Tag Archives: Danny Coots

THE VERSATILE FIVE: THE HOLLAND-COOTS QUINTET TAKES EVERGREEN (BRIAN HOLLAND, DANNY COOTS, JOHN OTTO, STEVE PIKAL, MARC CAPARONE): THE EVERGREEN JAZZ FESTIVAL, JULY 26, 2019

The Holland-Coots Jazz Quintet in Sedalia, Missouri, in 2018.

The Holland-Coots Jazz Quintet performed eight sets at the 2019 Evergreen Jazz Festival in Evergreen, Colorado, and I — a fervent convert — was in attendance for all of them.  They are Marc Caparone, cornet, vocal; special guest for that weekend John Otto, clarinet; Danny Coots, drums; Brian Holland, piano; Steve Pikal, string bass.

At the end of one set, early in the Festival, I heard a woman’s enthusiastic voice from behind me, “This band can do EVERYTHING!” and before I could turn around sufficiently, she was gone.  Dear lady, wherever you are, I salute you on your insight.

First, AT THE JAZZ BAND BALL, written and recorded by the Original Dixieland Jazz Band — so perhaps one of those compositions we could call “Dixieland” without fear of rebuke:

and here in 2919:

Later that same day, something very pretty, and you don’t have to repair a thing, LOUISIANA FAIRY TALE (by Danny’s great-uncle and great uncle, J. Fred Coots):

and a nice easy Forties JUST YOU, JUST ME:

Versatile indeed.

May your happiness increase!

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SOUP AND EARS FROM COLORADO (July 26, 2019)

A family-member-by-marriage, now removed, in childhood, used to refer to the trinkets from a trip as SOUP AND EARS.

It’s stuck in my mind as a charming locution, and the answer to the question, “Hey, what’d you bring us from the Evergreen Jazz Festival?”  Never fear, dear readers.  No photographs of double rainbows, and I saw no elk, but there was glorious music.

Here are the first three performances from the first set I saw, which should give you a good idea of the intense pleasures to be found there.  The group, a favorite, is the Holland-Coots Jazz Quintet, with Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet / vocal; Steve Pikal, string bass; John Otto (for this weekend) clarinet.

EVERYBODY LOVES MY BABY:

SHINE:

Incidentally, if you think that SHINE is a “racist” song, its authors were African-American and the song is an assertion of race pride in the face of prejudices.  Read this, please.

and ALL BY MYSELF:

Those of you who know that Danny’s father was a minister won’t be surprised that Danny takes the microphone between songs to share a moral moment, a little homily: worth your attention:

There’s much more good music to come.

May your happiness increase!

DOUBLE RAINBOWS OF SOUND: COME TO THE EVERGREEN JAZZ FESTIVAL! (July 26-28, 2019)

At the end of July, I will make my fourth visit to the Evergreen Jazz Festival, a weekend of music I look forward to avidly.  The rainbow photograph comes from my first visit; unfortunately, I couldn’t find the photographs I took of elk in the parking lot, but everybody comes out for fine jazz.

A small cautionary note: I waited until almost too late to find lodging — if you plan to go to Evergreen, make arrangements now: there’s a list of places to stay on their site, noted above . . . then there’s air travel and car rental.  But it’s all worth the time and money, I assure you.  Last night, I landed happily in Bears Inn Bed and Breakfast, among my friends, and I feel so fortunate: thank you, Wendy!

For me, previous highlights of Evergreen have been the music of Tim Laughlin, Andy Schumm, Kris Tokarski, James Dapogny’s Chicago Jazz Band, Hal Smith, the Holland-Coots Jazz Quintet, the Riverboat Roustabouts, and I am leaving out many pleasures.

Here’s the band schedule for this year:

You see that great music will flourish.

I confess that my heart belongs to the Holland-Coots Jazz Quintet (this weekend with John Otto in the reed chair), Hal Smith’s On the Levee Jazz Band (playing songs associated with Kid Ory in truly swinging style, with Clint Baker playing the role of the Kid) and the Carl Sonny Leyland trio, but I hope to see the Wolverine Jazz Band also . . . there are a host of local favorites as well, including Joe Smith and the Spicy Pickles, Wende Hairston and the Queen City Jazz Band, After Midnight, and more.

Time for some music!

Here’s a romping tribute to Fats Waller by the Holland-Coots Jazz Quintet, whose debut CD “This Is So Nice It Must Be Illegal”) is a Waller tribute: that’s Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Jacob Zimmerman, reeds; Steve Pikal, string bass, seen here at the Monterey, California Jazz Bash by the Bay on  March 2, 2019.  At Evergreen, the reed chair will be filled by John Otto from Chicago (you know him from the Fat Babies and Chicago Cellar Boys):

and COME BACK, SWEET PAPA by the On the Levee crew:

This band is devoted to the music of Kid Ory in his later decades, led by drummer / scholar Hal Smith, and including Charlie Halloran, trombone, Ben Polcer, trumpet, Joe Goldberg, clarinet; Kris Tokarski, piano, Alex Belhaj, guitar, Josh Gouzy, string bass: PAPA was recorded on November 25, 2018, at the San Diego Jazz Fest.

And finally, a real delight — Dorothy Bradford Vernon’s Thursday-night barn dance in Longmont, Colorado, featuring Carl Sonny Leyland, piano and vocals; Marty Eggers, string bass; and Jeff Hamilton, drums.  Information here — wonderful music, irreplaceable atmosphere, reasonable ticket price.  That’s July 25, 7:30-10:00 PM.

I will miss it this year (travel conflicts) but here’s how YOU TOOK ADVANTAGE OF ME rocked the barn last year:

I hope to see many of JAZZ LIVES’ readers and friends in Evergreen.

May your happiness increase!

WHEN TECHNOLOGY IS METAPHOR AND OTHER GROOVY MATTERS: CARL SONNY LEYLAND’S HOUSE PARTY, with ANDY REISS, MARC CAPARONE, STEVE PIKAL, DANNY COOTS (Stomptime, April 29, 2019)

When Big Joe Turner recorded TV MAMA in October 1953, television sets were smaller than they are now and although middle-class families had them, they were hardly as ubiquitous as they became later.  So Joe’s stated wish for an amply proportioned companion was much more plausible than it is now, when it is possible to buy a flat-screen television that is more than six feet across.  The television set below is from 1947, I understand.

But I digress.  You haven’t wandered into a graduate seminar on modernism or popular culture.  Unless I am mistaken, you are here for the music, which is what I can and will provide, as well as prose.

I am still on the inaugural STOMPTIME cruise, as happy as a mortal can be without anything illicit being provided — all thanks to Brian and Amy Holland and a double handful of my friends and heroes, musicians who are dear friends both new and old.

Some of them took the stage on April 29 for the final set of the evening, Carl Sonny Leyland’s House Party.  Carl is a house party in himself — piano, vocals, a totally entertaining line of jive that is also wise and deep — and here he was joined by Danny Coots, drums; Steve Pikal, string bass; Andy Reiss, guitar; Marc Caparone, cornet.  And Carl led us all into Big Joe’s desire for a companion who would be larger-than-life, but not too large to love.

How they rock!

Join us for the next SYOMPTIME improvisation in delight — their seven-day Alaska cruise (June 12-19, 2020): I’ll have more details when I’m on land.  Until then, savor the joy that this House Party provides.

May your happiness increase!

SUE’S CRUISE: A MUSICAL SOUVENIR from the first STOMPTIME CRUISE (Brian Holland, Danny Coots, Marc Caparone, Evan Arntzen, Steve Pikal, April 27, 2019)

 

Now that I’ve gotten your attention.  That’s what I’ve been eating (with some digressions) on my first cruise — also the inaugural STOMPTIME cruise — on the Celebrity Equinox.  Tasty, fresh, lively.  The same can be said about what I’m hearing: music from a wonderful assortment of bands and soloists, including Frederick Hodges, Stephanie Trick, Paolo Alderighi, Pat Bergeson, Andy Reiss, Annie Sellick, Jeff Barnhart,Dick Maley, Carl Sonny Leyland, Nate Ketner, Sam Rocha, Clint Baker . . .  !

Here is a video souvenir from the first night of the cruise, music by the Holland-Coots Jazz Quintet (Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Evan Arntzen, reeds, Steve Pikal, string bass). Recorded at sea aboard the Celebrity Equinox on April 27, 2019.  And all I will say is “Ev’ry star above / knows the swing I love”:

Did you dig?

You should know that there is a second STOMPTIME cruise, seven days to Alaska, in mid-June 2020.  (I think it’s June 12-19, but you should check.) If the creeks don’t rise, I’ll be there.

May your happiness increase!

GROOVIN’: THE HOLLAND-COOTS JAZZ QUINTET at MONTEREY: BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, JACOB ZIMMERMAN, STEVE PIKAL (March 1, 2019)

Milt Gabler and Harry Lim would have loved this band.  But to move from the conditional to the present, we love them now.  Here are two rocking performances (and two on-the-spot comic interludes) by the Holland-Coots Jazz Quintet, created for your swing pleasure at the Jazz Bash by the Bay, March 1, 2019, in Monterey, California.  The gentlemen of the ensemble are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Jacob Zimmerman, clarinet and alto saxophone; Steve Pikal, string bass.

Steve and Danny, waiting for the unusually capable soundman to do what needs to be done.  Carnitas, cliantro, and black beans, please:

Then to more serious bidniss: MOPPIN’ AND BOPPIN’ — from the 1943 film STORMY WEATHER — performed by the Quintet in the style of a Hot Lips Page small group:

Brian considers the situation and tells us how he feels, commentary from Danny:

And another massive Forties groove, the love-child of Stephen Foster and Albert Ammons:

What followed (I’ve already posted this one on its own, but for those who might have missed it, here is the lovely Fats ballad, now in context):

I promise to have more music by this band in different locations — joys to come.

May your happiness increase!

“CAN WE PLAY A BALLAD NOW?”: HOLLAND-COOTS PLAYS FATS WALLER at MONTEREY (BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, March 1, 2019)

LONESOME ME is one of Fats Waller’s most lovely — and least-played — songs.  Marty Grosz has made several versions, but here’s a particularly splendid performance by the Holland-Coots Jazz Quintet (Danny Coots, drums; Brian Holland, piano; Steve Pikal, string bass; Marc Caparone, cornet; Jacob Zimmerman, clarinet and alto saxophone) at the 2019 Jazz Bash by the Bay in Monterey, California.  And catch the beautiful duet between Steve and Jacob once the melody’s been stated.

I didn’t feel lonesome this morning, but had I, this lyrical outpouring would have made me feel better about being in a world where such beauty was not only possible, but accessible.

One way to access it, is, of course, the CD referred to above:

And you can see the HCJQ in person, with “your very own two looking eyes.”  I’ll have the privilege on the Stomptime cruise at the end of April, and at the Evergreen Jazz Festival in July . . . but you should join me.  Video-life can only take you so far.

May your happiness increase!