Tag Archives: Dave Koonse

TOO MUCH OF A GOOD THING (WILL BE WONDERFUL): SWEET AND HOT, Sept. 2011

The sentiments, slightly modified, come from Mae West (by way of Oscar Wilde, two people who knew the delights of overabundance.  But this post is about jazz, not sex, even though the words SWEET and HOT are in the title.

I have just seen the schedule for the September 2011 Sweet and Hot music extravaganza — to be held at the Los Angeles Airport Marriott over Labor Day weekend.  You, too, can see it here:

http://www.sweethot.org/schedule/2011/SH_Schedule_2011.pdf

These five pages are wonderful.  I see my heroes and heroines and friends — those I’ve met and those I’ve only heard — in profusion.  There’s Chris Dawson, Connie Jones, Rebecca Kilgore, Eddie Erickson, Katie Cavera, Dawn Lambeth, Marc Caparone, Ralf and John Reynolds, Mark Shane, Dan Levinson, Molly Ryan, Hal Smith, Clint Baker, Tim Laughlin, Randy Reinhart, Dan Barrett, John Sheridan, Joel Forbes, Chloe Feoranzo, Corey Gemme, John Allred, Howard Alden, Bob Draga, Sue Kroninger, Richard Simon, Johnny Varro, Dan Levinson, Carl Sonny Leyland, Marty Eggers, Allan Vache, Ed Polcer, Jim Galloway, Banu Gibson, Dave Koonse, Russ Phillips, Herb Jeffries, Jennifer Leitham, Janet Klein and her Parlor Boys . . . . and I know I’m leaving out a dozen more.

This amplitude, this cornucopia isn’t in itself a problem.  Better to have your plate heaped high with deliciousness than have one elderly green bean to gnaw on.  The problem — if you see it as such — is in the choosing.

When scientists experimented on the subject of choice, they found that children asked to decide between three breakfast cereals did fine; children asked to choose among twelve burst into tears.

I’m in slightly better shape, especially because I never eat cold cereal.  But I wish JAZZ LIVES readers would come up with a solution to my jazz dilemma.  There’s only one of me, and when in one room the Rebecca Kilgore Quartet is swinging away, in another the Reynolds Brothers are romping, in a third it’s Jones-Clint Baker-Laughlin-Dawson-Hal Smith, in a fourth Levinson, Ryan, and Shane . . . what’s a fellow to do?

The Beloved, bless her heart, offered to take another video camera to another set . . . and I thank her for it . . . but perhaps my readers have some suggestions.

I know!  Come to Sweet and Hot and help me solve the dilemma of abundance.  By the time Labor Day weekend is over, we’ll have worked something out.  Right?

THE SWEET AND HOT CORNUCOPIA (September 2-5, 2011)

How about spending Labor Day weekend 2011 with these musicians:

Howard Alden, John Allred, Dan Barrett, Chris Calabrese, Marc Caparone, Katie Cavera, Chris Dawson, Bob Draga, Eddie Erickson, Yve Evans, Chloe Feoranzo, Joel Forbes, Jim Galloway, Banu Gibson, Connie Jones,  Rebecca Kilgore, Janet Klein and her Parlor Boys, Dave Koonse, Sue Kroninger, Tim Laughlin, Dan Levinson, Carl Sonny Leyland, Russ Phillips, Randy Reinhart, John Reynolds, Ralf Reynolds, Molly Ryan, Mark Shane, Ed Shaughnessy, John Sheridan, Richard Simon, Hal Smith, Putter Smith, Allan Vache, Johnny Varro, Westy Westenhofer . . . and others to be announced?

It can be done!  (The Beloved and I have made our plans.)

The players and singers above will be appearing at the Sweet and Hot Music Festival, September 3-5, 2011, at the Los Angeles Airport Marriott Hotel.  For information about the hotel: http://www.sweethot.org/hotel.html

I am a self-confessed jazz snob, with a happily narow range (although I tell people my immersion is deep).  But many people want much more variety.  They will find it easily at Sweet and Hot, which has a broad range.

There will be The Mills Brothers – not the foursome we knew from 1936, but a group led by John Mills (son, grandson, and nephew of the original Brothers) their descendents, performing their classic hits.

Singers Ernestine Anderson and Barbara Morrison will perform, and perhaps the patriarch of 1940-1 Ellingtonia, Herb Jeffries, will be there.

A Classic Classical piano set will feature Warner Bros recording artist Yolanda Klappert, joined in a four hand-one piano extravaganza by thirteen-year old Lucas Crosby.

Those who can’t get enough of Gypsy swing will revel in the playing of the Argentinian Gonzalo Bergara Quartet.

The Cunninghams will appear for the first time, playing and singing the Great American Songbook — straight from Vegas.  Alicia and Don duet, and he plays the sax and vibes.

The irrepressible Banu Gibson will bring her band as well as an eighteen-year old trumpet player who is that is the city of New Orleans’ Junior Satchmo Ambassador.

Speaking of the future of jazz, there will be the Jazz America of 2011: a group from 11 to 18.

Cajun music from Gator Beat, four dance bands, and many special sets to be announced . . . from boogie woogie to Broadway, Oscar-winning performers and writers including Sean Callery and John Altman, as well as the Hues Corporation of Rock the Boat fame.

All of this sounds expensive, right?  I wouldn’t presume to tell JAZZ LIVES readers how to spend their savings, but I will quietly point out that someone can buy an all-events badge — covering all the music for four days straight — for $100.  Individual day badges are priced accordingly, with discounts for youth:

http://www.sweethot.org/tickets.html

Something for everyone!

FAST COMPANY at THE EAR INN (June 26, 2011)

The music played at The Ear Inn (326 Spring Street, Soho, New York City) this last Sunday night — June 26, 2011 — was inspiring.  And you won’t have to take my word for it.

The EarRegulars that night were a slightly different crew, although three of the four players were SemiRegulars: guitarist Chris Flory, tenor saxophonist Harry Allen, and trumpeter Charlie Caranicas.

The fourth player was new to me — bassist Corin Stiggall — but I can only reproach myself for not knowing his work before this: he is a find, indeed.  All I will say about Corin (you will hear the truth for yourself) is that he reminds me greatly of Oscar Pettiford — strong, steady, inventive, with his own deep sound, and he doesn’t think of his instrument as an overfed guitar.

Here’s the quartet on a truly exuberant reading of Billy Strayhorn’s early don’t-let-the-door-hit-you-on-the-way-out, I’M CHECKING OUT, GOOM-BYE (the brisk tempo courtesy of Mr. Allen):

A little good blues?  Here’s JUMPIN’ WITH SYMPHONY SID, celebrating the days when Lester played and Sidney Torin spoke on your AM radio:

For Rodgers and Hart, an enthusiastic, twining THIS CAN’T BE LOVE:

In the middle of the evening, the marvelous community of friends old and new — so often encountered these Sunday nights at The Ear — began to come together.  Earlier, trumpeter, dancer, and scientist Lucy Weinman came up to me and introduced her West Coast buddy, reed expert Chloe Feoranzo.  (Chloe has made two CDs already — the second in the company of serious players: Dan Barrett, Hal Smith, Chris Dawson, Bryan Shaw, Dave Koonse, Richard Simon*.  She’s no tyro, tentative and unsure.)

Chloe had brought her clarinet and was welcomed to the Ear Inn “bandstand” for PENNIES FROM HEAVEN.  Her bell-bright sound is a treat, as is her reluctance to go familiar ways.  Many clarinet players are tempted towards glibness — “I can play a fast run here, so why not?” — but Chloe seems to be thinking about what phrases she might create (without hesitating), her sound reminding me of Tony Scott, of early Jimmy Hamilton — with Teddy Wilson in 1941 — and now and again Lester on clarinet:

Friends came by — a whole reed section began to assemble.  Dan Block unpacked his alto saxophone.  Pete Anderson and Andy Farber brought their tenors.  And I felt as if I had been happily dropped into the middle of this: as you will see on the videos, Harry stood in front of me, as did Chloe; Dan was seated to my right on a barstool, Andy on the next one away, Pete diagonally across from me.  Reed rapture!

And although I am usually much more interested in the sound of my videos than the visual aspects, I was very happy to be able to capture Harry’s happiness, his eyes half-closed, while he listened to Chloe play.

How about that romping affirmation of joy, I WANT TO BE HAPPY:

A sweet IF I HAD YOU:

For the closer, HONEYSUCKLE ROSE with the Soho version of the Henderson / Hopkins riffs:

Incidentally, speaking of community, there were old friends and new at The Ear — among them man of music Doug, the inspiring singer Jewel, and Claiborne (the last a genuine movie star — catch her in PAGE ONE).

You’ve never been to The Ear Inn on a Sunday night, never heard the EarRegulars, never met Victor Villar-Hauser (a gentleman, a scholar, and a serious actor)?  Alas.

*Chloe’s second CD looks like this: I predict there will be many more!

LABOR DAY WEEKEND WILL BE SWEET AND HOT! (September 2-5, 2011)

To set the mood: Fletcher Henderson, 1931, vocal by Jimmy Harrison, SWEET AND HOT:

I could become oratorical — a preacher leaning over his congregation, looking over his glasses, solemnly dropping his voice for emphasis, asking, “Where will YOU spend Labor Day weekend 2011?  Where will YOU be September 2-3-4-5, 2011?”

But the Beloved and I already know the answer!

We’ll be at the Sweet and Hot Jazz Festival in Los Angeles, California.

Why?

Oh, I don’t know.  I don’t understand it myself.  There are some musicians and singers, for sure.  But only a few.  And no one you’d really know.

Here are some of the amateurs and nonentities who will be there.

Howard Alden, John Altman, Dan Barrett, Gil Bernal, Ian Bernard, Sean Callery, Chris Dawson, Frank DeVito,  Bob Draga,  Eddie Erickson, Yve Evans, Joel Forbes,  Jim Galloway,  Corey Gemme,  Banu Gibson, Jeff Gilbert, Rebecca Kilgore, Janet Klein, Dave Koonse, Sue Kroninger, Jennifer Leitham, Dan Levinson, Carl Sonny Leyland, Sherrie Maricle, Barbara Morrison, Roger Neumann, Russ Phillips, Randy Reinhart, the Reynolds Brothers, Molly Ryan, Mark Shane, Ed Shaughnessy, Jack Sheldon, John Sheridan, Richard Simon, Hal Smith, Putter Smith, Jonathan Stout, Allan Vache, Johnny Varro, Ed Vodicka, Pat Yankee, Barry Zweig.

And I’ve left out a whole raft of bands, players, singers, vocal groups, attractions, late-night jam sessions . . . too much to cover in one weekend for anyone.  I’ve already begun thinking of buying extra batteries for the camera and perhaps more comfortable shoes . . . ?

Los Angeles Airport Marriott Hotel, 5855 W. Century Blvd, Los Angeles, California 90045.  Call 310-641-5700 for reservations, and be sure to ask for the Sweet & Hot Rate: $120.00 per room/ per night + tax.  For Pool Room Packages (not a remake of THE HUSTLER, but rooms overlooking the pool) call Wanda– 505-795-7299 or via email mswanda@newmexico.com.

Information and ticket sales by phone: call Laurie 909-983-0106 or tickets @sweethot.org.

For a volunteer information and application, contact Bobbye: 818-887-0120 or bobbye70@yahoo.com.

I will have more to say about this in postings to come, but I am very excited by this opportunity and wanted my readers to know right this minute. . . . !