Tag Archives: Connie Jones

FOR CONNIE JONES

small purple flower

Only a few words here, because the subject is, as Kris Tokarski wrote, “bittersweet.”  One of my heroes — a player and singer of amazing grace, the cornetist and singer Connie Jones, has retired from performance due to ill health.

The trombonist Charlie Halloran wrote this morning on Facebook, “Pretty amazing playing alongside Connie Jones for his final performance.  He’s headed into an unbelievably well earned retirement.  But man, how am I going to hear those melodies without him just to my right?!  Even today he played at the highest level, world class.  Congrats Connie!”

That was Connie — among friends Tim Laughlin, Michael Pittsley, Chris Dawson, Katie Cavera, Marty Eggers, and Hal Smith — in November 2012 at the San Diego Jazz Fest.

Connie’s art comes from his heart, and it has touched ours.  His music has been quiet, gentle, searching — apparently simple melodic embellishment for those who aren’t listening closely, but truly a journey of small elegant surprises.  A Connie solo is like walking in a field and discovering a small purple blossom, fragrant, fragile.

His has never been a loud art.  It doesn’t abuse the air.  But it has been the most singular lesson: how to breathe warm air into metal and create lasting song. How to take familiar words and melody and infuse them with new yet lasting truth.

Another example.

When I was a semi-Californian, I had the privilege of seeing and hearing Connie in performance in 2011, 2012, 2013, and 2014 (as well as in New Orleans at the Steamboat Stomp in 2015).  I came to him late in his career, and thus missed thousands of opportunities, but Connie never objected to being video-ed . . . so I have posted more than a hundred of his quiet poetic masterpieces on this blog and on YouTube.  (And more have not yet been seen.)  Most of those performances have had Connie at the side of Tim Laughlin, someone who completely understood Connie’s genius and took very good care of him.

I urge you to return to those performances and to Connie’s recordings with Tim, with Dick Sudhalter, and in other contexts.  Connie’s delicacy, his striving to find deep emotions in familiar material, has always shown him the most subtle of poets.

I wish him joy and health and ice cream in his retirement, alongside Elaine.  I send love and admiration and gratitude.

May your happiness increase!

NIGHTINGALES SINGING (November 29, 2014)

NIGHTINGALE

Beauty like this is so hard to create, so delicate, so profoundly meaningful.  I ask for five minutes of your deep attention: it will be rewarded memorably.

Tim Laughlin, clarinet; Connie Jones, cornet; Chris Dawson, piano, Hal Smith, drums; Doug Finke, trombone; Marty Eggers, string bass; Katie Cavera, guitar.  Recorded at the 2014 San Diego Jazz Fest.

Bless these artists for creating such beauty.  Without it, how would we go on?

May your happiness increase!

TWO BY TIM and FRIENDS: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS, KATIE CAVERA, HAL SMITH (SAN DIEGO JAZZ FEST, Nov. 28 / 29, 2014)

TIM CONNIE large

It’s easy to forget what a remarkable composer Tim Laughlin (clarinetist, bandleader, philosopher) is, because of the floating lyricism he offers other people’s compositions.  But here’s one of his own, THE ISLE OF ORLEANS, performed on November 28, 2014, at the San Diego Jazz Fest.  The surrounding merrymakers are Hal Smith, drums; Marty Eggers, string bass; Katie Cavera, guitar; Connie Jones, cornet; Doug Finke, trombone.  (Pay special attention to the Tim – Hal duet near the end of the performance: SING SING SING meets Second Line):

And a song nearly a hundred years old, but one of Walter Donaldson’s finest, MY BUDDY (from November 29):

This band — this splendid mixture of New Orleans and California, of Teddy Wilson Vocalion and Bob Crosby Decca — seems irreplaceable and wonderful to me, and I hope to hear them again.  I have been parceling out the videos from the 2014 San Diego Jazz Fest because each one seems a jewel, a musical benediction.

May your happiness increase!

LYRICISM, DRAMA, FUN, SWING: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH at the SAN DIEGO JAZZ FEST (Nov. 29, 2014)

I’ve seen and heard a great deal of live jazz performance since 2004 (and before then) and occasionally I feel as if the video camera has been grafted on my body (“More than five thousand published YouTube videos,” he said immodestly) — but the band that follows is one of my great pleasures.

TIM AND CONNIE FQF

It’s a delicious hybrid of deep New Orleans, Bob Crosby Bobcats, Teddy Wilson and Basie small groups.  I speak of Tim Laughlin’s All Stars featuring the master of melody on clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Hal Smith, drums.  Here they are in all their delightful gliding majesty at the 2014 San Diego Jazz Fest.

TIM AND CONNIE

YOU’RE LUCKY TO ME:

BUDDY BOLDEN’S BLUES:

DO YOU EVER THINK OF ME?:

And a vocal feature for someone who’s not only one of the greatest instrumentalists I know — but also a great musical actor and singer, Mister Connie Jones — NEW ORLEANS AND A RUSTY OLD HORN:

I treasure these musicians and these performances, and feel privileged beyond words that I have been in the same room (with a camera) with these masters.

May your happiness increase!

BY POPULAR DEMAND: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH at the SAN DIEGO JAZZ FEST (Nov. 29, 2014)

TIM LAUGHLIN

The band you will see and hear below is one of my favorites: they create a floating lyricism and melodic inventiveness on every song, whether a pretty ballad or a hot tune.  There is also a wonderful swinging lightness — could it be the New Orleans / California hybridization: imagine a shrimp po-boy that comes with a side of massaged organic kale, perhaps.  They might also evoke the magical 1938 jam session when the Basie and Bob Crosby players got together at the Howard Theatre after the show.  However I might whimsically analyze it, I treasure their music.

Two days ago, I posted some videos of this band from the 2014 San Diego Jazz Fest here, and the music pleased me so that I decided to repeat the process with a San Diego session performed one day later.  The players are Tim Laughlin, clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

MUST BE RIGHT, CAN’T BE WRONG (a pretty Jabbo Smith composition):

ORIGINAL DIXIELAND ONE-STEP (or ODJB ONE-STEP):

Tim’s own MAGNOLIA DANCE:

SWING THAT MUSIC, for and by Louis — with a rocking solo chorus from Hal:

More treasures exist.  But the real treasure is that this band does.

May your happiness increase!

AT THE GOVERNOR’S BALL (ALMOST): TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS,KATIE CAVERA, HAL SMITH

TIM LAUGHLIN

On Facebook two mornings ago, I read Tim Laughlin’s nice news:

Proud to be invited to perform at LA Governor John Bel Edwards’ Inauguration Ball last night in Baton Rouge.  My All-Stars include Connie Jones on cornet, Charlie Halloran on trombone, Amy Sharpe on banjo, Matt Perrine on tuba and Hal Smith on drums.

And here are two pictures from that celebration:

TIM L at BALL one

and

TIM L at BALL two

Now, my first thought was “What a band!”  And my second was, “I don’t know anything about Governor Edwards, but he has excellent taste.  A good omen for Louisiana.”  A few minutes later, my darker side emerged, “I would have liked to be there.”  Of course, reason took over immediately as I contemplated the unlikeliness of Governor Edwards inviting me — and my camera — up front to video the music.  The thought of not hearing that band was disconcerting.

Once I regained my equilibrium, I thought of something that would cheer me, and it might have the same effect on you.  Here are three previously unseen videos from the 2014 San Diego Jazz Fest, November 28, 2014, featuring Tim, Connie, and Hal, with Doug Finke, trombone; Katie Cavera, guitar; Chris Dawson, piano; Marty Eggers, string bass.

JUBILEE (for Louis, by Hoagy, and suitably celebratory):

SI TU VOIS MA MERE (celebrating Sidney Bechet):

MY BABY JUST CARES FOR ME (simply because it’s an exquisite performance):

The next time you have a great band in the Governor’s Mansion, dear Governor Edwards, think of me.  I and my camera can be very unobtrusive.

May your happiness increase!

EIGHT BY THREE AND SOMETIMES FOUR (ROB ADKINS, MIKE DAVIS, CRAIG VENTRESCO, and TAMAR KORN, JULY 25, 2015, Fraunces Tavern)

 

FRAUNCES larger

The title should tell it all, but if you’re new to the scene, it’s Rob Adkins, string bass and organizer; Mike Davis, cornet and sometimes trombone — evoking Sandy Williams as well as Rank and Miff — ; Craig Ventresco, guitar; Tamar Korn, vocals and theatre.  Recorded on Saturday, July 25, 2015, at Fraunces Tavern, 54 Pearl Street in downtown New York City.

SHINE:

(And if you believe that SHINE is a racist song, please read this and get enlightened.)

Tamar leaps in for CRAZY RHYTHM, verse and all:

Tamar performs LAZY RIVER, a song she’s been enjoying since I first heard her (and at a perfect tempo):

And some quartet optimism with a side of Higginbotham for SUNNY SIDE OF THE STREET:

One for young Bix, the NORK, and the Brunies brothers, ANGRY:

THAT’S A-PLENTY, dusted off and brought to vibrant life:

The lovely TISHOMINGO BLUES:

and what may not be the eternal question, IS IT TRUE WHAT THEY SAY ABOUT DIXIE?:

Notwithstanding the dim lighting and the talkative patrons, this was a glorious jazz session.  I recorded and shared thirteen other selections, which you can visit or revisit herehereherehere,here, and here (where I paired Mike with Connie Jones and Marc Caparone, and no one minded at all).

Some will wish to nominate the above effusion as Most Hyperlinking in a Jazz Blog for January 2016, but I hope you will click away, for rewards await.

May your happiness increase!