Tag Archives: Chicago Jazz Band

A BRIEF HOT INTERLUDE: JAMES DAPOGNY’S CHICAGO JAZZ BAND ON THE RADIO (November 8, 1986)

James Dapogny at Jazz at Chautauqua, September 2014. Photograph by Michael Steinman.

The songs are CHICAGO (missing a few bars at the start) / TENNESSEE TWILIGHT / SWEET GEORGIA BROWN (vocal Kim Cusack).

This is interval-music on a certain public radio show where the loquacious host told tales of Lutherans. More you don’t need to know, although the host talks with Professor Dapogny between songs.

The CJB is James Dapogny, piano, leader, arrangements; Paul Klinger, trumpet; Bob Smith, trombone; Kim Cusack, clarinet, tenor saxophone, vocal; Russ Whitman, clarinet, baritone saxophone; Rod McDonald, guitar; Mike Karoub (then a mere 23), string bass; Wayne Jones, drums.

Performed and broadcast in Chicago, November 8, 1986.

The moral: don’t throw out your old cassettes! (I taped this from the radio and saved it for just this occasion, nearly thirty years later.)

Thanks to Mike Karoub for data of all kinds. Mike told me that Butch Thompson got the CJB this gig — their debut on public radio — and that the band “was hyped up and some of that excitement comes through.”

Indeed it does!

And Kim Cusack celebrated a birthday a few days ago: hooray for durability and more!

I decided, for a change, to write a post celebrating the glories that Prof. Jim created so beautifully, instead of saying once again how much I and many others miss him. Let us grin and wiggle in our chairs as tribute: he would appreciate this.

May your happiness increase!

SWINGIN’ IN THE RAIN: HAPPY BIRTHDAY, JIM DAPOGNY (Part One)

Rainbow One

Rainbow over Evergreen, Colorado, late July 2014

Today, James Dapogny (“Jim” to some, “Prof” to some of his devoted students) celebrates a major birthday.  I can’t remember what the number is, and I don’t quite care, but JAZZ LIVES wants to return the compliment and celebrate Jim. It is perhaps offensive to value one mortal over another, but he’s been giving us musical presents — and presence — for a good long time now, as a pianist, arranger, bandleader, scholar, researcher {Jelly Roll Morton and James P. Johnson primarily] trumpeter, valve trombonist . . . on recordings from 1975 on and in person before that.

Many people know Jim as a stomping yet subtle pianist on records and now on videos, and we cherish that.  But I’ve been privileged over the past decade to encounter him as a friend, and in that role he is someone I deeply value: under an occasionally gruff or satiric exoskeleton, there is someone wise, generous, and thoughtful, someone I am proud to know.

But back to the music.  Last year, at the Evergreen Jazz Festival, Jim brought his “A-team” Chicago Jazz Band: Pete Siers, drums; Rod McDonald, guitar; Dean Ross [a Denver native], string bass; Russ Whitman, Kim Cusack, reeds, Christopher Smith, trombone; Jon-Erik Kellso, trumpet.  They played a number of sets and I’ve posted a good deal of the music on JAZZ LIVES.  But one set was particularly dear to my heart.  Jim is a master arranger — one way he makes the hallowed music of our shared past come alive in this century — but this set was outdoors, and it was raining seriously.  As a result, no music and no music stands.  The Chicago Jazz Band wailed — on six glorious romping selections. “The way it used to was,” came to my lips then and now.

Here are the first three:

THREE LITTLE WORDS (yes, Jon-Erik does reference Ravel’s BOLERO):

JAZZ ME BLUES:

LOVE ME OR LEAVE ME (with a musical in-joke at the start and a chorus of DICKIE’S DREAM at the end):

Jim is atypically modest.  When I asked him whether he was OK with my making these videos public, he wrote back:

These show what a wonderful group of musicians this is.  I can take no credit for how well these guys play as individuals.  And here, unfettered by my jottings and scribblings, unreasonable demands and Draconian discipline, is the band as a group, just playing nice material without preparation–in a conversation in the rain.  I listen to these and gasp at the ingenuity here, laugh out loud at the fun and interaction, and realize why, every day, I lament the lack of opportunity to play more with them.  No matter whose name is on the posters, a band like this has eight de facto leaders who make things happen.

Thank you, Professor Jim, for being.  You improve our world.

May your happiness increase!

JAMES DAPOGNY’S CHICAGO JAZZ BAND at the EVERGREEN JAZZ FESTIVAL (Part Four)

One of my great pleasures of 2014 was the opportunity to see, hear, and admire James Dapogny’s Chicago Jazz Band — in their sets at the Evergreen Jazz Festival. I can’t think of another band playing now that so beautifully balances thoughtful arrangements and eloquent solos.

Here you can see three other mini-sets by this band at Evergreen.

The CJB is or are James Dapogny, piano and arrangements; Jon-Erik Kellso, trumpet; Chris Smith, trombone, vocal; Kim Cusack, clarinet, alto saxophone, vocal; Russ Whitman, clarinet, tenor and baritone saxophone; Rod McDonald, guitar; Denver native Dean Ross, string bass; Pete Siers, drums.

Gershwin’s expression of pleasure, even without Ira’s words, ‘S’WONDERFUL:

Elmer Schoebel’s clever / hot praise of swinging royalty, PRINCE OF WAILS:

What other song do you know that takes its name from a popular chewing tobacco?  Only COPENHAGEN:

Another favorite from the dawn of jazz, the TIN ROOF BLUES:

I think of the Boswell Sisters when I hear SENTIMENTAL GENTLEMAN FROM GEORGIA:

And the official set-closer of the Chicago Jazz Band, WASHINGTON POST MARCH:

The CJB played much more at Evergreen, so you can expect even more delights.

May your happiness increase!