Tag Archives: Classic Jazz Party

CELEBRATE DAN MORGENSTERN’S 83rd BIRTHDAY AT BIRDLAND (Wednesday, October 24, 2012)

I know some people think birthday celebrations are silly.  The cake isn’t good for us; HAPPY BIRTHDAY is only eight bars long and most musicians feel trapped when it’s requested.  And some of us feel, “Gee, I’m too old for a paper hat and . . . where will they put all those candles?”

But I think that birthdays are a good thing.  The Beloved had one recently, and it was very sweet.  And — after all — isn’t it just our way of saying, “We are SO glad you are here?”  Who could argue with those sentiments?

So I want to let everyone know that this coming Wednesday, David Ostwald and the Louis Armstrong Centennial Band will be celebrating Dan Morgenstern’s eighty-third birthday in the best way . . . by playing hot jazz for him at Birdland from 5:30 to 7:15 PM.  

The participants?  Bria Skonberg, trumpet (and no doubt vocals); Dan Block, clarinet and alto sax; Jim Fryer, trombone (ditto the above); James Chirillo, banjo; David Ostwald, tuba and commentary; Marion Felder, drums.  And I’ll bet a blue-label sunburst Decca of THANKS A MILLION that there will be other musicians in the house who want to make their love for Dan public and resonant.

If you have to ask who Dan Morgenstern is, I don’t think you’ve been taking careful notes: scholar, lover of all sorts of good music, archivist, writer . . . and friend of the best.  His liner notes educated so many of us and pointed us in the right directions, and he keeps on keeping on.

Birdland is at 315 West 44th Street and my guess is that the room will be full — so call 212.581.3080 to make sure there’s a place for you.  

I can’t be there (I will be at Kennedy Airport, boarding the plane to Newcastle, UK, for the Whitley Bay Classic Jazz Party — Marcia Salter will stand in for me!) but perhaps one or two of my readers could come up to Dan and say, “JAZZ LIVES sent me.”  That would be a great treat.  (Or, if you don’t like that one, just tell him, “I found out about Hot Lips Page because of you.”)

And — what’s a birthday without a present?  Spare Dan the socks or the cufflinks.  Just send him our love.  And this:

May your happiness increase.

“THE ETERNAL PRESENT,” or ONWARDS TO the SAN DIEGO THANKSGIVING DIXIELAND JAZZ FESTIVAL(Nov. 23-27, 2011)

England, Summer, 2009

We all know that it’s crucial to live in the Moment — NOW — not to be looking over our shoulders at the triumphs and failures of the past, or to be “killing time” waiting for Something Good That’s Coming.  Occasionally, living in the Moment is nothing more than effectively focusing ourselves on the reality that is right in front of us: how the coffee really tastes to us, how the sunlight gleams on the red leaves outside the window.

But when it comes to the delightful and sometimes odd intersection of jazz and the internet, the Moment gets harder to pin down.  As I write this, in the background of my computer, I am downloading videos from Jazz at Chautauqua — music performed in the Past of mid-September 2011 — so that JAZZ LIVES can share them.  And in another room, videos taken just this past weekend at Mike Durham’s Classic Jazz Party at Whitley Bay (Newcastle, England) are being copied from my camera onto a presumably more durable external hard drive.  And as I write this, I am listening to a “new” CD — from 1992 — of THE YOUNG GENERATION OF SWING — including those youths Kellso, Barrett, Sandke, Alden, Allen, Allred . . . in their collective boyhoods.

Now, which one of these is the Present?

And, to complicate matters, Chris Albertson posted the third part of an interview he did with Lil Hardin Armstrong —

stomp-off.blogspot.com/2011/11/lil-armstrong-1968.html

The interviews are wonderful, but what caught my eye and stays in my imagination is a photograph that Lil saved — a portrait of her young husband Louis, which he inscribed most tenderly: “To my Dear Wife, whom I’ll love till I die, from “Hubby,” Louis Armstrong.”  Chris tells me that the photograph is from September 23, 1929.  And I read that sweet inscription, knowing that the happiness Louis and Lil shared wouldn’t last — but I imagine the romance and delight that is in that inscription, which is its own kind of Moment, not to be tarnished all that much by our knowledge of what was to come.

The flower at the top of this post is dead.  Or is it?  It seems tangibly alive through the bright colors of the photograph.

Sometimes our ability to have a rewarding Moment relies on planning for it well in advance.  Thus, while I am downloading Chautauqua and still fresh from Whitley Bay, I must remind myself and you all about what is to come at the end of November 2011: the 32nd Annual San Diego Thanksgiving Dixieland Jazz Festival.  Hot jazz in profusion, giving us all things to be deeply thankful for.  I found out that tickets are still available . . . . take a look at this schedule, and you’ll see what there is to get excited about:

http://www.dixielandjazzfestival.org/pdfs/ScheduleGrid.pdf

It’s reassuring for me to be able to see where I might be having a good time all through that weekend.  I hope to see you there — and even if I’m filming, I will smile and wave (all in silent-film fashion): tell them that JAZZ LIVES sent you!

That’s the music that we love so deeply — a series of Moments that don’t die, giving us an Eternal Present.

“OUT OF OFFICE AUTOREPLY,” or “TOO BUSY”

In case anyone might be wondering what has happened to the tireless flow of material on JAZZ LIVES — I received an email yesterday inquiring about my health — may I assure you all that both I and the blog are in fine shape.

But we are Otherwise Occupied.

Not in court or in the doctor’s waiting room.  But at Mike Durham’s Classic Jazz Party (otherwise known in past years as the Whitley Bay International Jazz Party).  And the music there has been astonishing and promises to continue at that level.  Here are some names: Josh Duffee, Nick Ward, Bent Persson, Michel Bastide, Kristoffer Kompen, Norman Field, Matthias Seuffert, Jean-Francois Bonnel, Andy Schumm, Paul Asaro, Mauro Porro, Martin Wheatley, Richard Pite, David Sager, Debbie Arthurs, Mike Durham, Rico Tomasso . . . . and that’s without my looking at the list.

And last night there was a jam session in the Victory Pub — from which I extricated myself at 1:45 AM as a nod to self-preservation.

I can promise you that you’ll see some of this on JAZZ LIVES in about two months — but the best reward you might give yourself would be to book for the 2012 party.  Then you’ll understand that TOO BUSY isn’t always a bad thing.

DON’T FORGET OUR WHITLEY BAY DATE!

The days go by so quickly that I awoke with a start from some non-musical activity to realize, “It’s only three weeks until the 2011 Whitley Bay Classic Jazz Party!”  This is thrilling rather than anxiety-producing, because I know that I will be eyebrow-deep in the best jazz imaginable, with Jean-Francois Bonnel, Bent Persson, Josh Duffee, Norman Field, Cecile McLorin, Nick Ward, Matthias Seuffert, Andy Schumm, Mike Durham, Kristoffer Kompen, Keith Nichols, Rico Tomassi . . . do I have to go on? 

The party is being held at the Village Newcastle (a comfy hotel) and will begin on Friday, November 4, and go rocketing through to early Monday morning, November 7. 

And Mike has very good ideas (aside from being a fine hot trumpet player himself): all the sets in the Party are thematic — except for jam sessions in the pub every night, which have been marvelous.  The sets run an hour or so; they take place in the same large comfortable room; it will be a pageant of the best jazz and vintage pop music.  I can’t wait.

And there’s more: a concert at the extraordinary Sage Gateshead concert hall on Thursday, November 3, featuring the music of the Goodman small groups with Wheatley, Seuffert, Nichols, Tomassi, and others.

I know that some of you are thinking, “Hey, I can’t fly to England just like that.”  And others might say to themselves, “I know Michael.  Michael will be bringing his video camera, so even if I can’t go, I’ll see some of this.”  I sympathize with the first statement, and the second one is also true.  However, videos aren’t the real thing, so I hope people realize 1) that there is a life beyond the monitor, and 2) these enterprises need paying customers to survive (the musicians need you to BE THERE). 

All this is being launched at JAZZ LIVES readers because some seats are still available for the Party, and day tickets are on sale here:

http://www.whitleybayjazzfest.org/booking.html

So don’t let this opportunity pass you by — and come up and say “Hello!” in your best Clarence Williams manner.

“STOMP OFF, LET’S GO!”: MIKE DURHAM’S CLASSIC JAZZ PARTY 2011

Mike Durham’s Classic Jazz Party is the successor to the Whitley Bay International Jazz Festival, and will be held in the comfortable Village Hotel Newcastle from Friday, November 4, 2011, to Sunday (no doubt Monday morning), November 6-7, 2o11.

(In an earlier version of this posting, I had the incorrect dates — the party begins on the fourth, not the eleventh.  Apologies for any confusion this might have caused.)

Here’s the jazz cornucopia to end all . . . hour-long concert sessions beginning at noon, then a break for dinner, and more music until midnight, followed by jam sessions in the Victory Pub.  I’m already thinking of the inflatable cushion, the tea flask and sandwiches, the extra batteries, and more . . . be prepared!

Friday (11/4):

Clarence Williams Lives! The Hot Antic Jazz Band with guests Kristoffer Kompen (trombone) and Raymond Graisier (vibraphone)

The Jelly Roll Morton Trios:  Keith Nichols (piano), Matthias Seuffert (clarinet), and Nick Ward (drums) salute Mr Jelly Lord

Teasin’ the Ivories: Mauro Porro (piano) salutes Arthur Schutt, Rube Bloom, and Seger Ellis

Dear Bix: Andy Schumm and His Gang

Benny Moten’s Music: Keith Nichols’ Blue Devils Orchestra explore Kansas City

Djangology: Philippe Guignier and Henri Lemaire, Mike Piggott (violin), Norman Field (reeds)

The Ellington Small Bands: Matthias Seuffert, Rico Tomasso (trumpet)

Dishin’ the Dirt: Caroline Irwin sings saucy songs – oooh!

Benny, Fud, Pee Wee, and Tesch: Norman Field, Keith Nichols, and Nick Ward laud some of the tough clarinets

Dallas Blues: Bent Persson and his Orchestra explore mid-30s Armstrong

A Gardenia for Lady Day: Cecile McLorin sings Billie Holiday

Andy’s Midnight Ramblers: Kristoffer Kompen, Andy Schumm and Co. – Twenties Chicago in the Victory Pub

Saturday (11/5):

Jazz Goes To The Movies: Film rarities from the collection of Mike Hazeldine

Syncopated Paraphernalia: Richard Pite’s amazing one-man percussion show

Cornet Chop Suey: Bent Persson’s Hot Five recall the glory days of 1925-1926

Vibraphonia:  Raymond Graisier’s tribute to Lionel Hampton

The Magic Ukulele Show: Professor Martin Wheatley tells us everything we need to know about the “jumping flea”

Singing In Tongues: Caroline Irwin displays her linguistic capabilities

Pickin’ Cotton: Josh Duffee (USA) and 11-piece band recreate McKinney’s music

Lincoln Gardens Stomp: Mike (Durham) and Doc (Bastide)’s Creole Jazz Band: six nationalities go back to 1923!

Three Pods of Pepper: Frans Sjöström, Norman Field, and Martin Wheatley muse over some jazz byways

Tellin’ it to the Daisies: Debbie Arthurs’ Sweet Music and the world of Annette Hanshaw

Snowy Morning Blues: Paul Asaro’s solo recital of James P Johnson’s works

East St Louis Toodle-Oo: Keith Nichols’ Blue Devils Orchestra play early Ellington

The Three Tenors: Steve Andrews, Jean-François Bonnel, and Matthias Seuffert with an all-star rhythm section

Doc’s Night Owls: The Hot Antic Jazz Band and guests play music for insomniacs in the Victory Pub

Sunday (11/6):

Encore! Encore!: More movie magic from Mr Hazeldine’s archives

The Lion & the Lamb: Willie “The Lion” Smith and Donald “The Lamb” Lambert tribute from Nichols & Asaro

Potato Head Blues: More Louis-worship from Bent Persson’s Hot Seven

From A-flat to C: Rico Tomasso & friends play the music of the John Kirby Sextet

Sau Sha Stomp: The Hot Antics & special guest David Sager (trombone) recall trumpet ace Jabbo Smith

Got the World in a Jug:  Cecile McLorin sings Bessie Smith

Zonophone Stomp: Mauro Porro’s international band tip their hat to Bert Firman’s Rhythmic Eight

Humpty Dumpty: More Bixiana from Andy Schumm and the Gang

High Hat, Trumpet, and Rhythm: Cecile McLorin pays tribute to the legendary Valaida Snow, with Rico Tomasso (trumpet)

Venuti, Rollini & Lang:  Mike Piggott (violin), Frans Sjöström (bass saxophone), Martin Wheatley (guitar), Keith Nichols, Norman Field, Raymond Graisier, Josh Duffee

The Rhythmakers: Bent Persson, Matthias Seuffert, and Co. recall the great 1932 Billy Banks sessions with Red Allen and Pee Wee Russell

The Small-Hours Swingers: Andy Woon leads a hand-picked group deep into the morning in the Victory Pub

For more information, visit http://www.whitleybayjazzfest.org/concerts.html.  Mike tells me that there are some seats — not many — left . . . so don’t be left out!

“GOOD NEWS, PARTY-GOERS!”

Mike Durham’s Classic Jazz Party is on — that’s November 4-5-6, 2011, and I’m going. 

It’s a little early to pack my bag, but I have made my reservation (Kelly at the Village Hotel Newcastle took my information but won’t charge my card until I commit, two weeks in advance.) and I can’t wait! 

You come, too!

NOW IS THE TIME . . .

Calling all cats!

I wrote some weeks ago about Mike Durham’s plans for a new version of the Whitley Bay International Jazz Festival — a Classic Jazz Party to be held at the same location (the comfortable Village Newcastle Hotel) for three days in November 2011  — Friday to Sunday, November 4-6. 

Mike’s musician list is once again stellar: Bent Persson, Michel Bastide, Keith Nichols, Rico Tomasso, Rene Hagmann, Matthias Seuffert, Norman Field, Jean-Francois Bonnel, Kristoffer Kompen, Martin Litton, Malcolm Sked, Frans Sjostrom, Spats Langham, Martn Wheatley, Nick Ward, Josh Duffee, Debbie Arthurs, Cecile Salvant, and more.  They would create three days of jazz — from midday to midnight, with each band presenting an hour-long set. 

The Classic Jazz Party needs YOU!

To be precise, Mike needs a deposit from fifty more of the faithful to proceed.  This translates to a check (or “cheque”) for a hundred pounds, made out to CLASSIC JAZZ PARTY, and sent to him at 60 Highbury, Newcastle Upon Tyne, NE2 3LN.  Along with the money, he asks that you send your name and full address, phone number and email address.  

If you don’t have a U.K. bank account, you can send the required £100 per person over the internet, via PayPal: log on to the Paypal website and send the money to Mike’s email address, mikedurham_jazz@hotmail.com – quick, easy, secure, and free. 

And Mike says, “Also, just to reiterate, all funds will be instantly refunded in full if I decide not to go ahead at the end of September, but I devoutly hope that enough people will rally round to render that unneccessary.”   

The Village Hotel promises to offer three nights of dinner, bed, and breakfast for 175 pounds total, which is a bargain.  More details to follow.

Don’t be left out!