Tag Archives: Classic Jazz Concert Club

“THAT BUNDLE OF STYLE AND GRACE”: SPATS LANGHAM’S HOT COMBINATION (October 27, 2018)

Thomas “Spats” Langham by George Coupe

Thomas “Spats” Langham is unmatched at what he does — and he does so many things superbly that it’s always a pleasure to encounter him.  His energies, his sharp wit, his swing, his lyricism, his delightful acting: there are no blank spaces to fill in.  I first met him at Mike Durham’s Classic Jazz Party in 2009, and he was a joy every year. So it’s a great happy surprise to see these four video performances from the Classic Jazz Concert Club in Sassenheim, the Netherlands, on October 27, 2018.

Mister Langham can be heard and seen here on guitar, banjo, ukulele, and vocals.  He is joined by the delightful singer Emily Campbell; guitarist Danny Blyth; string bassist / sousaphonist Malcolm Sked; reed star Robert Fowler; percussion superhero Nick Ward.

TAKE ANOTHER GUESS was a hit in 1936 for Ella Fitzgerald and Helen Ward; here there are delightful vocal interpolations from the Combination:

Spats takes us on a wild romp through the song associated with Ukulele Ike, IT ALL BELONGS TO ME:

Emily comes back for BEI MIR BIS DU SCHOEN (with the verse, of course) — which is its own bowl of Swing borscht before long, with hints of SING SING SING in the clarinet-drums exploration:

Continuing the Asiatic nature of things, Spats sings EVER SINCE I KISSED HER ON THE VOLGA . . . make of that title what you will.  I haven’t found out anything about this novelty, except to wonder what patrons at the back of the theater thought they heard of the title:

What a wonderful band.  How rich an unexpected gift.

May your happiness increase!

ELLINGTONIA with FRANK ROBERSCHEUTEN, AURELIE TROPEZ, ENRICO TOMASSO, CHRIS HOPKINS (October 29, 2017)

Ellington by Hirschfeld

The Frank Roberscheuten Hiptett, led by Frank on alto and tenor, did the lovely magic of honoring an ancestor and a tradition without copying the records note-for-note.  This magic took place at the Classic Jazz Concert Club in Sassenheim, in the Netherlands, on October 28, 2017, and it appeared — magically! — on YouTube this morning. I couldn’t resist, and I hope you can’t either.

The other creators are Aurelie Tropez, clarinet; Enrico Tomasso, trumpet; Chris Hopkins, piano (his accompaniments especially subversive and delicious), Mark Elton, string bass; Stan Laferrière, drums. And there’s a surprise vocal trio — always a treat.

The songs they chose are familiar, yet the light of individuality shines through these performances, even when the ghosts of Ellington, Procope, Cootie, Nance, Hodges, Gonsalves, are visiting.

Thank you for being, dear players and singers.

May your happiness increase!

LANGHAM’S LIZARDS, MASTERS OF THE ART: SPATS LANGHAM, RICO TOMASSO, MATTHIAS SEUFFERT, JOEP LUMEIJ, NICK WARD (Nov. 19, 2016, Sassenheim)

Sassenheim Hoofdstraat 197 01

Thanks to the Classic Jazz Concert Club of Sassenheim, we can immerse ourselves in wonderful music created by Thomas “Spats” Langham and Friends. I do not think of Mister Langham as a Lizard, although if he chose the alliterative title, I will bow low respectfully. Rather, I think of Mister Langham (vocal, banjo, guitar, repartee) as a Master of the Art — that wonderful art of surprising and reassuring us simultaneously, making us remember that joy is possible and Things aren’t So Bad.  Here he is joined by string bassist Joep Lumeij (whom I know — through video and recordings), trumpeter  and vocalist Enrico Tomasso, clarinetist / saxophonist Matthias Seuffert, and percussionist Nick Ward — all of them legendary regal figures, and I do not exaggerate.  That we live in a time where such things are possible is uplifting.

TRAV’LIN’ ALL ALONE (with thoughts of Ethel Waters, McKinney’s Cotton Pickers, and Billie Holiday):

SMOOTH SAILING (thanks to Henry “Red” Allen):

THE GYPSY (Spats and his Masters in full Thirties ballad mode — think Bill Kenny and Al Bowlly — with all deference to Louis and Bird.  Pay special attention to the gorgeous Langham / Tomasso duet later in the performance):

SWANEE RIVER (which begins with a trumpet fanfare that I last heard in BACH GOES TO TOWN):

WAITING AT THE END OF THE ROAD (Mister Berlin, with echoes of Bing and the Whiteman Orchestra):

and finally, a bit of theatre — Spats’ divine reading of NIGHT OWL (beloved of Cliff Edwards) in the dark, with an explication of bass-drum heads:

I do not know if these performances happened in this order, so I hope I will be forgiven by archivists of all kinds.  However, I thank the CJCC for putting on this concert and offering us videos, with rather pleasing multi-camera work and fine sound as well.

May your happiness increase!

CHICAGO RHYTHMS: MICHAEL McQUAID and his LATE HOUR BOYS (October 31, 2015)

01 Michael Mc Quaid and his Late Hour Boys

Michael McQuaid, alto saxophone, clarinet; Mauro Porro, trumpet, clarinet, tenor saxophone, piano; Spats Langham, banjo, vocal; Nick Ward, drums, Joep Lumey, string bass.  Recorded on October 31, 2015 at the Classic Jazz Concert Club in Sassenheim, Holland.

Spats, Michael, Mauro in Holland 2015

Spats, Michael, Mauro in Holland 2015

EVERY EVENING (with a vocal by Spats and a wonderful alto solo):

A rollicking LET ME CALL YOU SWEETHEART, with the rarely-heard verse and thrilling drumming from Nick Ward, as always:

TRAV’LIN ALL ALONE — sung poignantly by Spats:

A searing CHICAGO RHYTHM, a performance full of surprises:

I write this in January 2016 with temperatures properly wintry and a much-publicized blizzard announced: were I to play this music loudly through my open windows, it would turn bleak cold into balmy April: salutary global warming through expert heartfelt hot jazz.

Subscribe here and you can see wonderful performances by Bent Persson, Thomas Winteler, Les Red Hot Reedwarmers, and more.  And here is Michael’s website and Facebook page.

May your happiness increase!