My pose wasn’t illicit, erotic, illegal, canine, or a return to some pre-evolutionary state. And it was indoors, should you wonder. I was down on the floor inside the Berkeley, California branch of Amoeba Music looking through their jazz long-playing records.
Even though I don’t suffer from a paucity of music to listen to, a highlight of our trips west has been my visits to the Down Home Music Store in El Cerrito (where a week ago I walked away with three records: a compendium of the Barney Bigard-Joe Thomas-Art Tatum sides recorded for Black and White 1944-45; the Xanadu session of Roy Eldridge at Jerry Newman’s, 1940; the French CBS volume of Louis with Lillie Delk Christian and Chippie Hill). Nineteen dollars.
Not bad, you might say, but it was just a warmup for today’s treasure hunt.
The records listed below ranged from one dollar to five, so the total was slightly over thirty-eight dollars. Some of them I once had; some I knew of and coveted; others were total surprises. Most of them I found while standing, but the dollar ones required that I become a small human coffee table. I was in my element, and no one stepped on me. (Thirty years ago, New York City had stores like this, but — except for one gem on Bleecker Street — they seem to have vanished.)
In random order:
MAX KAMINSKY: AMBASSADOR OF JAZZ (Westminster, 2.99), which has no listed personnel, but sounds like an octet — I hear Bill Stegmeyer, Cutty Cutshall, and Dick Cary — and has a wide range of material, beginning with HENDERSON STOMP and THE PREACHER.
TURK MURPHY: NEW ORLEANS SHUFFLE (Columbia, 1.99), which features my friend Birchall Smith and my hero Don Ewell as well as Bob Helm.
an anthology on the Jazum label (3.99), which features two extraordinary West Coast jams — circa 1945 — which bring together Vic Dickenson, Sidney Catlett, Willie Smith, Les Paul, Eddie Heywood, and possibly Oscar Pettiford. A present for a jazz friend.
KNOCKY PARKER: OLD RAGS (Audiophile, 2.99) which I bought in honor of one of my New York friends who had Professor Parker in college but has never heard him play the piano.
Three volumes in the French RCA series of 1973-74 recordings produced by Albert McCarthy (in Hank O’Neal’s studio) — under the SWING TODAY banner, with recordings by Vic Dickenson, Herman Autrey, Buddy Tate, Earle Warren, Zoot Sims, Jane Harvey, Bucky Pizzarelli, Budd Johnson, Red Richards, Taft Jordan, Bill Dillard, Eddie Barefield, Eddie Durham, Jackie Williams, Major Holley, Eddie Locke, Doc Cheatham, John Bunch, Tommy Potter, Chuck Folds.
BUDDY TATE AND HIS CELEBRITY CLUB ORCHESTRA VOL. 2 (Black and Blue, 2. 99), 1968 recordings featuring Dicky Wells, Dud Bascomb, and Johnny Williams.
THE LEGENDARY EVA TAYLOR WITH MAGGIE’S BLUE FIVE (Kenneth, 1.99), a recording I have been wanting for years — with Bent Persson and Tomas Ornberg.
SWEET AND HOT (Ambiance, 1.99), a half-speed disc — it plays at 45 — recorded in 1977 and featuring Vince Cattolica and Ernie Figueroa in an octet.
THE GOLDEN STATE JAZZ BAND: ALIVE AND AT BAY (Stomp Off, 1.99) late-Seventies sessions featuring Ev Farey, Bob Mielke, Bill Napier, Carl Lunsford, Mike Duffy, and Hal Smith.
RALPH SUTTON: BACKROOM PIANO (Verve, 1.00): well-played but any Sutton collection that begins with CHRISTOPHER COLUMBUS is something to have. I remember Ed Beach played tracks from this record on his Sutton shows.
LIVE AND IN CHOLER: THE WORLD FAMOUS DESOLATION JAZZ ENSEMBLE AND MESS KIT REPAIR BATTALION, VOL. 2 (Clambake, 1.00): I nearly passed this one by because of the “humorous” title . . . but when I saw it has Dave Caparone on trombone, I was not about to be deterred by some goofy liner notes.
BREAD, BUTTER & JAM IN HI-FI (RCA, 1.00), a compilation of tracks that didn’t fit on the original issues — but what tracks! Lee Wiley, Henry “Red” Allen, Bud Freeman, Ruby Braff, Jack Teagarden, Billy Butterfield, Pee Wee Russell, Coleman Hawkins, 1956-58.
Worth getting into such an undignified position, I’d say. Now I will indulge myself by listening to Miss Eva with Bent and Tomas!
May your happiness increase.