Tag Archives: Brian Holland

“LIKE THE RIPPLES ON A STREAM,” or IMPERMANENCE, by HARVEY SHAPIRO and by BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, JOHN OTTO, STEVE PIKAL (Evergreen Jazz Festival, July 26, 2019)

For those of us who keep music in our hearts, this 1934 song is special.

Yes, it is a carpe diem love song, but it is also about how nothing lasts forever.  It inevitably leads me back to Harvey Shapiro’s poem about Charlie Shavers, reprinted here with apologies for copyright infringement:

That melancholy sharply-realized poem leads me back to these moments in time:

I don’t know the remedy for impermanence — but, as Doctors Holland, Coots, Caparone, Otto, and Pikal enact here: “Take your saddest song and make sure it swings.  You don’t have unlimited chances to swing your song.”

May your happiness increase!

AN HOUR WITH STEPHANIE AND PAOLO (Stomptime, April 28, 2019)

Away from the piano, Paolo abd Stehanie by Ugo Galassi.

Perhaps some readers will need reminding that “Stephanie” and “Paolo” are wonderful pianists, singly or together, and a happily married couple, known to us as Stephanie Trick and Paolo Alderighi — dear friends of mine for many years.  They are also two of the busiest people I know, which is a good thing, so that it was a special pleasure to be on the Stomptime jazz cruise with them last spring and get a chance to watch them, away from the piano, tell their stories in a morning interview session, the bright idea of pianist-organizer Brian Holland, who has many bright ideas and is also the discreet interlocutor here (you’ll also hear from pianist Jeff Barnhart asking questions).

I confess, before another word is read, that the title of this blogpost is inaccurate: fact-checkers and Corrections Officers in the audience will note that the three interview segments add up to slightly less than sixty minutes.  I apologize humbly, but shall add on some video-music at the end of the post so that no one feels cheated.

Part One:

Part Two:

Part Three:

Here they are, with Marty Eggers and Danny Coots, at Rossmoor in 2014:

Paolo and Stephanie don’t disappoint, so if they are in your neighborhood (that’s anywhere from Central Pennsylvania to Switzerland) you should get out of your chair and see them.

May your happiness increase!

THE STUFF IS HERE: THE HOLLAND-COOTS JAZZ QUINTET at the HOT JAZZ JUBILEE: BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, JACOB ZIMMERMAN, MARC CAPARONE (August 30 and September 2, 2019)

The Holland-Coots Jazz Quintet at Monterey, March 2019.

I need say no more . . . except Brian Holland, piano or keyboard; Danny Coots, drums; Steve Pikal, string bass; Jacob Zimmerman, alto saxophone or clarinet; Marc Caparone, trumpet.  Recorded at the Hot Jazz Jubilee in Sacramento, California, on August 30, 2019, by RaeAnn Hopkins Berry.  Thanks to everyone!

ROYAL GARDEN BLUES (with some Basie and Fats touches):

BERNIE’S TUNE, which takes its leisurely time, happily, making its way uptown:

Have something you want to get off your chest?  CONFESSIN’ is good for the soul:

As are vigorous heartfelt avowals of love:

and something sweet — theme music for rebuilding that cottage:

From a set on September 2, a romping BLUE LOU:

And the gorgeous song that Louis took as his band’s first theme song, HOME:

To me, this versatile quintet is operating at the very peak.  Have you seen them live?  It’s even better . . . .

May your happiness increase!

“WAKIN’ UP MUSIC”: BRIAN HOLLAND, STEVE PIKAL, DANNY COOTS at the EVERGREEN JAZZ FESTIVAL (July 27, 2019)

Let’s just say that you have to go back to work on Tuesday morning, September 3.  You’ve had a lovely summer or, at least, a pleasing long Labor Day weekend. How to bridge the gap, or jump the chasm without falling in?

Ben Webster, living his last years in Copenhagen, had a tape of what he called his “wakin’ up music”: a mix of Art Tatum, Fats Waller, and others — Ben fancied himself a homegrown stride pianist, and in his own seriously idiosyncratic way, he could cover the keyboard.

I offer this to JAZZ LIVES readers as a salutary alarm clock, something that might make the journey back to the world of work seem, for the moment, tolerable.  It’s a performance of Eubie Blake’s TROUBLESOME IVORIES by a trio calling themselves GROOVUS — a subset of the Holland-Coots Jazz Quintet (yes, a band-within-a-band) that is Brian Holland, piano; Steve Pikal, string bass; Danny Coots, drums.

GROOVUS has also recorded their first CD, called ALL WE KNOW: details        here.   And if you’d like to hear the version of TROUBLESOME IVORIES that Brian and Danny recorded recently, nothing’s simpler: look here.

And now we’re all awake.

May your happiness increase!

THE VERSATILE FIVE: THE HOLLAND-COOTS QUINTET TAKES EVERGREEN (BRIAN HOLLAND, DANNY COOTS, JOHN OTTO, STEVE PIKAL, MARC CAPARONE): THE EVERGREEN JAZZ FESTIVAL, JULY 26, 2019

The Holland-Coots Jazz Quintet in Sedalia, Missouri, in 2018.

The Holland-Coots Jazz Quintet performed eight sets at the 2019 Evergreen Jazz Festival in Evergreen, Colorado, and I — a fervent convert — was in attendance for all of them.  They are Marc Caparone, cornet, vocal; special guest for that weekend John Otto, clarinet; Danny Coots, drums; Brian Holland, piano; Steve Pikal, string bass.

At the end of one set, early in the Festival, I heard a woman’s enthusiastic voice from behind me, “This band can do EVERYTHING!” and before I could turn around sufficiently, she was gone.  Dear lady, wherever you are, I salute you on your insight.

First, AT THE JAZZ BAND BALL, written and recorded by the Original Dixieland Jazz Band — so perhaps one of those compositions we could call “Dixieland” without fear of rebuke:

and here in 2919:

Later that same day, something very pretty, and you don’t have to repair a thing, LOUISIANA FAIRY TALE (by Danny’s great-uncle and great uncle, J. Fred Coots):

and a nice easy Forties JUST YOU, JUST ME:

Versatile indeed.

May your happiness increase!

SOUP AND EARS FROM COLORADO (July 26, 2019)

A family-member-by-marriage, now removed, in childhood, used to refer to the trinkets from a trip as SOUP AND EARS.

It’s stuck in my mind as a charming locution, and the answer to the question, “Hey, what’d you bring us from the Evergreen Jazz Festival?”  Never fear, dear readers.  No photographs of double rainbows, and I saw no elk, but there was glorious music.

Here are the first three performances from the first set I saw, which should give you a good idea of the intense pleasures to be found there.  The group, a favorite, is the Holland-Coots Jazz Quintet, with Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet / vocal; Steve Pikal, string bass; John Otto (for this weekend) clarinet.

EVERYBODY LOVES MY BABY:

SHINE:

Incidentally, if you think that SHINE is a “racist” song, its authors were African-American and the song is an assertion of race pride in the face of prejudices.  Read this, please.

and ALL BY MYSELF:

Those of you who know that Danny’s father was a minister won’t be surprised that Danny takes the microphone between songs to share a moral moment, a little homily: worth your attention:

There’s much more good music to come.

May your happiness increase!

DOUBLE RAINBOWS OF SOUND: COME TO THE EVERGREEN JAZZ FESTIVAL! (July 26-28, 2019)

At the end of July, I will make my fourth visit to the Evergreen Jazz Festival, a weekend of music I look forward to avidly.  The rainbow photograph comes from my first visit; unfortunately, I couldn’t find the photographs I took of elk in the parking lot, but everybody comes out for fine jazz.

A small cautionary note: I waited until almost too late to find lodging — if you plan to go to Evergreen, make arrangements now: there’s a list of places to stay on their site, noted above . . . then there’s air travel and car rental.  But it’s all worth the time and money, I assure you.  Last night, I landed happily in Bears Inn Bed and Breakfast, among my friends, and I feel so fortunate: thank you, Wendy!

For me, previous highlights of Evergreen have been the music of Tim Laughlin, Andy Schumm, Kris Tokarski, James Dapogny’s Chicago Jazz Band, Hal Smith, the Holland-Coots Jazz Quintet, the Riverboat Roustabouts, and I am leaving out many pleasures.

Here’s the band schedule for this year:

You see that great music will flourish.

I confess that my heart belongs to the Holland-Coots Jazz Quintet (this weekend with John Otto in the reed chair), Hal Smith’s On the Levee Jazz Band (playing songs associated with Kid Ory in truly swinging style, with Clint Baker playing the role of the Kid) and the Carl Sonny Leyland trio, but I hope to see the Wolverine Jazz Band also . . . there are a host of local favorites as well, including Joe Smith and the Spicy Pickles, Wende Hairston and the Queen City Jazz Band, After Midnight, and more.

Time for some music!

Here’s a romping tribute to Fats Waller by the Holland-Coots Jazz Quintet, whose debut CD “This Is So Nice It Must Be Illegal”) is a Waller tribute: that’s Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Jacob Zimmerman, reeds; Steve Pikal, string bass, seen here at the Monterey, California Jazz Bash by the Bay on  March 2, 2019.  At Evergreen, the reed chair will be filled by John Otto from Chicago (you know him from the Fat Babies and Chicago Cellar Boys):

and COME BACK, SWEET PAPA by the On the Levee crew:

This band is devoted to the music of Kid Ory in his later decades, led by drummer / scholar Hal Smith, and including Charlie Halloran, trombone, Ben Polcer, trumpet, Joe Goldberg, clarinet; Kris Tokarski, piano, Alex Belhaj, guitar, Josh Gouzy, string bass: PAPA was recorded on November 25, 2018, at the San Diego Jazz Fest.

And finally, a real delight — Dorothy Bradford Vernon’s Thursday-night barn dance in Longmont, Colorado, featuring Carl Sonny Leyland, piano and vocals; Marty Eggers, string bass; and Jeff Hamilton, drums.  Information here — wonderful music, irreplaceable atmosphere, reasonable ticket price.  That’s July 25, 7:30-10:00 PM.

I will miss it this year (travel conflicts) but here’s how YOU TOOK ADVANTAGE OF ME rocked the barn last year:

I hope to see many of JAZZ LIVES’ readers and friends in Evergreen.

May your happiness increase!