Tag Archives: Dawn Lambeth

“A SENSE OF HOME, A SENSE OF PLACE”: MARC CAPARONE, DAWN LAMBETH, CONAL FOWKES at the SAN DIEGO JAZZ FEST (Nov. 24, 2017)

For most of us, home is a tangible place: the room you are in now, the place where you spent your childhood, or the woods across the street, a friend’s basement, the house you now have the mortgage on.

Cape Cod house, Levittown, New York, 1947

But the real definition is broader: home is the place where people you love and who love you gather, the place you feel warmed and protected and seen, where you hug and are hugged.  And home can be portable: the hotel room with the little Christmas tree.

The definitions shift depending on one’s needs at the moment, but one of my homes is, perhaps oddly, a place I visit for a long weekend once a year, the San Diego Jazz Fest, which I’ve described most recently here.

At this gathering, I know I will hear and witness the music that speaks most directly to my heart.  Here are two examples of that music — recorded at the 2017 Fest — featuring Marc Caparone, cornet; Dawn Lambeth, vocal; Conal Fowkes, piano.  It would be an impudence to describe it.  You must experience it for yourself.

HOME (When Shadows Fall) by Marc and Conal:

WAITING AT THE END OF THE ROAD by the trio:

This music — and the people connected to it — make me feel embraced by the world, a rare and memorable feeling, one I savor and invite you to savor as well.

And since I’ve buried the lede, the 2018 San Diego Jazz Fest starts this Wednesday, November 21, and goes to Sunday, November 25.  You can find out all you need to know in the link above.  And there’s a turkey dinner, should you find yourself terrified that you won’t have had your holiday fiesta.  But the feast is in the music.

May your happiness increase!

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PISMO JOYS (Part One): “LARRY, DAWN, and FRIENDS”: LARRY SCALA, DAWN LAMBETH, MARC CAPARONE, BILL BOSCH, DANNY COOTS (October 26, 2018, Jazz Jubilee by the Sea)

Only a few days ago, I had my first immersion in the pleasures of Pismo — not the sunsets or the salt-water taffy, but the musical joys of the Jazz Jubilee by the Sea, which combines congenial people and seriously uplifting music.

What finally got me to Pismo (aside from the immense kindness of Linda and John Shorb and other helpful folks) was the chance to hear and see some friends and heroes in new combinations: Larry Scala, guitar; Dawn Lambeth, vocals; Marc Caparone and Danny Tobias, cornet and trumpet; Dave Caparone, trombone; Carl Sonny Leyland, piano and vocal; Danny Coots and Jim Lawlor, drums; Steve Pikal and Bill Bosch, string bass; Katie Cavera, guitar and vocal; the Au Brothers; and — new to me in person — the Shake ‘Em Up Band and Jeff Beaumont’s Creole Syncopators.  She didn’t play an instrument, but I was also able to be dazzled by my Facebook friend Brettie Page.

But first on my list was “Larry, Dawn, and Friends,” a group that delighted me throughout the weekend.  Readers will know how much I admire Dawn Lambeth, Marc Caparone, and Danny Coots, but it was a pleasure to see Larry — with his nice mixture of the blues, Basie, and Charlie Christian — lead a small group.  His long-time friend Bill Bosch also impressed me because Bill is a purist who plays without amplification and has a lovely sound.

Here are three highlights from the first set I caught.  First, the rarely-played swing tune COQUETTE, yes, by Carmen Lombardo:

Dawn’s lovely version of the Gershwins’ THEY CAN’T TAKE THAT AWAY FROM ME:

And a lightly swinging THAT OLD FEELING that has a truly feeling coda:

More to come!  (I’ve already been invited back to Pismo for next year, and it took a long pause of several miliseconds for me to say “Yes!”)

May your happiness increase!

A NOTE FOR THE BURGLARS, 2018

Dear Gentlemen or Ladies Who Might Enter My Apartment, Uninvited, During My Absence,

Some thoughts to make your lives easier.

  1.  Please watch your step.  There are cardboard boxes of Louis buttons all through the living room.
  2.  If you accidentally knock over a pile of CDs or books, I would take it as a great kindness if you would — to the best of your ability, and time permitting — put it back as it was.  Nothing upsets a homeowner more than an ungracious burglar.
  3.  On that same note, please put the seat down when you are through.
  4.  Help yourself to whatever you like in the refrigerator, but (again, time permitting) please wash whatever plates and utensils you might use.
  5.  There is very little of monetary value in the apartment, so if you look in my sock drawer for stacks of currency or gold coins, I fear you will be disappointed.  There are quarters on the kitchen counter, for laundry and the parking meters.  Feel free.
  6.  I would very much appreciate if you would leave me the autographed jazz photos on the wall.  You don’t want the avenging ghost of Sidney Catlett to plague you, do you?
  7.  There is a Banner 78 of BELIEVE IT, BELOVED, by Henry Red Allen on one of the turntables.  Please, only take it if you have a turntable yourself and a proper stylus.  Otherwise it is not worth the effort of properly wrapping it in bubble paper for your getaway.

Why am I writing this?

I will indeed be away from my apartment from October 25 to 29, more or less, at the Jazz Jubilee by the Sea in Pismo, California.  Why?  To enjoy the festival, to meet new friends, and to hear and see my beloved friends make music.  (I’ll have a video camera or two as well, should you worry about such things.)

I know that I will be showing up to enjoy the work of Larry Scala, Dawn Lambeth, Marc Caparone, Dave Caparone, Carl Sonny Leyland, Steve Pikal, Danny Coots, the Au Brothers, Three Blue Guitars, the Creole Syncopators, Chloe Feoranzo, Bob Schulz, Katie Cavera, the Shake ‘Em Up Jazz Band, and more.  I might pay a call on a few others, although if people reading this post expect me to make a full longitudinal video survey of the festival, neither my legs nor my aesthetic inclinations allow for such breadth.  (At any point in the festival, five groups are playing simultaneously in five locations.  Choices must be made.)

You’ll have to get out of your chair and be there in person your ownself — a radical thought for those of us accustomed to having the world come to us through cyberspace and for free.

For more information, click Pismo Jazz Jubilee by the Sea.

And a postscript for the burglars, or at least the one portrayed above.  I admire the striped shirt, but once one attains a certain girth, perhaps a nice paisley?  Horizontal stripes, alas, are not slimming at all, even if they are traditional.

Here’s the Red Allen 78 (or at least the music) I’d like to keep:

Here’s the flip side (now a completely archaic phrase):

May your happiness increase!

“TWO BINGS, PLEASE!”

Given the collective memory loss, I am sure that few people under fifty automatically know who Bing Crosby is, which is a pity.  Their loss.  I fell in love with the sound of his voice when I was a child (I even came to appreciate the distorted renditions of WHITE CHRISTMAS played through loudspeakers throughout December) and my reverence for his work has only grown with time.  Add to that his delight in working with jazz players, his insouciant yet hilariously erudite film persona, and you have an Icon.  By the way, the second volume of Gary Giddins’ Bing tome is supposed to be published before the end of 2019: something to read while the days grow short.

Incidentally, the question of “Is X a jazz singer?” is not terribly interesting to me.  “Does it sound good? Does it move the listener?  Is it artfully done?” are the questions that do.

Here’s what he sounded like three days before his death: lovely, apparently casual, full of feeling:

and some forty years later, a recording that the fine singer Dawn Lambeth told me about, very loose, with the guitarist Perry Botkin the only accompaniment — a splendid song, taken in a light-hearted,  jovial way:

You may prefer other singers, but he remains inimitable.

May your happiness increase!

EXTRA! EXTRA! HOT TIMES IN PISMO (Jazz Jubilee by the Sea, October 25-18, 2018)

As I’ve written here, I am making my maiden voyage to the Pismo, California, JAZZ JUBILEE BY THE SEA next month — about five weeks from now.  While my suburban neighbors will be having illicit affairs with their leaf blowers and looking skeptically at their down parkas, I’ll be in Southern California, enjoying the sounds of (among others) Larry Scala, Bob Schulz, Carl Sonny Leyland, Chloe Feoranzo, Clint Baker, Creole Syncopators, Danny Coots, Danny Tobias, Dawn Lambeth, High Sierra, IVORY&GOLD, Jeff Barnhart, Marc Caparone,  Midiri Brothers, Mike Baird, Adrian Cunningham, the Au Brothers, The Shake ‘Em Up Jazz Band . . .  The list is subjective, and I am sure that someone’s favorite band in the cosmos has been omitted, but a complete listing follows below.

I invite you to join me, of course.  Details here (Facebook) and the much more comprehensive Pismo Jazz website.

But for people like me, and I would think many of my readers, going to a jazz festival is not just a matter of, “Oh, I’ll drop by this place.  Music is coming out of the windows and front door,” but a matter of strategy: “If we go to see the Land Rovers at 3, we’ll be in a perfect place to see the Hot Tortoises at 4:15, and then the Adrian Rollini Memorial Orchestra at 7, but we’ll have to miss the Broken Sandals on Friday.  No worry, though, they are playing an 8 AM Saturday set,” and so on.

“Hey, Mister! Hey, Lady! Get the Full Band Schedule here! The Pismo News!”

Such cogitation — worthy of a great eighteenth-century European general planning his campaign — is only possible when one has a Band Schedule, which I can offer you now, courtesy of the very kind people who run things.  Hence:

There’s a version of this schedule on the Jubilee website here, which may be easier to read and annotate.  I am sure that the schedule will also be given out to attendees when they buy tickets / pick up badges onsite.

Veterans of the Jubilee have pointed out to me that the performance venues are somewhat spread-out.  I am moderately ambulatory (that might be a euphemism) but my days of sprinting from one place to another are over.  So I report with pleasure the news from Jubilee HQ:

If you get stranded at a venue, we do have buses.  We are trying something new. Every venue will have a bus.  That bus will be available at the end of the set.  They will take you where you want to go, venues first.  If that bus is full, another bus will be along and dropping people off.

Very reassuring!

And in the spirit of “breaking news,” here’s a bouncy love song from 1934 by Chick Bullock and his Levee Loungers.  Alas, Sterling Bose (or Stirling?), Perry Botkin, Joe Venuti, and Jack Teagarden won’t be at the Jubilee — they have other commitments — but I know you and I will be in for a weekend of singular sights and music:

May your happiness increase!

MORE FROM A GENEROUS TRIO: DAWN LAMBETH, MARC CAPARONE, CONAL FOWKES (San Diego Jazz Fest, Nov. 24, 2017)

Dawn Lambeth

She’s lyrical; she swings; she has deep feeling and a light heart.

Conal Fowkes

He’s versatile, a wonderful mix of elegance and roistering.

Marc Caparone and Ricky Riccardi, considering important matters Louis

Marc’s a hero of mine: listen and be moved.

WHEN YOU AND I WERE YOUNG, MAGGIE scored for horn and continuo:

Mister Waller tips over due to love, thus I’VE GOT A FEELING I’M FALLING:

Rube Bloom and Harry Ruby’s wonderful GIVE ME THE SIMPLE LIFE:

An emotionally intense yet swinging SAY IT ISN’T SO:

PORTO RICO, a wonderful dance number first recorded by Bunk Johnson, Sandy Williams, Sidney Bechet, Cliff Jackson, Pops Foster, and Manzie Johnson on March 10, 1945.  But I wish audience members wouldn’t enter into dialogues with the musicians, even when they are correct:

Dawn will be appearing with swing / blues guitar master Larry Scala at the Jazz Jubilee by the Sea in Pismo, California (October 25-28); Marc will be there as well with High Sierra, the Creole Syncopaters, and who knows where Dawn, he, and Larry will turn up?

Conal, Dawn, and Marc will again appear as the Dawn Lambeth Trio at the San Diego Jazz Fest, which takes place over Thanksgiving weekend in that welcoming city, and Conal will be an integral part of the Yerba Buena Stompers there as well.

May your happiness increase!

“WON’T YOU COME ALONG WITH ME?”: PISMO JAZZ JUBILEE BY THE SEA (October 25-28, 2018)

I’m going to my first Jazz Jubilee by the Sea (although I have visited Pismo, California, once before) for hot jazz, floating swing, gritty blues, tender ballads, and good times among friends this October.

I can now spend the time between late August and late October figuring how I will see my favorite bands.  There are twenty-plus bands and guest stars, a cornucopia of jazz and other musics.  Here are some of the august participants, listed as they appear on the flyer:

Professor Cunningham and His Old School • Larry Scala, Dawn Lambeth, and Friends • The Shake ‘Em Up Jazz Band • Tom Rigney and Flambeau • Blue Street • Cornet Chop Suey • High Sierra • Midiri Brothers • Tom Hook and the Terriers • Dick Williams Jammers • We Three + One • Ivory&Gold® • Creole
Syncopators • Rag Bone Saints • Mariachi Autlence • High Street
Party Band • The Au Brothers • Sue Palmer and Her Motel
Swing Orchestra • Night Blooming Jazzmen • Ulysses
Jasz Band.
SPECIAL SETS WITH GUEST ARTISTS
Bob Draga • Carl Sonny Leyland • Larry Scala • Dawn Lambeth •
Jeff Barnhart • Danny Coots • Washboard Steve • Pat Yankee •
Bob Schulz • Paul Ingle • Danny Tobias • Chloe Feoranzo.

Now, if you’ve been reading JAZZ LIVES for any length of time, you can recognize the names of my friends and heroes above.  I will be there to celebrate them and hear new bands and new combinations, as is my habit and sometimes good fortune.

Here’s a promotional video from 2016 — an audio-visual tasting menu:

and one of my happy souvenirs of good times in Pismo — a 2014 concert by Clint Baker, Marc Caparone, Dawn Lambeth, Mike Baird, Carl Sonny Leyland, Bill Reinhart, Jeff Hamilton:

I hope to see you there for some good sounds.  Here is the Jubilee website, and here is their Facebook page.  It would be pleasing if you said “JAZZ LIVES sent me,” if, in fact, I did.  It’s too early to start charging camera batteries, but I assure you that my psychic ones are at full capacity.

May your happiness increase!