Tag Archives: Chicago hot jazz

A MODERNISTIC CHAMBER RECITAL by MESSRS. GROSZ, CHACE, and BENGE (10.25.56)

Marty Grosz and Bob Haggart, date and location not known

I could have called what follows HOT MUSIC FROM DEEP CHICAGO and it would have been equally true: intense improvised readings of two popular songs of the late Twenties by Marty Grosz, guitar; Frank Chace, clarinet; Joe Benge, drums . . . privately recorded, probably by John Steiner, on October 25, 1956. (Source material from Joe Boughton or Wayne Jones, preserved and edited by Hal Smith.)

Marty, of course, is internationally renowned; Frank deserves to be equally celebrated. (Frank called Marty, reverently, “a one-man rhythm gang,” and that’s still true, but I think neither man gets full credit for a lovely yearning lyricism.)

Drummer Joe Benge is almost unknown in jazz circles; he was an Amherst College alumnus at the time of this session, and a member of the college’s Delta Five, which also included the late and much-missed cornetist John Bucher. But he led a fascinating life: he went to Evanston High School, which probably led to his connection with this group; he studied German at Amherst and Northwestern, and worked in advertising: he’s responsible for the “Maytag repairman” ads. In 1972, he became a manager for a canoe outfitter in Ontario; he was an ecological activist and naturalist, also teaching native children. He lived until 2016. Clearly a remarkable person.

Back to my hero (and once-upon-a-time phone conversationalist) Frank Chace. The reflex reaction of the first-time listener is to say, “He sounds just like Pee Wee Russell!” to which I would say, “He revered Pee Wee, but he also revered Omer Simeon, Frank Teschemacher, Jimmie Noone . . . and he folded all these influences into a shape uniquely his.” Close listening will reveal his own sweet-strange inventiveness, which continues to reward, elate, and surprise.

Music, then. CHERRY, from the McKinney’s Cotton Pickers’ book:

and Rodgers and Hart’s BLUE MOON:

As memorable as Casals -Thibaud – Cortot, and hotter. Bless these cats. Forevermore.

May your happiness increase!

APPLY HEAT: “HOT CLASSICISM” (KRIS TOKARSKI, ANDY SCHUMM, HAL SMITH) IN NEW ORLEANS, SEPTEMBER 25, 2016

I’ve posted a good deal by this very satisfying band: Kris Tokarski, piano; Andy Schumm, cornet and clarinet; Hal Smith, drums, hereherehere — and a few other posts.  You could search them out without too much fuss.

Their first CD!

Because to me this music is very lively, spicy, and energizing, here are a few more gratifying performances from their evening gig in New Orleans’ Snug Harbor (during the last Steamboat Stomp) on September 25, 2016.

Very mellow, very groovy, SHE’S FUNNY THAT WAY:

Is there a causal link — that she was once FUNNY THAT WAY and now she’s NOBODY’S SWEETHEART?  Calling all psychotherapists and cultural critics:

Even though it’s a warm August, chiles are good for you, so HERE COMES THE HOT TAMALE MAN:

The title of this Irving Berlin classic causes great merriment in the balcony, A PRETTY GIRL IS LIKE A MELODY:

Albert Wynn’s 1928 ecstasy, PARKWAY STOMP:

FORTY AND TIGHT (“Use your imagination,” says Kris.):

And the rallying call for this magnificent trio, STOMP OFF, LET’S GO:

Restorative, curative, no prescription needed: “Apply Hot Classicism to the inflamed area and the afflicted soul. Repeat as desired.”

May your happiness increase!