Tag Archives: Cline Wine and Dixieland Festival 2013

GOLDEN STATE ROCK: GOLDEN GATE RHYTHM MACHINE at CLINE CELLARS (June 13, 2013): SCOTT ANTHONY, BOB SCHULZ, JIM MAIHACK, CLINT BAKER, ROBERT YOUNG, BOB HIRSCH, BILL MAGINNIS

For those who keep track: it’s September 1, 2013; I am back in New York, dreaming of California (which translates to the Nymph of Novato).  Since I can’t be there for breakfast with her, some locally sourced music is the next best thing.

The Golden Gate Rhythm Machine, established in 1984, sounds anything but mechanistic in these four performances from the 2013 Cline Wine and Dixieland Jazz Festival in Sonoma, California.  They are Scott Anthony, banjo, vocal; Bob Schulz, cornet, vocal; Jim Maihack, trombone; Clint Baker, clarinet; Robert Young, bass saxophone; Bob Hirsch, piano; Bill Maginnis, drums.  Three good old good ones — evoking Bennie Moten, Jelly Roll Morton, Louis and the Dodds brothers, and a Frank Loesser classic from the mid-Forties.

SOUTH:

MILENBERG JOYS:

MELANCHOLY:

SLOW BOAT TO CHINA:

May your happiness increase!

HOT JAZZ, FRESH AIR, GOOD TIMES: THE BLACK DIAMOND BLUE FIVE at the CLINE CELLARS WINE and DIXIELAND FESTIVAL, JULY 13, 2013: CLINT BAKER, LEON OAKLEY, ROBERT YOUNG, MARTY EGGERS, BILL REINHART

Hot jazz sounds very good if you are crouched in front of the speaker of your Victrola; hearing it through earbuds connected to your iPod; having it come through the car speakers.

But best of all is sitting in front of the musicians themselves, and although some prefer the hard chairs, uneven food and drink of a nocturnal jazz club or bar, there is a good deal to be said for hearing hot jazz in the outdoors on a beautiful day.

The 2013 Cline Wine and Dixieland Jazz Festival neatly filled all those requirements, as this compact set by the Black Diamond Blue Five proves.  The BDBF is or are Clint Baker, banjo, vocals; Robert Young, reeds, vocals; Leon Oakley, cornet; Marty Eggers, piano; Bill Reinhart, tuba.

You will notice who is on Leon’s binder of music: the very singular Clarence Williams, and his ebullient spirit illuminates the music of this set.

I don’t ordinarily post snippets of performances, but the Williams PAPA DE DA DA is a favorite of mine, and it would have pained me to leave it out (I was setting up my camera for the opening portion of this video):

BOTTOMLAND (which I assume is a reference to rich dark fertile soil, beloved of farmers, rather than an equally admirable posterior. Research?):

Our delight, doing things right, FOUR OR FIVE TIMES:

CUSHION FOOT STOMP:

NEW ORLEANS HOP SCOP BLUES — which always makes me think of Bessie Smith’s extraordinary recording.  Slide, glide, prance, dance, take it easy!

CAKE WALKING BABIES FROM HOME — for Louis, Sidney, Alberta, and all the heroic illuminators:

Hot music in the open air — couldn’t be nicer.

May your happiness increase!

CAREFUL, THAT’S VERY HOT! (Part One): BLACK DIAMOND BLUE FIVE at CLINE CELLARS (June 13, 2013): CLINT BAKER, LEON OAKLEY, ROBERT YOUNG, BILL REINHART, MARTY EGGERS

I’ll say it again:

The 2013 Cline Wine and Dixieland Festival was a glorious success: a lovely setting, jubilant music both hot and sweet, with sweet-natured people enjoying themselves everywhere. I will be offering videos from that delicious day — featuring Clint Baker, Leon Oakley, Bill Reinhart, Marty Eggers, Scott Anthony, Bob Schulz, Ray Skjelbred, Robert Young, the Ragtime Skedaddlers, and other noble souls.

I unpacked my camera and settled down for the first band — noting the increased heat in the room.  No surprise, when you consider who was on the stand: Leon Oakley, cornet; Robert Young, saxophone / vocal; Marty Eggers, piano; Clint Baker, banjo / vocal; Bill Reinhart, tuba: the Black Diamond Blue Five.  The original BDBF began in 1992 as the inspiration of banjoist George Knoblauch (he left us in March 2012) as a hot two-horn quintet that played the music of Clarence Williams and other small Twenties bands.  (You’ll notice, in the videos below, that Clarence’s picture is on the binder that is the band’s book.) The 1992-2012 band featured the same personnel except that George played banjo and Clint played tuba.

Now, I can find something to admire in improvising ensembles of all sizes.  The twenty men gathered on stage at the end of an Eddie Condon Blue Network broadcast, a solo pianist or guitarist — equally promising. But I might be guilty of jazz frugality: I especially admire those small ensembles that give good value for their money: three players (Bent Persson – Frans Sjostrom – Jacob Ullberger) or four (Ruby Braff – George Barnes – Wayne Wright – Michael Moore) seem taut, slim, energized versions of the ideal.

So does the BDBF.  Evidence below!

Clint tells us, politely but emphatically, about his reluctance to share his JELLY ROLL with anyone.  Understandable, no?:

Robert’s singing of SWEETHEARTS ON PARADE makes me imagine an alternate universe where Carmen Lombardo, Lillie Delk Christian, and Louis get together to share stories of being excluded from romance.  And Leon’s cornet is right on the money — searing, in fact:

This version of MY GAL SAL reminds me of the Deccas by the Alabama Jug Band — 1934, and it is just as much fun:

WIPE IT OFF, even when the lyrics are somewhat obscure, not to say arcane, is always good advice:

What a wonderful hot band!  I will have more to share from the BDBF, I promise you.

May your happiness increase!

RIPENESS IS ALL: JAZZ ON THE VINE AT CLINE CELLARS (July 13, 2013)

Might I remind my Northern California friends of something good (“algo bueno,” as Dizzy Gillespie would have said) on Saturday, July 13, 2013?

JazzFestPoster_2013

Some details.  You might want to take notes here.  Five venues, music going on simultaneously — the BARREL ROOM, the MISSION, the GREAT LAWN, the TASTING ROOM DECK, and the PIANO CORNER.  The bands are listed above; the piano sessions feature Ray Skjelbred, Bob Hirsch, Virginia Tichenor, and the Ragtime Skedaddlers.  Music from 11:00 AM to 6:30 PM, which is jazz enough for anyone.  In beautiful Sonoma, too!

And — the way things go at beautiful establishments like Cline Cellars — I have reason to expect there will be wonderful beverages in glasses and delicious things to eat . . . . for you to purchase.  My previous dealings with Cline have all been more than pleasant, even though this is the first Day of the Dixieland I have been to.  So I am looking forward to great combinations, say MABEL’S DREAM with a glass of zinfandel . . . anything is possible!

Picnic-Basket-Buttermilk-Fried-Chicken

I also hear tell that you can bring your own picnic, but be sure to bring more than you need, so that you can offer your jazz heroes and heroines a piece of fried chicken, a hard-boiled or deviled egg: playing jazz is hungry work.  They’ll love you for it.

Details and tickets here.

May your happiness increase!