Tag Archives: Connie Jones

BY POPULAR DEMAND: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH at the SAN DIEGO JAZZ FEST (Nov. 29, 2014)

TIM LAUGHLIN

The band you will see and hear below is one of my favorites: they create a floating lyricism and melodic inventiveness on every song, whether a pretty ballad or a hot tune.  There is also a wonderful swinging lightness — could it be the New Orleans / California hybridization: imagine a shrimp po-boy that comes with a side of massaged organic kale, perhaps.  They might also evoke the magical 1938 jam session when the Basie and Bob Crosby players got together at the Howard Theatre after the show.  However I might whimsically analyze it, I treasure their music.

Two days ago, I posted some videos of this band from the 2014 San Diego Jazz Fest here, and the music pleased me so that I decided to repeat the process with a San Diego session performed one day later.  The players are Tim Laughlin, clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

MUST BE RIGHT, CAN’T BE WRONG (a pretty Jabbo Smith composition):

ORIGINAL DIXIELAND ONE-STEP (or ODJB ONE-STEP):

Tim’s own MAGNOLIA DANCE:

SWING THAT MUSIC, for and by Louis — with a rocking solo chorus from Hal:

More treasures exist.  But the real treasure is that this band does.

May your happiness increase!

AT THE GOVERNOR’S BALL (ALMOST): TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS,KATIE CAVERA, HAL SMITH

TIM LAUGHLIN

On Facebook two mornings ago, I read Tim Laughlin’s nice news:

Proud to be invited to perform at LA Governor John Bel Edwards’ Inauguration Ball last night in Baton Rouge.  My All-Stars include Connie Jones on cornet, Charlie Halloran on trombone, Amy Sharpe on banjo, Matt Perrine on tuba and Hal Smith on drums.

And here are two pictures from that celebration:

TIM L at BALL one

and

TIM L at BALL two

Now, my first thought was “What a band!”  And my second was, “I don’t know anything about Governor Edwards, but he has excellent taste.  A good omen for Louisiana.”  A few minutes later, my darker side emerged, “I would have liked to be there.”  Of course, reason took over immediately as I contemplated the unlikeliness of Governor Edwards inviting me — and my camera — up front to video the music.  The thought of not hearing that band was disconcerting.

Once I regained my equilibrium, I thought of something that would cheer me, and it might have the same effect on you.  Here are three previously unseen videos from the 2014 San Diego Jazz Fest, November 28, 2014, featuring Tim, Connie, and Hal, with Doug Finke, trombone; Katie Cavera, guitar; Chris Dawson, piano; Marty Eggers, string bass.

JUBILEE (for Louis, by Hoagy, and suitably celebratory):

SI TU VOIS MA MERE (celebrating Sidney Bechet):

MY BABY JUST CARES FOR ME (simply because it’s an exquisite performance):

The next time you have a great band in the Governor’s Mansion, dear Governor Edwards, think of me.  I and my camera can be very unobtrusive.

May your happiness increase!

EIGHT BY THREE AND SOMETIMES FOUR (ROB ADKINS, MIKE DAVIS, CRAIG VENTRESCO, and TAMAR KORN, JULY 25, 2015, Fraunces Tavern)

 

FRAUNCES larger

The title should tell it all, but if you’re new to the scene, it’s Rob Adkins, string bass and organizer; Mike Davis, cornet and sometimes trombone — evoking Sandy Williams as well as Rank and Miff — ; Craig Ventresco, guitar; Tamar Korn, vocals and theatre.  Recorded on Saturday, July 25, 2015, at Fraunces Tavern, 54 Pearl Street in downtown New York City.

SHINE:

(And if you believe that SHINE is a racist song, please read this and get enlightened.)

Tamar leaps in for CRAZY RHYTHM, verse and all:

Tamar performs LAZY RIVER, a song she’s been enjoying since I first heard her (and at a perfect tempo):

And some quartet optimism with a side of Higginbotham for SUNNY SIDE OF THE STREET:

One for young Bix, the NORK, and the Brunies brothers, ANGRY:

THAT’S A-PLENTY, dusted off and brought to vibrant life:

The lovely TISHOMINGO BLUES:

and what may not be the eternal question, IS IT TRUE WHAT THEY SAY ABOUT DIXIE?:

Notwithstanding the dim lighting and the talkative patrons, this was a glorious jazz session.  I recorded and shared thirteen other selections, which you can visit or revisit herehereherehere,here, and here (where I paired Mike with Connie Jones and Marc Caparone, and no one minded at all).

Some will wish to nominate the above effusion as Most Hyperlinking in a Jazz Blog for January 2016, but I hope you will click away, for rewards await.

May your happiness increase!

“FEELING CONTRITE?”: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, HAL SMITH, KATIE CAVERA, MARTY EGGERS, CHRIS DAWSON at SAN DIEGO (Nov. 28, 2014)

I have been thinking about the 2015 San Diego Jazz Fest — that cornucopia of musical pleasures — not only looking forward to the sounds and friends that await, but also because I decided to book my airline tickets today (rather than wait until holiday fares rise perilously).  The Fest will be held from November 25 through 29, and there is much more information to be found here — including who’s playing, what it costs . . . all the essentials.

One of the pleasures of 2014 and previous years was a glorious band led by clarinetist Tim Laughlin, featuring Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums.

Here they ask the poignant question — with a beautiful drum solo by Hal — WHO’S SORRY NOW?

You’ll only have reason to ask that question if you miss the San Diego Jazz Fest, the 36th.

May your happiness increase!

HERE’S THE BEAUTIFUL PART: CELEBRATING KING LOUIS (2013, 2014, 2015)

KING LOUIS

Take your pick.  Would you like to celebrate Louis Armstrong’s birthday as if it had been July 4, 1900 (what he and perhaps his mother believed it to be), July 4, 1901 (where Ricky Riccardi and I think the evidence points), or August 4, 1901 (what’s written in the baptismal record)?  I don’t think the debate is as important as the music.

KING LOUIS 2

And to show that LOUIS LIVES, I offer three examples of musicians evoking him with great warmth and success in this century.  Louis isn’t a historical figure; he animates our hearts today, and tomorrow, and . . .

KING LOUIS 3

Folks down there live a life of ease.  WHEN IT’S SLEEPY TIME DOWN SOUTH (San Diego Jazz Fest, November 29, 2014: Connie Jones, cornet; Tim Laughlin, clarinet; Doug Finke, trombone; Jim Buchmann, Dave Bennett, clarinet; Chris Dawson, piano; Katie Cavera, rhythm guitar; Marty Eggers, string bass; Hal Smith, drums):

Cold empty bed.  BLACK AND  BLUE (Fraunces Tavern, July 25, 2015: Mike Davis, cornet; Craig Ventresco, guitar; Rob Adkins, string bass):

Does he strut like a king?  HE’S A SON OF THE SOUTH (Jazz Bash by the Bay, March 2013: Marc Caparone, cornet and vocal; Clint Baker, clarinet; David Boeddinghaus, piano; John Reynolds, guitar; Katie Cavera, string bass; Ralf Reynolds, washboard):

KING LOUIS 4

Yes, Louis made the transition into spirit in 1971.  But his spirit is very much alive.

May your happiness increase!

MAMA, SHE JUST UP AND LEFT: TIM LAUGHLIN, JIM BUCHMANN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS, KATIE CAVERA, HAL SMITH (San Diego Jazz Fest, November 29, 2014)

The song?  Peter Bocage’s and Armand J. Piron’s MAMA’S GONE, GOODBYE. The band?  Tim Laughin’s New Orleans All-Stars: Tim, clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Katie Cavera, rhythm guitar; Marty Eggers, string bass; Hal Smith, drums; guest star Jim Buchmann, clarinet. Recorded on November 29, 2014, at the delicious San Diego Jazz Fest:

Swing lyricism at its finest, I think.

And the good news is that there is a 2015 San Diego Jazz Fest coming up this Thanksgiving weekend, November 25-19, 2015.  I know Thanksgiving seems so far away, but time rushes on.

Find out more here and here. I know that Ray Skjelbred, Marc Caparone, Katie Cavera, Dawn Lambeth, Clint Baker, the Yerba Buena Stompers, Carl Sonny Leyland, Nicki Parrott, Rossano Sportiello, Stephanie Trick, Paolo Alderighi, Miss Ida Blue, Molly Ryan, Dan Levinson, Jonathan Stout, Bob Schulz, Chloe Feoranzo, and many others will be making music there. I’ll be there. You should consider it!

May your happiness increase!

LOVE NOTES: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS, HAL SMITH, KATIE CAVERA at the San Diego Jazz Fest (November 29, 2014)

Today I keep thinking of Tommy Wilhelm, the center of Saul Bellow’s inescapable novel SEIZE THE DAY.  Tommy not only endures failure; he seems drawn to it and perpetuates it.  Yet he is one of those rare beings — in fiction or in life — who seems on the edge of perceiving deep truths about himself. These perceptions do not give him the strength to steer clear of the next disaster, but in one of Tommy’s interior monologues, he thinks three strong words.  Never mind the past tense.

Recovery was possible.

Words to hold on to, even when what we define as “the world” can be terribly dark, and the people in it, on their own orbits, somewhat heedless.

Recovery was possible.

For me, recovery takes the form of love in the shape of music.  No line is drawn between the two expressions.  The floating sounds say to me, and I hope to you, “We send love.  Our notes are embraces.  Our vibrations say that no one is alone. Feel the hope we offer, that you can make a choice to turn towards beauty.  Our sounds may heal those who can hear.”

Living proof: Tim Laughlin, clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums.  Recorded at the San Diego Jazz Fest on November 29, 2014.

IF YOU WERE THE ONLY GIRL IN THE WORLD:

I thank these musicians for embodying such dear truths.

May your happiness increase!