Tag Archives: Chico Marx

“A TRULY LOVING PERSON”: DAN MORGENSTERN REMEMBERS LOUIS ARMSTRONG (May 24, 2019)

I’ve had many beautiful experiences in my life, but being able to hear Dan Morgenstern talk about Louis Armstrong — the man, seen at close range — is one of those I treasure now and will always treasure.  We spent an early afternoon a few days ago, sharing sweet thoughts of our greatest hero.  I invite you to join us for tender memories and some surprises.  I have intentionally presented the video segments here without annotation so that viewers can be delighted and surprised as I was and am.

These segments are emotionally important to me, so I saw no reason to wait until July 4, July 6, or even August 1 to share them with you.

And just a small matter of chronology: Dan will be ninety on October 24, 2019.  Let us start planning the parades, shall we?

a relevant musical interlude:

Part Two:

some life-changing music:

Part Three:

Dave and Iola Brubeck’s SUMMER SONG:

Part Four (and before one of the JAZZ LIVES Corrections Officers rushes to the rescue, I am sure that the funeral Dan refers to as the ideal was Ellington’s):

Part Five:

The blessed EV’NTIDE:

A very brief postscript, which I whimsically began by telling Dan I was going to throw him a curveball, which he nimbly hit out of the park:

SUN SHOWERS:

Dan and I owe much to the great friend of jazz and chronicler, Harriet Choice, who encouraged us to do this interview.

And a piece of mail, anything but ordinary:

 

Early in the conversation, Dan said that Louis “made everyone feel special.”  He does the same thing, and it comes right through the videos.  That we can share the same planet with Mister Morgenstern is a great gift.

May your happiness increase!

THEME AND VARIATIONS: “EV’RYONE SAYS ‘I LOVE YOU'”: CAPARONE, SKJELBRED, MARX, KALMAR, RUBY, and TODD

EV'RYONE

This is not in the order you might expect, but all will be revealed.

THEME:

EV'RYONE cover alt

VARIATIONS:

Zeppo in a Russ Columbo mood, with time out for toast and jam delightfully consumed by Miss Todd, then the equestrian version with a modernized banana:

Groucho with a guitar and some Perelmanesque byplay that references Theodore Dreiser:

And more variations on this pretty theme, audio only:

with a return to the 2015 version, a triumph of passion and control:

I always thought this song had a simplistic melody — lines that one might have played with one finger on a piano keyboard in C, ascending and descending.  But the 2015 version presented here, by Marc Caparone, cornet, and Ray Skjelbred, piano, at the San Diego Jazz Fest, shows me that it’s not only the clever lyrics by Kalmar that make the song memorable.  However, those lyrics — sung sweetly by Zeppo, sung in his own faux-Italian vaudeville fashion by Chico, whistled by Harpo — stay in our minds.  When Groucho demolishes them in the canoe, world-wearily suggesting that love is resistible, “just inviting trouble for the poor [s]ucker who . . . ” the effect is powerful, even before we get to the duck, the oar, and more.  Incidentally, Groucho’s take on romance — sour as it is — is what we could expect from a motion picture whose title everyone would recognize as a polite version of HORSE SHIT?

But I digress.  Beautiful melodic improvisations don’t need sophisticated material.  It’s what you do with it that counts.

May your happiness increase!