Pub, with Dan Levinson, Mike Davis, Vincent Gardner, Dalton Ridenhour, Brandi Disterheft, Kevin Dorn.  You may purchase tickets (they’re quite inexpensive) here.  Details about the show here, and Molly’s Facebook page.

Purchase a digital download of the CD (with two hidden tracks) OR the physical disc itself (with twenty pages of liner notes and wonderful art / photographs) OR hear sound samples here.

Airborne, delightful swing.  Why not FLY AWAY?  Let’s.

May your happiness increase!

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CAFE ROUGE: SVETLANA SHMULYIAN and the DELANCEY FIVE at THE BACK ROOM SPEAKEASY (April 1, 2013)

Most Monday nights, you can find the engaging young singer Svetlana Shmulyian and her Delancey Five at the Back Room Speakeasy (yes, you have to know the password to get in and the drinks are served in coffee cups) on 102 Norfolk Street on the Lower East Side of New York City.  Here’s the Back Room’s Facebook page.  Here’s Svetlana’s page, and the Delancey Five page.

On Monday, April 1, Svetlana was joined by her eminent friends Dalton Ridenhour, piano; Adrian Cunningham, reeds; Rob Garcia, drums; Brandi Disterheft, string bass; guest Tom Dempsey, guitar.  The music that resulted was impromptu, energized, and heartfelt.

You know that being in the red means financial distress; seeing red indicates rage.  Neither of those two phrases applies here, for Svetlana and friends create gracious swing — for the dancers, for the listeners, for us.  Worth a visit!  (And for my suburban brethren, there’s on-street free parking after 7.)

Here’s the first set of the night.

Berlin’s THE BEST THING FOR YOU (WOULD BE ME) by Adrian and Co:

Svetlana joins in for the 1930 paean to similitude, EXACTLY LIKE YOU:

Here’s HONEYSUCKLE ROSE:

Adrian and Svetlana warble I CAN’T GIVE YOU ANYTHING BUT LOVE:

Mr. Cunningham on the tenor for JUST YOU, JUST ME:

A tender THE VERY THOUGHT OF YOU with a glorious introduction by Dalton (as if it were a blues conceived at Minton’s in 1941):

Optimistically and energetically, BLUE SKIES:

For those who would like to hear Svetlana and friends in the hush of a recording studio, nothing could be simpler: click here.  Although it is no longer cold outside, warm music never goes out of style.

May your happiness increase.

WARM MUSIC FOR COLD TIMES: SVETLANA SHMULYIAN AND THE DELANCEY FIVE

Svetlana cover

I first heard the charming singer Svetlana Shmulyian in a secret East Village nightspot.  I liked her easy way with melodies and her comfortable interaction with the band.

But this new mini-CD (three songs, ten minutes) is an even more pleasurable experience — simply because the color and texture of her voice come through beautifully, as does the delightful music surrounding her.

Svetlana seems right at home with swing.  She rides the rhythm easily; she invents new little melodic twists and turns without trying too hard.  She sounds like a grown woman rather than a grown woman trying to be a little girl, and (no small thing) she has a pleasing voice, not thin or wandering around the pitch.

On this winter-themed CD — perfectly appropriate for a day like today when the temperature stayed at twenty-one degrees — she is accompanied by Jim Fryer, trumpet, trombone, euphonium; Dalton Ridenhour, piano; Adrian Cunningham, vocal, clarinet, saxophone; Brandi Disterheft. string bass; Ted Gottsegen, guitar; Steve Little, drums.

At times I thought of a modern Fats Waller and his Rhythm (thanks to Dalton and Ted throughout), then of a hip Doris Day – Buddy Clark (BABY, IT’S COLD OUTSIDE), then a streamlined Ellington-based dance number (IT DON’T MEAN A THING), or a nifty Forties approach on LET IT SNOW.  Some perfectly understated overdubbing — you wouldn’t notice it unless you looked at the personnel listings — is a special pleasure, because on one song we can hear Jim Fryer, trumpet, lead the way, while his benign twin Jim Fryer plays a splendid trombone part.

When the third track ended, I was sorry that the CD was only ten minutes long. That’s high praise in JAZZ LIVES’ country.

Here’s Svetlana’s Facebook page, and the band’s Facebook page, and here you can hear the EP (how old do you have to be to know what that acronym means?) and digitally download it for the swift painless price of $3 — or, for the budget-minded, a dollar a song.

My title is probably wrong: this is music for any of the twelve months, no matter what the temperature.

May your happiness increase.