Tag Archives: Cat Anderson

DAN MORGENSTERN RECALLS DUKE ELLINGTON, LOUIS, BASIE, AL HIRSCHFELD, BENNY, and ARTIE (March 9, 2018)

I invite JAZZ LIVES’ readers and viewers to join Dan Morgenstern and myself for an afternoon conversation about Duke Ellington which took place a few months ago in early March 2018.  I don’t ordinarily post ninety-five minutes of video in one heaping serving, but Dan’s narrative is so comfortably wide-ranging and expansive that I couldn’t cut it into sections.

Part One, where Dan begins by remembering himself as a young Danish record collector, comments on various Ellingtonians and admirers, and loops around to the 1938 Randall’s Island Carnival of Swing:

Here’s DUSK — for your spiritual edification, from a HMV 78, too:

Part Two is focused on Duke in the recording studio, with quick asides about Willie Cook, Norris Turney, Harry Carney, Paul Gonsalves, Cat Anderson, and Mercer Ellington:

Part Three begins with Johnny Hodges, Sonny Greer, detours to ripe tomatoes, and returns to Billy Strayhorn, Bob Wilber, and Barney Bigard:

Part Four starts with one of my heroes, Ray Nance, then Cootie Williams, Toney Williams, and offers the famous story about disciplining a wayward Paul Gonsalves:

Part Five again recalls Duke in the recording studio, next to Basie, next to Louis.  I wish there were some documentation of Louis sitting in with Duke’s octet!

Finally, Dan’s tale, very amusing, of three bandleaders in one night, which ends with Johnny Hodges on the AT THE BAL MASQUE Columbia lp:

and here is the very pretty ALICE BLUE GOWN:

Blessings and gratitude to the very generous Dan Morgenstern.

May your happiness increase!

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RARE ITEMS

Judging by the frequency by which their signatures appear on eBay’s “Entertainment Memorabilia,” some famous musicians spent as much time signing autographs as they did playing.  Others may have been less well-known or more reticent, so when their autographs appear it’s a pleasant surprise.  (And some eBay sellers label items “rare” in inverse proportion to their value.)

Eddie Durham wanted to be paid for his services, and rightly so, considering what marvels he accomplished with his arrangements for Basie, Glenn Miller, Lunceford, and many others.  Fifteen dollars for a band arrangement now seems a pittance; was this piece of paper actually from the Thirties or was Eddie simply notating, “Hey, you owe me fifteen dollars”?  Research, please:

William “Cat” Anderson, for all his blazing high register in the Ellington bands, might have been somewhat insecure: would anyone have mistaken him for an anonymous saxophonist or bassist?

This rare program from Benny Goodman’s 1962 trip to the USSR is something I hadn’t seen (a souvenir of that unhappy experience, according to the bandsmen); this one sports autographs by Mel Lewis and Jimmy Knepper, jazz stalwarts:

And the expected full-page portrait of the King himself:

And what I assume is a program of songs and performers:

And more of Benny, here in caricature:

Not the usual thing (Mindi Abair, Sonny Rollins, Les Paul,  or Don Redman signatures) . . .