Tag Archives: Davide Brillante

“SEMPLICEMENTE PERFETTO!”: MATTEO RAGGI, PAOLO ALDERIGHI, DAVIDE BRILLANTE

We live in a clangorous world.  You don’t have to live across the street from a dance studio specializing in zumba (as I do) to know this.

The collective tempo we have created for ourselves is very quick, the volume level is high, the intensity is fierce.  Often all I want to hear is the sound of people singing through their instruments, leaving those rapid-fire flurries of notes for another time.  I don’t mean “smooth jazz”; rather, Ben Webster or Teddy Wilson playing a ballad; the Basie rhythm section; a Herb Ellis blues.

This is not a grumpy complaint about these dratted Modern Times, for many living musicians understand and exemplify this principle in their art, in the face of the tyrannical sixty-fourth note.

Matteo

A new CD — two sets of duets by three masterful musicians, recorded in 2013 — is one answer to this hectic world, evidence that swinging beauty is still within reach. It is simply perfect — hence my title.

Here’s a sample, Cole Porter’s I LOVE YOU, SAMANTHA (think of Bing, Grace Kelly, and Louis):

and the leisurely swinging EV’RYTHING I’VE GOT BELONGS TO YOU:

Sounds beautiful.

The tenor saxophonist is MATTEO RAGGI; the pianist is PAOLO ALDERIGHI; the guitarist DAVIDE BRILLANTE.  (I’ve had the immense good fortune to meet and record Paolo and Davide — Mario and I remain separated by several thousand miles, but this CD is as good as having him come to visit.)  You can hear more of Matteo on YouTube — he’s on there alongside Scott Hamilton, which is a high peak to be standing on — as well as Davide and Paolo, but this disc is special.

Each of the three is a lyrical player, a melodist at heart.  As you’ve heard, each one is skilled in constructing logical solos on his own, and masterful in the delicate art of duet playing — more subtle than verbal conversational dances but built on the same principles of individuality giving way to harmonically sensitive teamwork.  The music is the very opposite of soporific, because something is always happening rhythmically, even on the slowest ballad, but it will not make you feel as if you have stepped into the supercharged urban world.

Lester Young would have loved these sessions, and no one here is copying him, but the spirit is much the same.  (On that note: those readers who listen and want to play what Barbara Lea called “the game of Sounding Like” can get ready with their names.  Matteo sounds just like A, or perhaps B; Paolo like C or D; Davide like E or F — definitely!  But why not listen to these players on their own, rather than painting them as small living figures in the shadows of dead giants?)

Half of the ten selections are duets with Paolo (CHINATOWN; GHOST OF A CHANCE; I LOVE YOU, SAMANTHA; I’M PUTTING ALL MY EGGS IN ONE  BASKET; ON THE ALAMO); half with Davide (THE RED DOOR; COME RAIN OR COME SHINE; JITTERBUG WALTZ; POW-WOW; EV’RYTHING I’VE GOT BELONGS TO YOU).

Beautiful recorded sound (much better than on the YouTube videos) and casually erudite notes.  Now all that’s left to do is for you to find out more about Matteo and to buy the CD.  Try here!

Fratelli, grazie — for the fine sweet floating music.

May your happiness increase!

DAVIDE BRILLANTE: FROM BOLOGNA TO NEW YORK, BRINGING SWEET SOUNDS

One of the loveliest aspects of our odd cyber-life is the experience of meeting someone face-to-face — a person known up to that point only as words or sounds on a screen — and finding that the person is even more rewarding than the original simulacrum.  In brief, “Isn’t it great when your Facebook friends are even more friendly in person?”

Guitarist Davide Brillante, from Bologna, is a shining example.  He and his wife Monica — whom I met in Brooklyn a few weeks ago — are sweet, generous people.  And although I had known Davide’s subtle guitar playing from YouTube videos, it wasn’t until I asked him to sit down and play some solos for me (for us, for JAZZ LIVES) that I saw how his gentle, inquiring soul comes right through the strings and notes.

Here are three touching performances.  And a word before the viewer jumps in.  Many of us are accustomed to fingerboard-burning guitar virtuosi who skitter all over like supercharged alien life forms.  Their playing is both astonishing and exhausting.

Davide Brillante, although he can play with splendid speed and crisp articulation, is seriously in love with melody and its possibilities.  So he will — on purpose — begin his performance as if he’s shyly meeting the song for the first time (introducing himself to the timid young woman across the dance floor at the sophomore prom) and gaining confidence in his ardent explorations.  His approach makes wonderful musical sense, and when I was through listening to these three performances, I thought, “Davide is a true romantic!” I think you’ll agree.

AFTER YOU’VE GONE (at a lovely leisurely tempo with a ruminative verse):

LET’S FALL IN LOVE:

ALONE TOGETHER:

Thank you, Davide.  Come back to New York soon!  Bring Monica, of course!

May your happiness increase!

FREE AND JOYOUS: TAMAR KORN AND FRIENDS at THE LOST CHURCH (June 8, 2013): GORDON AU, DENNIS LICHTMAN, CRAIG VENTRESCO, DAVE RICKETTS, JARED ENGEL (Conclusion)

She has continued to blossom, to explore, to experiment in the most joyously rewarding ways.  She wants to embody each song, getting to the heart of its emotions, in words, notes, and gesture.  In the words of my friend Davide Brillante, she is “an illuminated person.”  And the musicians around her are clearly inspired by her perfectly pitched extravagances.

The Beloved and I were happily in the audience at a San Francisco venue we’d not encountered before — The Lost Church, 65 Capp Street — when Tamar and Friends took the stage on June 8, 2013.  (It’s a fascinating place for music and theatre and more.)

The Friends (they deserve the capital letter) were Gordon Au, trumpet; Dennis Lichtman, clarinet; Craig Ventresco, guitar; Jared Engel, string bass — with a guest appearance from guitarist Dave Ricketts of GAUCHO later in the evening.

Here are the final six performances of a glorious dozen, the mood ranging from deep indigo desolation to exultation:

Jimmie Rodgers’ BLUE YODEL No. 2:

AM I BLUE?:

I SURRENDER, DEAR:

THERE’LL BE SOME CHANGES MADE:

SUGAR BLUES:

CRAZY RHYTHM:

Deliciously memorable, playful music — performances both simple and deeply textured.

Thanks to Tamar and her / our Friends, to Brett Cline, Erma Kyriakos, Confetta and Anatol and Scott for their kindnesses and for increasing our joys.

May your happiness increase!

FREE AND JOYOUS: TAMAR KORN AND FRIENDS at THE LOST CHURCH (June 8, 2013): GORDON AU, DENNIS LICHTMAN, CRAIG VENTRESCO, JARED ENGEL (Part One)

Tamar Korn was a remarkable singer, musician, and presence when I first heard her some six years ago.

She has continued to blossom, to explore, to experiment in the most joyously rewarding ways.  She wants to embody each song, getting to the heart of its emotions, in words, notes, and gesture.  In the words of my friend Davide Brillante, she is “an illuminated person.”  And the musicians around her are clearly inspired by her perfectly pitched extravagances.

The Beloved and I were happily in the audience at a San Francisco venue we’d not encountered before — The Lost Church, 65 Capp Street — when Tamar and Friends took the stage on June 8, 2013.  (It’s a fascinating place for music and theatre and more.)

The Friends (they deserve the capital letter) were Gordon Au, trumpet; Dennis Lichtman, clarinet; Craig Ventresco, guitar; Jared Engel, string bass — with a guest appearance from guitarist Dave Ricketts of GAUCHO later in the evening.

Here are the first four performances of a glorious dozen:

THE WORLD IS WAITING FOR THE SUNRISE:

SHINE ON, HARVEST MOON:

LONESOME AND SORRY:

THE SONG IS ENDED:

Deliciously memorable, playful music — performances both simple and deeply textured.

Thanks to Tamar and her / our Friends, to Brett Cline, Erma Kyriakos, Confetta and Anatol and Scott for their kindnesses and for increasing our joys.

May your happiness increase!

SCOTT HAMILTON and his AMICI in BOLOGNA, ITALY (May 22, 2013): THE UNIVERSAL LANGUAGE OF SWING

The brilliantly lyrical tenor saxophone Master, Scott Hamilton, is joined here by brilliantly lyrical Italian friends only a few days ago (when it works towards such results, technology is perfection): Matteo Raggi, tenor saxophone; Davide Brillante, guitar; Luciano Milanese, string bass; Carlo Milanese, drums — for five selections.  A few of the videos are incomplete, but that’s due to technical limitations rather than musical ones, as you’ll see and hear:

BACK HOME IN INDIANA:

DREAM DANCING:

BLUE CAPER:

Recorded live at the Cantina Bentivoglio, in Bologna, Italy.  And we must thank the devout, intrepid nickingos of YouTube fame for the videos!

There is also a version of COCKTAILS FOR TWO and an absolutely gorgeous reading of I CAN’T GET STARTED — with Scott playing the verse a cappella — which you can find easily on the YouTube channel noted above.

With all due respect to the blessed Mister Hamilton, I wouldn’t mind hearing a CD or a live session by Signores Raggi, Brillante, Milanese, and Milanese.  Lyricism, swing, precision and abandon personified here.  These musicians dance on the head of a pin, balancing in the present between the Idealized Past and the Exciting Future.

May your happiness increase!

FOUR FRIENDS SWING FOR US

My guess is that you might not have heard of these four fellows.  But that isn’t a terrible thing: I post this to remind people that gratifying improvised music is being created all over the world — not just by stars in concert halls and clubs in big cities.  Here’s a truly swinging version of CHEROKEE created by four fellows in Bologna, Italy, in July 2012:

Davide Brillante, guitar; Stefano Sorace, drums; Matteo Raggi, tenor saxophone;  Rob Beneventi, string bass.

They know how to pulse, how to lay it down in the most relaxed manner, how to intertwine and how to stay out of each others’ way — gentle convincing swing mastery!

I wish I could travel all over the world and meet musicians like this . . . it happens for me, but not as often as I would like.  BUT . . . Davide Brilliante will be visiting New York City this summer — so I hope some of my musician-readers find him on his Facebook page  and say, “Come on and sit in when you visit!”

May your happiness increase.