Tag Archives: Brian Blade

NEW ORLEANS JOYS: CLINT BAKER, BILL CARTER, JIM KLIPPERT, MONTE REYES, BILL REINHART, SAM ROCHA, J HANSEN at CAFE BORRONE (June 6, 2014)

A few nights ago, on Friday, June 6, 2014, Clint Baker and friends turned Cafe Borrone (1010 El Camino Real, Menlo Park, California) into a New Orleans dance hall for two sets from 7:30 to 10 PM. Clint and friends are usually known as Clint Baker and his Cafe Borrone All Stars; for this night, because of so many long-time friends and colleagues gathered together to make music, they were his New Orleans Jazz Band.  Appropriately!

“Hear me talkin’ to you!” Clint, trumpet, vocal; Bill Carter, clarinet, ensemble vocal; Jim Klippert, trombone, ensemble vocal; Monte Reyes, banjo, vocal; Bill Reinhart, guitar; Sam Rocha, string bass, vocal; J Hansen, drums.

PUT ON YOUR OLD GREY BONNET (with ensemble warbling):

CARELESS LOVE:

BUGLE BOY MARCH:

I’M ALONE BECAUSE I LOVE YOU (vocal by Sam):

THE SECOND LINE:

SOME OF THESE DAYS (vocal by Clint):

OLE MISS:

SWEET LOTUS BLOSSOM (vocal by Clint):

ICE CREAM (ensemble chorusing. no artificial ingredients):

“KEEP IT REAL” Bb BLUES:

JUST A LITTLE WHILE TO STAY HERE (that rocking carpe diem):

LADY BE GOOD (with Monte’s justly famous vocal):

A friend gave me a copy of the latest issue of DOWN BEAT — with nice coverage of Eric Alexander, Brian Blade, Sonny Rollins, even a review of a new Bucky Pizzarelli CD.  But no feature on Clint Baker or the wonderful happenings at Cafe Borrone.  Their loss.  What would it take to get DOWN BEAT to come down here? I would buy the reporter a nice plate of polenta, carrots, kale, and cauliflower, or something else from their good kitchen: you have my word.  Until then, if you can get down here, you won’t regret the trip; if it’s too far away, please share this blogpost with people you know who would like it.  Clint and his pals are creating hot, subtle delights regularly — and your attention is perhaps the best tribute.

 May your happiness increase!

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AT HOME WITH DAVY MOONEY: SEARCHING LYRICISM (April 4, 2012)

Guitarist / singer / songwriter Davy Mooney lights up the music wherever he is — playing obbligati to another vocalist, swinging the rhythm in the Grand Street Stompers, spinning out long lines in the fashion of early Joe Pass.  Before I knew anything about him, he had caught my ear.  And he is clearly more than simply a superb band guitarist, as his new CD, PERRIER STREET, proves.  On this Sunnyside CD, Davy is joined by Gordon Au, trumpet; John Cowherd, piano; Brian Blade, drums; Johnaye Kendrick, vocals; Matt Clohessy, bass; John Ellis, tenor sax and bass clarinet.  Here’s a link to find out more and to download the CD.

I missed Davy’s CD release party at the Cornelia Street Cafe, so I proposed a potentially radical idea: I could visit him at home, away from the crash of ice cubes and artificially-dramatic laughter, and record him at home.  He was more than amenable.  Here’s the result: tranquil readings of songs that often have dark messages.

The chiming melody and lines of CRIMSON:

PHELIA (with hints of a barcarolle, Thornhill’s SNOWFALL, and Debussy):

FIRST WORLD DEATH MARCH, a winning combination of jaunty melody and dark lyrics (when “righteous men choose the bloody way”):

The moody ONCE WAS TRUE: “all the voices in the sky are pleading,” a song about God losing faith in human beings:

A nearly hypnotic SWINGSET:

I’d asked Davy to play a “standard,” and he offered a nearly translucent LIKE SOMEONE IN LOVE — but wait for the cadenza:

The spinning orchestral velocity of CENTRAL SUPPLY:

ALL OF HER, a “sad song,” secretly based on a familiar nursery rhyme:

Davy told me that his guitar is a semi-hollow seven-string archtop tuned to a low A, created by the Louisianan Jimmy Foster, who died in 2011.  What sounds he gets from it!

If any other improvising soloists want to arrange an at-home session, let’s talk!

May your happiness increase.