Tag Archives: Brooks Tegler

BOB AND RUTH BYLER + CAMERA = HOURS OF GOOD MUSIC

Bob and Ruth Byler

Bob and Ruth Byler

I first became aware of Bob Byler — writer, photographer, videographer — when we both wrote for THE MISSISSIPPI RAG, but with the demise of that wonderful journalistic effusion (we still miss Leslie Johnson, I assure you) I had not kept track of him.  But he hasn’t gone away, and he is now providing jazz viewers with hours of pleasure.

“Spill, Brother Michael!” shouts a hoarse voice from the back of the room.

As you can see in the photograph above, Bob has always loved capturing the music — and, in this case, in still photographs.  But in 1984, he bought a video camera.  In fact, he bought several in varying media: eight-millimeter tape, VHS, and even mini-DVDs, and he took them to jazz concerts wherever he could. Now, when he shares the videos, edits them, revisits them, he says, “I’m so visual-oriented, it’s like being at a jazz festival again without the crowd.  It’s a lot of fun.”  Bob told me that he shot over two thousand hours of video and now has uploaded about four hundred hours to YouTube.

Here is his flickr.com site, full of memorable closeups of players and singers. AND the site begins with a neatly organized list of videos . . .

Bob and his late wife Ruth had gone to jazz festivals all over the world — and a few cruises — and he had taken a video camera with him long before I ever had the notion.  AND he has put some four hundred hours of jazz video on YouTube on the aptly named Bob and Ruth Byler Archival Jazz Videos channel. His filming perspective was sometimes far back from the stage (appropriate for large groups) so a video that’s thirty years old might take a moment to get used to. But Bob has provided us with one time capsule after another.  And unlike the ladies and gents of 2016, who record one-minute videos on their smartphones, Bob captured whole sets, entire concerts.  Most of his videos are nearly two hours long, and there are more than seventy of them now up — for our dining and dancing pleasure.  Many of the players are recognizable, but I haven’t yet sat down and gone through forty or a hundred hours of video, so that is part of the fun — recognizing old friends and heroes.  Because (and I say this sadly) many of the musicians on Bob’s videos have made the transition, which makes this video archive, generously offered, so precious.

Here is Bob’s own introduction to the collection, which tells more than I could:

Here are the “West Coast Stars,” performing at the Elkhart Jazz Party, July 1990:

an Art Hodes quartet, also from Elkhart, from 1988:

What might have been one of Zoot Sims’ last performances, in Toledo, in 1985:

a compilation of performances featuring Spiegle Willcox (with five different bands) from 1991-1997, a tribute  Bob is particularly proud of:

from the 1988 Elkhart, a video combining a Count Basie tribute (I recognize Bucky Pizzarelli, Milt Hinton, Joe Ascione, and Doc Cheatham!) and a set by the West End Jazz Band:

a Des Moines performance by Jim Beebe’s Chicago Jazz Band featuring Judi K, Connie Jones, and Spiegle:

and a particular favorite, two sets also from Elkhart, July 1988, a Condon memorial tribute featuring (collectively) Wild Bill Davison, Tommy Saunders, Chuck Hedges, George Masso, Dave McKenna, Marty Grosz, Milt Hinton, Rusty Jones, John Bany, Wayne Jones, in two sets:

Here are some other musicians you’ll see and hear: Bent Persson, Bob Barnard, Bob Havens, the Mighty Aphrodite group, the Cakewalkin’ Jazz Band, the Mills Brothers, Pete Fountain, Dick Hyman, Peter Appleyard, Don Goldie, Tomas Ornberg, Jim Cullum, Jim Galloway, Chuck Hedges, Dave McKenna, Max Collie, the Salty Dogs, Ken Peplowski, Randy Sandke, Howard Alden, Butch Thompson, Hal Smith, the Climax Jazz Band, Ernie Carson, Dan Barrett, Banu Gibson, Tommy Saunders, Jean Kittrell, Danny Barker, Duke Heitger, John Gill, Chris Tyle, Bob Wilber, Gene Mayl, Ed Polcer, Jacques Gauthe, Brooks Tegler, Rex Allen, Bill Dunham and the Grove Street Stompers, Jim Dapogny’s Chicago Jazz Band, the Harlem Jazz Camels, and so much more, more than I can type.

Many musicians look out into the audience and see people (like myself) with video cameras and sigh: their work is being recorded without reimbursement or without their ability to control what becomes public forever.  I understand this and it has made me a more polite videographer.  However, when such treasures like this collection surface, I am glad that people as devoted as Bob and Ruth Byler were there.  These videos — and more to come — testify to the music and to the love and generosity of two of its ardent supporters.

May your happiness increase!

THE REAL THING: JAMES DAPOGNY and his EAST COAST CHICAGOANS in CONCERT (Nov. 16, 2012)

What follows is the video record of a rewarding evening I spent observing — and being uplifted by — James Dapogny and his East Coast Chicagoans on November 16, 2012, at the Calvary Evangelical Lutheran Church, Silver Spring, Maryland.

The Real Thing, as we say: a small band neatly yet passionately improvising and recreating lively hot music.

Leader James Dapogny, pianist, scholar, poet, wit, barrelhouse master, is one of my heroes — and if you don’t know his work . . . . where have you been?  He assembled a fine band: Randy Reinhart, cornet; David Sager, trombone (who did the hard work of making this concert a reality); Anita Thomas, Scott Silbert, reeds; Tommy Cecil, string bass; Craig Gildner, guitar; Brooks Tegler, drums.  No funny vocals, no gimmicks or tricks — just surging, delicate, detailed jazz.  An honor to be there!  And this post is for those of you, like the writer Gretchen Comba and Aunt Ida Melrose, and many other friends, who couldn’t make it.  It was good.

W. C. Handy’s BEALE STREET (in the arrangement that I recognize from the 1944 Commodore session that featured a front line for the ages — Miff Mole, Ernie Caceres, Bobby Hackett, Pee Wee Russell):

Jelly Roll Morton’s forward-looking (1930!) BLUE BLOOD BLUES:

Alex Hill’s DELTA BOUND:

Hoagy Carmichael’s OLD MAN HARLEM:

Roy Eldridge’s THAT THING:

Chris Smith’s TOOT TOOT, DIXIE BOUND:

A lyrical Thirties song, something I’ve only heard when Professor Dapogny is at the keys, COUNTRY BOY:

In honor of the Ellington small groups, LOVE’S IN MY HEART:

Juan Tizol’s Middle Eastern revery, CARAVAN:

The ideal state of affairs, BREEZIN’ ALONG WITH THE BREEZE:

Hill’s TENNESSEE TWILIGHT:

I’d like to see Dapogny concerts like this in every city on a regular basis.  Wouldn’t you?

May your happiness increase.

SWING SEMINAR, INDEPENDENT STUDY: PROFESSOR JAMES DAPOGNY AND HIS EAST COAST CHICAGOANS (November 16, 2012)

I’ve long since been too impatient to sit in a classroom . . . call it a restless spirit or attention-deficit disorder.  But there are a few Professors I know I can always learn from.  One of them is James Dapogny, that barrelhouse / lyrical pianist, who shows us new ways in and out of the music — always lighting the way to pleasure without a hint of scholarly tedium.  Professor Dapogny is Emeritus from the University of Michigan at Ann Arbor, so the only lessons I’ve gotten from him since 2004 have taken place in informal hot seminars held at the Jazz at Chautauqua party.

I know that to some readers of JAZZ LIVES, what is coming up might provoke a barely muffled sigh.  “Is that fellow telling us AGAIN that there’s something to buy, somewhere to go, someone to hear?  Doesn’t Michael know that the enterprises he urges us towards cost money, take time and effort.”

Yes, I know.  And I wouldn’t suggest that you water the children’s milk or pay the credit card bill late.  But the concert that is coming up on November 16, 2012, by James Dapogny and his East Coast Chicagoans will be special.  If you buy a ticket online (see details here: DAPOGNY) it is $21.69.  I don’t think that’s an intimidating sum.  But, of course, the concert is held in Silver Spring, Maryland — which is out of reach for many people reading this post.  All I can tell you is that I admire the Professor’s deep feeling for the music that I am willing to drive a nine-hour roundtrip to get there . . . rather than say to myself in five or ten years, “It was inconvenient but I wish I had gone.”

Enough hocking, as my people say.  The concert is on a Friday; it begins at 7:30 and the site is the Calvary Evangelical Lutheran Church, 9545 Georgia Avenue, Silver Spring, MD 20910.

And the Professor knows the value of collaborative learning, so this isn’t a solo lecture.  He’ll be bringing fellow scholars: Randy Reinhart, Anita Thomas, David Sager, Brooks Tegler, Tommy Cecil, Scott Silbert, Craig Gildner.  It’s open seating, so make your plans early — I believe the church is somewhat more cozy than Bill Graham’s Fillmore or Carnegie Hall.

I’ve bought my ticket.  Come join me!  And there’s no final exam: Professor Dapogny wants to elate us, not force us into little wooden desks.  And he’s got phenomenal ratings on that wicked Rate My Professor.  See for yourself.

May your happiness increase.

JAMES DAPOGNY, BARRELHOUSE POET — in CONCERT WITH HIS EAST COAST CHICAGOANS! (November 16, 2012)

James Dapogny — pianist, composer, arranger, scholar, wry and thoughtful — is one of my heroes.  But the eminent Professor doesn’t have much patience for hyperbole, so I will keep it to a low murmur.

He didn’t learn his Swing from a book; rather, he embodies it in playing that is both bluesy / funky / downhome / greasy (these are the highest compliments) and lyrical / singing.  He can call to mind the dark-blue shadings of Jess Stacy or Frank Melrose; he can evoke Jelly, Little Brother, Hines, Sullivan, Fats . . . but what he’s best at is off-handedly creating his own singular worlds that resonate in the mind long after he has stepped away from the piano.

We can’t ask Sippie Wallace or Frank Chace for testimonials anymore, but if you run into Jon-Erik Kellso or Kim Cusack, ask them what they think of Professor Dapogny — who is both a Professor emeritus and a “professor” in the old New Orleans definition of the term.

Trombonist and scholar David Sager, who admires Dapogny as I and many others do, has created an opportunity for the Professor and eminent friends to become his East Coast Chicagoans in a concert in Silver Spring, Maryland, on Friday, November 16, 2012.  The musicians David has assembled are stellar team players and soloists: Randy Reinhart, cornet; Anita Thomas and Scott Silbert, reeds; David Sager, trombone; Craig Gildner, guitar; Tommy Cecil, bass; Brooks Tegler, drums.

Details can be found here— a Kickstarter campaign to fund the concert, to pay the musicians (what a delightful idea), and to record the proceedings.

I know that some readers will groan — silently or otherwise — at the mention of Kickstarter, because it occasionally seems that every improvising artist is asking for financial support through it, but times’ getting tougher than tough . . . and with all the things that we are urged to buy that will give us only the most brief pleasure (at best) supporting James Dapogny and his East Coast Chicagoans will not only benefit the listener but the musicians.

So I encourage you to consider supporting this enterprise, even if you can’t get to Silver Spring.  I have hopes of attending, and the District of Columbia is not my usual Friday destination . . . but this is important.

Don’t forget this Friday date!

May your happiness increase.