Tag Archives: Brian Holland

MR. WALLER SWINGS BY (Part Two): THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL (Sedalia, Missouri: May 31, 2018)

From left: Marc Caparone, cornet; Brian Holland, piano; Danny Coots, drums; Evan Arntzen, reeds; Steve Pikal, string bass.

On my most recent visit to my electro-cardiologist (don’t worry, now) we were discussing nutrition, as we often do, and she said, kindly but vehemently, about olive oil, “You know, Mr. Steinman, fat fuels the brain!”  Or at least that’s what I think she said.  I preferred to hear it as “Fats fuels the brain!” which — as medical advice — is even more sound.  And true for me.

The Holland-Coots Jazz Quintet has a special affinity for the music of Fats Waller — his own compositions as well as those he made his own.  It’s not surprising: Mister Waller’s particular swing and playfulness fits well with this contemporary group’s joyous approach.

If the fellows above are not familiar to you, you’ve been missing out on quite a lot of good jive (do you know their debut CD, which is also a Fats mini-concert?): from left, Marc Caparone, cornet / vocal; Steve Pikal, string bass; Danny Coots, drums; Evan Arntzen, reeds / vocal; Brian Holland, piano.

One of the high points of my 2018 was the Scott Joplin International Ragtime Festival (May-June, Sedalia, Missouri) was an evening concert devoted to Fats’ music.  I was there with my camera — wild electro-cardiologists couldn’t keep me away — and here is the first part of the HCJQ’s Fats set.  Notice that they honor the original recordings but they don’t copy them.

WHOSE HONEY ARE YOU? (a song by Danny’s great-uncle, J. Fred Coots, in a performance that has everything — vocal effects front and back, Evan’s whimsical vocal, and a scorching stop-time chorus by Marc):

The 1929 MINOR DRAG (or is it HARLEM FUSS?  You decide):

Two hot, one sweet: Evan’s crooning LET’S PRETEND THAT THERE’S A MOON:

Something from Marc Caparone, a most amenable sort: I WOULD DO ANYTHING FOR YOU:

More to come from this fine bunch of rascals.  I’m following this band to the STOMPTIME cruise, my maiden voyage, so to speak, in spring 2019.  Details here.

May your happiness increase!

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“IT MEANS THAT THEY’RE GRAND”: The HOLLAND-COOTS JAZZ QUINTET at the EVERGREEN JAZZ FESTIVAL (July 28, 2018): BRIAN HOLLAND, MARC CAPARONE, DANNY COOTS, STEVE PIKAL, EVAN ARNTZEN

The original:

And then sweetly Americanized, with label credit to young Bobby Hackett, 1937:

An action shot of the Holland-Coots Jazz Quintet in 2018 (Marc Caparone, cornet / trumpet; Brian Holland, piano; Danny Coots, drums; Evan Arntzen, reeds; Steve Pikal, string bass):

And not simply a still photograph, but ten minutes of the band in action at the 2018 Evergreen Jazz Festival, showing why they are booked for major festivals and will star on the STOMPTIME jazz cruise — April 27 to May 4, 2019).

May your happiness increase!

MR. WALLER SWINGS BY (Part One): THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL (Sedalia, Missouri: May 31, 2018)

The Holland-Coots Jazz Quintet, photograph by Amy Holland, 2017, Nashville, Tenn.

The Holland-Coots Jazz Quintet has a special affinity for the music of Fats Waller — his own compositions as well as those he made his own.  It’s not surprising: Mister Waller’s particular swing and playfulness fits well with this contemporary group’s joyous approach.

If the fellows above are not familiar to you, you’ve been missing out on quite a lot of good jive (do you know their debut CD, which is also a Fats mini-concert?): from left, Marc Caparone, cornet / vocal; Steve Pikal, string bass; Danny Coots, drums; Evan Arntzen, reeds / vocal; Brian Holland, piano.

One of the high points of the 2018 Scott Joplin International Ragtime Festival (May-June, Sedalia, Missouri) was an evening concert devoted to Fats’ music.  I’ve posted performances by Dalton Ridenhour, and duets between Neville Dickie and Danny Coots, but here’s the first part of the wonderful offering by the HCJQ.  Notice that they honor the original recordings but they don’t copy them.

MOPPIN’ AND BOPPIN’, composed by Benny Carter for the 1943 motion picture STORMY WEATHER:

KEEPIN’ OUT OF MISCHIEF NOW, tenderly sung by Evan, with the verse:

The rollicking I’VE GOT MY FINGERS CROSSED, sung by Marc:

And the beautiful LONESOME ME:

Finally, some original Wallerizing — a hot sonata for Arntzen and Pikal, called PHAT SWOLLER:

More to come!  (Incidentally, I’m following this band on to Baby’s first-ever cruise . . . but don’t let me influence you unduly.  Details here.)

May your happiness increase!

CAKE WALKIN’ BABIES IN SEDALIA: The HOLLAND-COOTS JAZZ QUINTET WITH DANCERS (Scott Joplin International Ragtime Festival, June 1, 2018): BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL

On with the dance!  Let joy be unconfined!

Here are selections from the Cakewalk held on June 1, 2018, at the Scott Joplin International Ragtime Festival: expert dancers from hither and yon, music provided by Brian Holland, piano; Danny Coots, drums; Steve Pikal, string bass; Evan Arntzen, reeds; Marc Caparone, cornet.

And the premise was the great variety of popular / dance music dancers would have enjoyed in the early decades of the last century.  We enjoyed it too.

Let’s start with a tender bit of Americana, Irving Berlin’s WHAT’LL I DO?

“Look, Ma!  They’re coming down the street!” BUGLE BOY MARCH:

That raucous Jass music: ORIGINAL DIXIELAND JAZZ BAND ONE-STEP:

Tony Jackson’s PRETTY BABY:

Old New Orleans, CREOLE BELLES:

And back to Mr. Berlin, with ALEXANDER’S RAGTIME BAND:

I hope you moved the furniture and invited the neighbors.  The HCJQ can do anything, sweet or hot, it seems to me.

May your happiness increase!

JUST LIKE YOUR PARENTS’ BACKYARD, IF YOUR PARENTS HAD BEEN HIP ENOUGH TO HIRE A HOT BAND: The HOLLAND-COOTS JAZZ QUINTET HAS A BALL at the EVERGREEN JAZZ FESTIVAL (July 28, 2018): BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, EVAN ARNTZEN, MARC CAPARONE

Here they are, sedately indoors, a year ago, in Nashville, Tennessee:

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

and here they are, swinging beautifully, at the Evergreen Jazz Festival, July 28, 2018.  They are an amazing band, and the performances below explain why better than several thousand words of mine ever could.

Thanks to Ed Danielson, director of the EJF, who has good instincts and acts on them: he heard the HCJQ at their inaugural appearance in Durango and hired them immediately for Evergreen.

A word about the unusual lighting . . . I asked Steve Pikal if he minded being turned into a green alien for this set, and he said, no, he rather liked it.  So I have left the hues alone.

THREE LITTLE WORDS (which switches from the key of C to that of Ab and back again, I have on good authority):

I’VE GOT A FEELING I’M FALLING, for and by Mister Waller:

IF I COULD BE WITH YOU ONE HOUR TONIGHT, by James P. Johnson, who taught Fats, sung sweetly by Evan:

and a thoroughly gratifying exploration of Walter Donaldson’s ultimatum, LOVE ME OR LEAVE ME:

What a band, indeed.  Did I mention that they will be on the  STOMPTIME cruise in April 2019?  I didn’t have to: you know that already.

May your happiness increase!

STOMPTIME! A MUSICAL “CARPE DIEM” AT SEA (April 27 – May 4, 2019)

I’ve never been on a cruise, but I now have one to look forward to in 2019 with the promise of joy afloat on the debut STOMPTIME adventure.

I like things as much as the next person, but I am also a collector of experiences, which are much more durable even though often intangible.  And I believe strongly that we need to seize the day — life, as we know it, has that annoying finite quality — and, in this case, seven days in the Eastern Caribbean to a jazz and ragtime and blues soundtrack — much more alive than Spotify or a pair of earbuds.

A digression: I don’t advertise events or objects (discs, concerts, festivals) on this blog that I wouldn’t listen to or go to, and I pay my way unless some promoter begs me to keep my wallet shut or a musician sends me her CD.  So I am going to be on this cruise, and not for free in return for an endorsement.  Just in case you were wondering.

Here’s one soundtrack for you to enjoy as you read:

That’s not a well-known record, so here’s some data: Red Nichols, Tommy Thunen, Glenn Miller, Jimmy Dorsey, Babe Russin, Adrian Rollini, Jack Russin, Wes Vaughan, Gene Krupa, January 1930.

What, I hear you asking, is STOMPTIME?  To give it its full name, it is Stomptime Musical Adventure’s 2019 Inaugural Jazz Cruise.  It will mosey around ports and islands in the Eastern Caribbean, on the Celebrity Equinox leaving from Miami.  Space is limited to 250 guests, and special offers are available to those who (like me) book early.

Here is the cruise itinerary.

With all deference to the beaches and vistas, the little towns and ethnic cuisines, I have signed up for this cruise because it will be a seriously romping jazz extravaganza, seven nights of music with several performances each day.  Who’s playing and singing?

Evan Arntzen – reeds / vocals; Clint Baker – trumpet / trombone; Jeff Barnhart – piano / vocals; Pat Bergeson – guitar / harmonica; BIG B.A.D. Rhythm; Marc Caparone – cornet / vocals; Danny Coots – drums; Frederick Hodges – piano / vocals; Brian Holland – piano; Holland-Coots Jazz Quintet; Nate Ketner – reeds; Carl Sonny Leyland – piano / vocals; Dick Maley – drums; Steve Pikal – upright bass; Andy Reiss – guitar; Sam Rocha – upright bass / vocals
Stephanie Trick & Paolo Alderighi – piano duo.

Even though that list ends with the necessary phrase, “Performers subject to change,” it’s an impressive roster.

Here’s a six-minute romp for dancers by the Holland-Coots Jazz Quintet, whom I follow on dry land and on sea, that I recorded on June 1, 2018, at the Scott Joplin International Ragtime Festival:

Of course you’d like to know how much a week of pleasure costs: details here.  An interior cabin will cost $1548.13 per person, and there is an additional VIP package for $250.  If this seems a great deal of money, just start repeating to yourself: “A week of lodging, adventure, food, and music,” and do the math.  Feels better, doesn’t it?  My cruise-loving friends tell me that Celebrity is well-regarded — a cruise line catering to adults rather than children, with good food and reassuring amenities.

Amortize, you cats!” as Tricky Sam Nanton used to say.

Two other points that bear repeating.

The great festivals of the past twenty years are finding it more difficult to survive: because they are beautiful panoplies of music, they are massive endeavors that require audience participation. I am a newcomer to this world, having been part of a jazz weekend for the first time in 2004, but I could make myself sad by reciting the names of those that have gone away.  And they don’t return.

Enterprises need support to — shall we say — float?  I know many good-hearted practical people who say, “Wow, I’d love to do that.  Maybe in a few years,” and I can’t argue with the facts of income and expenses.  But we’ve seen that not everything can last until patrons of the arts are ready to support it.  Ultimately, not everything delightful is for free, and one must occasionally be prepared to get out of one’s chair and tell the nice person on the other end of the line one’s three-digit security number on the back of the card.  Be bold.  Have an experience.

I hope you can make this one.

Postscript, just in (July 23) from my nautical-maritime-jazz expert, Sir Robert Cox: “You have picked you ship well as Celebrity Equinox is a Solstice-class cruise ship built by Meyer Werft in Papenburg, Germany. Celebrity Equinox is the second of the five Solstice-class vessels, owned and operated by Celebrity Cruises.”

May your happiness increase!

PLAY HOT, BE SWEET: THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL, June 1, 2018 (BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL)

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

More from the delightful Holland-Coots Jazz Quintet, a band which sprang full-grown to public acclaim in 2017.  They are Brian Holland, piano; Danny Coots, drums; Steve Pikal, string bass; Marc Caparone, cornet, vocal; Evan Arntzen, clarinet, tenor saxophone, vocal.  They soar; they woo.

Here they are outdoors in the very nice Gazebo Park during the 2018 Scott Joplin International Ragtime Festival in Sedalia, Missouri.

Their band version of RUSSIAN RAG has some kinship with the Wilbur DeParis performance, but do you know that Fats Waller recorded it, solo, in 1935?

A late-period Waller love song, from the score of EARLY TO BED, 1943, here crooned by Evan:

A romp by the magnificently creative yet short-lived Alex Hill, BABY BROWN:

And a very endearing love ballad, recorded but not composed by Fats, LET’S PRETEND THERE’S A MOON:

The HCJQ has also made a CD — appropriately, the music of Fats Waller.  You can purchase it here and hear sound samples also.

This HCJQ will be playing the Evergreen Jazz Festival at the end of this month, and next spring they will be part of the Stomptime Musical Adventure Inauguaral Jazz Cruise, April 27 to May 4, 2019, “departing from Miami to the Eastern Caribbean (San Juan, Charlotte Amalie, Punta Cana, and Nassau) on the Celebrity Equinox for 7 nights of music and fun.”

May your happiness increase!