Tag Archives: Danny Coots

JUST LIKE YOUR PARENTS’ BACKYARD, IF YOUR PARENTS HAD BEEN HIP ENOUGH TO HIRE A HOT BAND: The HOLLAND-COOTS JAZZ QUINTET HAS A BALL at the EVERGREEN JAZZ FESTIVAL (July 28, 2018): BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, EVAN ARNTZEN, MARC CAPARONE

Here they are, sedately indoors, a year ago, in Nashville, Tennessee:

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

and here they are, swinging beautifully, at the Evergreen Jazz Festival, July 28, 2018.  They are an amazing band, and the performances below explain why better than several thousand words of mine ever could.

Thanks to Ed Danielson, director of the EJF, who has good instincts and acts on them: he heard the HCJQ at their inaugural appearance in Durango and hired them immediately for Evergreen.

A word about the unusual lighting . . . I asked Steve Pikal if he minded being turned into a green alien for this set, and he said, no, he rather liked it.  So I have left the hues alone.

THREE LITTLE WORDS (which switches from the key of C to that of Ab and back again, I have on good authority):

I’VE GOT A FEELING I’M FALLING, for and by Mister Waller:

IF I COULD BE WITH YOU ONE HOUR TONIGHT, by James P. Johnson, who taught Fats, sung sweetly by Evan:

and a thoroughly gratifying exploration of Walter Donaldson’s ultimatum, LOVE ME OR LEAVE ME:

What a band, indeed.  Did I mention that they will be on the  STOMPTIME cruise in April 2019?  I didn’t have to: you know that already.

May your happiness increase!

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PLAY HOT, BE SWEET: THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL, June 1, 2018 (BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL)

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

More from the delightful Holland-Coots Jazz Quintet, a band which sprang full-grown to public acclaim in 2017.  They are Brian Holland, piano; Danny Coots, drums; Steve Pikal, string bass; Marc Caparone, cornet, vocal; Evan Arntzen, clarinet, tenor saxophone, vocal.  They soar; they woo.

Here they are outdoors in the very nice Gazebo Park during the 2018 Scott Joplin International Ragtime Festival in Sedalia, Missouri.

Their band version of RUSSIAN RAG has some kinship with the Wilbur DeParis performance, but do you know that Fats Waller recorded it, solo, in 1935?

A late-period Waller love song, from the score of EARLY TO BED, 1943, here crooned by Evan:

A romp by the magnificently creative yet short-lived Alex Hill, BABY BROWN:

And a very endearing love ballad, recorded but not composed by Fats, LET’S PRETEND THERE’S A MOON:

The HCJQ has also made a CD — appropriately, the music of Fats Waller.  You can purchase it here and hear sound samples also.

This HCJQ will be playing the Evergreen Jazz Festival at the end of this month, and next spring they will be part of the Stomptime Musical Adventure Inauguaral Jazz Cruise, April 27 to May 4, 2019, “departing from Miami to the Eastern Caribbean (San Juan, Charlotte Amalie, Punta Cana, and Nassau) on the Celebrity Equinox for 7 nights of music and fun.”

May your happiness increase!

TRIUMPHANT! (Part Two) THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL in SEDALIA, MISSOURI (May 31-June 2, 2018): BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL

We continue the further adventures of our Quintet of Superheroes at the 2018 Scott Joplin International Ragtime Festival: those real-life vanquishers of gloom and inertia being the Holland-Coots Jazz Quintet: Brian Holland, piano; Danny Coots, drums; Steve Pikal, string bass; Marc Caparone, cornet, vocal; Evan Arntzen, clarinet, tenor saxophone, vocal.

Here‘s Part One, and a little text of approval from Kerry Mills here.

And three more juicy and flavorful examples of this band’s versatility: a hot ballad (vocal by Marc), a Joplin classic, and a searing tribute to a dangerous animal or to Michigan (you can choose) by Jelly Roll Morton.

SOMEDAY, SWEETHEART (I prefer the comma, although you can’t hear it):

What some people think of as “the music from ‘The Sting,'” Scott Joplin’s THE ENTERTAINER, here in a version that owes something to Mutt Carey and Bunk Johnson, who loved to serve their ragtime hot:

Jelly Roll’s WOLVERINE BLUES, in a version that (once we get past Danny’s carnivorous introduction) blows the mercury out of the thermometer:

A Word to the Wise. Get used to these five multi-talented folks, singly and as a band.  (“These guys can do anything,” says Brian, and he’s right.)  They’re going to be around for a long time.  I’m going to be posting their music as long as I can find the right keys on the keyboard.

May your happiness increase!

KERRY MILLS LIKES IT: BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, EVAN ARNTZEN (Scott Joplin International Ragtime Festival, Sedalia, Missouri, May 31, 2018)

Because I am a Nassau County employee, my Verizon phone plan offers special features.  The most relevant one here is my phone’s abilities to receive texts from the dead, and they don’t even have to be Verizon subscribers.  I won’t bore you with previous instances of this, except to say that Sophie Tucker goes on and on.  One would think she’d never texted before.

This afternoon, my phone gave its special secret tone — somewhere between a canary in mating season and a pelican with its mouth full of fish — and there was a text from ragtime composer and publisher Kerry Mills.  I had never heard from Mr. Mills before, but saw that he does subscribe to JAZZ LIVES.  (People saying “But he’s been dead since 1948! can go in their room and play with their toys.  Or they can perhaps get better phones tomorrow.)

Mr. Mills’s text:

Michael u went to Joplin Festival did they play my rags Kerry Mills

I am writing this post to assure him that, indeed, his most famous cakewalk was played — by musicians who win the cake as far as I’m concerned: Brian Holland, piano; Danny Coots, drums; Steve Pikal, string bass; Marc Caparone, cornet; Evan Arntzen, clarinet.  Outdoors, too, and for free, for all the community to hear, which in my book gets them extra credit:

And while I was finishing this post, my phone made its noise again, and I saw these words:

v nice tx to band Kerry

Good enough for me.  See you at the meeting, or another location of your choice.  “Kerry sent me!” will open the door.

May your happiness increase!

TRIUMPHANT! (Part One) THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL in SEDALIA, MISSOURI (May 31-June 2, 2018): BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL

For me, one great thrill is being there for the birth of a band, fierce and subtle.  The Holland-Coots Jazz Quintet is just such a memorable band, co-led by Brian Holland, piano; Danny Coots, drums, with Steve Pikal, string bass; Marc Caparone, cornet and vocal; Evan Arntzen, clarinet, tenor saxophone, and vocal.

I didn’t get to see them at the Durango Ragtime Festival in 2017, but I delighted in Judy Muldawer’s YouTube videos.  I followed them to Nashville that summer, and did the same for the Scott Joplin International Ragtime Festival just a few days ago. I’m still vibrating with happiness — not a new disorder I have to tell my neurologist about.

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

So, here is the band’s first set of that festival: outdoors, before noon, making remarkable music.  You don’t need to know more.

MAPLE LEAF RAG:

YOU TELL ME YOUR DREAM (frankly, a highlight of my year: see if you agree):

KANSAS CITY STOMPS:

DOWN IN HONKY TONK TOWN:

I intentionally left out a few details when I wrote above, “You don’t need to know more.”

You just might.  One is that the band’s debut CD, THIS IS SO NICE IT MUST BE ILLEGAL, a tribute to Fats Waller and his musical associations, has been pleasing listeners for some time now.  You can get your copy here.  And to experience this band in person — you can see the joyous energy they generate — come to the Evergreen Jazz Festival — which will happen in Colorado on July 27-28-29.  I’ll be there, and there’s room for you as well.

In the interim, share this music with friends, with strangers you feel kindly to, relatives, concert and festival promoters . . . you can extend this list at your leisure.  Brighten the corner, guided by these five most excellent sages.

May your happiness increase!  

“KEEP YOUR PHILHARMONIC”: EVAN ARNTZEN and STEVE PIKAL (July 27, 2017)

With the right musicians, a whole crowd isn’t necessary.  No four brass, four reeds, four rhythm; no oboes and tympani.  As Ira Gershwin wrote, “Keep your Philharmonic,” in his lyrics to SLAP THAT BASS.

Appropriately, I present a rewarding improvised vignette for clarinet and string bass, recorded on July 27, 2017, in Derek Garten’s Prime Recording Studio in Nashville, Tennessee, at the end of the Holland-Coots Jazz Quintet’s debut recording, which became THIS IS SO NICE IT MUST BE ILLEGAL, chronicled here.  The Quintet, by the way, is Brian Holland, piano; Danny Coots, drums; Evan Arntzen, reeds; Steve Pikal, string bass; Marc Caparone, cornet.

At the end of the session, the Quintet — showing superhuman energy and patience — played two songs for my video camera so I could show them off on the blog.  One, RUSSIAN RAG, I have cleverly hidden within this blogpost as a reward to close readers.

The other, an improvised duet by Messrs. Pikal and Arntzen, later titled PHAT SWOLLER, has never been seen.  I was saving it for my retirement and then thought it would be ungenerous to wait all that time — so here ‘t’is.  Joyous, shapely, rambunctious, expert.  I’m sure my readers can find their own encomia, but I will say only that Steve Pikal has a beautiful harmonic sense and a true swing engine (a new CD of his with Brian and Danny is, I am told, on the way); a New York musician said to me, listening to Evan Arntzen, “That boy can play anything . . . beautifully!” and I of course agreed:

Relevance beyond a piece of wonderful creative improvisation?  Of course.  The Holland-Coots ensemble will be appearing at the Scott Joplin International Ragtime Festival, which I’ve described here.

My interest in the Festival involves leaving my accustomed position in front of the computer: I’ll be there, starting Wednesday night.  But I have to gently admonish the faithful that I no longer video everything, so if you want to hear your favorite virtuoso capering through an obscure Joseph Lamb piece, I suggest you call the airlines now.  (That’s a good idea even if you’ve never heard of Lamb.)

May your happiness increase!

WESTWARD HOT! EVERGREEN JAZZ FESTIVAL (July 27-29) and a BARN DANCE PARTY with the CARL SONNY LEYLAND TRIO (July 26)

I am a failure as a well-trained tourist, because I shun guidebook attractions such as churches and museums in favor of second-hand stores, outdoor markets, and restaurants.  But I am not yet at the stage where I want to stay at home all the time.  What makes me happy is going to a place (ideally, a beautiful one) where good friends play and sing the music that makes me even more glad to be alive.  And I know I am not alone in this desire.

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Such opportunities for musical joy and fulfillment still exist, and one of them is the double boon of the Evergreen Jazz Festival in Colorado, and the barn dance concert that Dorothy Bradford Vernon and friends put on in Longmont, in the same state — they coincide most happily.

For those who want to go directly to the source(s), here you can learn all about the barn dance — featuring the Carl Sonny Leyland Trio — and here is the official site for the Evergreen Jazz Festival, a long weekend of beautiful music.

The EJF rotates its out-of-state attractions, so although I have twenty posts (with video evidence!) from my trips there in 2014 and 2016, I don’t feel it’s right to use videos from bands that won’t be there in 2018 to promote the current festival.  However, by typing EVERGREEN into this blog’s search engine, you can enjoy the evidence for many hours.  More about the 2018 band lineup below.

But since Carl’s Trio is more or less intact with the splendid Jeff Hamilton on drums (I believe Marty Eggers is playing string bass instead of our friend Clint Baker) I have no qualms about sharing this 2016 post with you.  My videos cannot convey the great warm welcome that Dorothy and friends extend to anyone walking through the barn doors.  The music and the dancers were truly memorable.

The Evergreen Jazz Festival offers ten bands, which means that the main problem most guests will have can be expressed by “I can’t decide between seeing X, Y , or Z,” rather than by “There’s nothing to do.”

Here is the schedule: eleven hours on Friday, twelve hours on Saturday, seven hours on Sunday.  You can sleep on Monday, or on the plane.  

A few words about the bands (you can read full descriptions on the EJF site).  Since I am an out-of-towner, I have no problem putting my fellow o-o-t women and men first — a kind of upside-down local pride.

Carl Sonny Leyland will be rocking the house once again (even the elk were doing splendid rhythmic gyrations in the parking lot).

The Holland-Coots Jazz Quintet — a band I succumbed to instantly last year in Nashville, where they recorded their debut CD, a tribute to Fats Waller that brought happiness and swing.  They are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet and vocal; Evan Arntzen, reeds and vocal; Steve Pikal, string bass.

World-travelers Ivory&Gold — that’s Jeff Barnhart, piano and vocals; Anne Barnhart, flute and vocals — who offer musical world tours that always surprise.

The frolicsome Rock Island Roustabouts — co-led by Hal Smith, drums, and Jeff Barnhart, with Dave Kosmyna, cornet; Doug Finke, trombone; Jonathan Doyle, reeds; Bob Leary, banjo/guitar; Ryan Gould, string bass.  The names alone will tell you that hot music is assured.

Multi-instrumentalist Dennis Lichtman’s Brain Cloud (yes, the name is strange — from a Bob Wills song — but the music is intoxicating) featuring Dennis on clarinet, fiddle, mandolin, and more, also with the phenomenal vocalist Tamar Korn and our man in swing Kevin Dorn, drums.

Pianists Brian Holland, Carl Sonny Leyland, and Jeff Barnhart will perform three trio sets on two pianos in the wonderful Evergreen church: beware of flying black and white ivories!

There will be a jam session set by the “EJF All-Stars”: Marc Caparone, cornet; Eric Staffeldt, trombone; Roger Campbell, clarinet; Rory Thomas, banjo; Jeff Barnhart, piano; Ryan Gould, string bass; Kevin Dorn, drums.

Two sets by the Sweet and Hot Quartet: Jeff Barnhart, Bob Leary, Anne Barnhart, and Steve Pikal (Friday) and Hal Smith (Sunday).

If that were not enough . . . Denver’s own After Midnight, which fashions itself after the Goodman Sextet with vibraphone; Felonius Smith Trio, which pays tribute to venerable guitar blues; the Gypsy Swing Revue, which lives up to its billing;  Joe Smith and the Spicy Pickles, a young energized swing band; the Queen City Jazz Band, celebrating its 65th anniversary and featuring Wende Harston on vocals; youth bands from the University of Colorado, the Denver Claim Jumpers, and the Denver Jazz Club Youth All-Stars.

The EJF features lovely small venues . . . so you need to consider purchasing tickets sooner rather than later.  I’ll be there, but I only take up one seat.  Hope you can make it also!  It’s been a great deal of fun and with this schedule, I know it’s going to continue.

And just in case you say, “What!  No music?” here is RUSSIAN RAG by the Holland-Coots Jazz Quintet, recorded informally in Nashville in July 2017:

May your happiness increase!