Tag Archives: Dennis Lichtman

THE WINDS IN THE WILLOWS: TAMAR KORN’S WILDWOOD RAMBLERS (June 17, 2018)

It’s October in New York, and the air is appropriately cooler.  I know that cold weather is coming on, and that isn’t a pleasant thought.  So I will present some wonderful warm music from late spring of this year, free-floating and joyous, performed amidst the trees by Tamar Korn and her Wildwood Ramblers, thanks to Brice Moss.  The Ramblers (as I hope you know by now) were Dennis Lichtman, Evan Arntzen, Sean Cronin, and Adam Brisbin.  Oh, the beauties they created and so generously gave to us.

Here and here are the performances I’ve posted earlier (I think there are sixteen).  This is Part Four or Part Five, depending on what kind of math is your usual procedure.

As to Tamar herself, I’ve been a devoted follower since 2009.  Once I took this portrait photograph in the darkness.  Someone, seeing it, said derisively to me (with the air of a middle-schooler mocking a romance) “You LOVE her!” and I said the only thing I could say, “Of course!”

Photograph by Michael Steinman

 

 

 

 

 

Here are three more reasons to love them all.

JAZZ ME BLUES (“Come on, Professor, and Jazz me!” — something no student has ever said to me, and that’s a good thing.):

DEEP NIGHT, with heartfelt harmonizing from Tamar and Evan:

YOU’RE DRIVING ME CRAZY, a riotous romp, suitable to end a glorious day of music.  Don’t miss Evan’s nose flute interlude!  And, as always, such a privilege to be there and to capture these sounds for you and perhaps for posterity:

May your happiness increase!

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“YOU HAVE YOUR HEALTH, SO THANK YOUR LUCKY STARS”: TAMAR KORN’S WILDWOOD RAMBLERS (June 17, 2018)

Tamar Korn is magic, and she makes magic happen.  But even those of us who are accustomed to her extra-terrestrial surprises can find themselves astonished.

It happened throughout the afternoon of June 17, 2018, where, thanks to Brice Moss and family, Tamar and her Wildwood Ramblers (Evan Arntzen, Dennis Lichtman, Sean Cronin, and Adam Brisbin) could romp and woo us with their sounds in the glade.  But one performance still brings stifled tears to my eyes.

Before we begin: the song is not A BEI GEZUNDT, recorded by Mildred Bailey and Cab Calloway, but an earlier composition by Abraham Ellstein, sung by Molly Picon in the 1938 film MAMELE.  And if you want to see Molly in domestic bliss — even though the challah burns — you can search YouTube for “Molly Picon” and “MAMELE.”

But I want to draw your attention, and hearts, to Tamar and her Ramblers.

This performance reminds me that when Fats Waller was asked by an interviewer late in his short career what he saw himself doing in future, he answered that he wanted to tour the country giving sermons in front of a big band.  Tamar does all this with her most empathic quartet — first, teaching them the song (what dear quick studies they are) and then offering us the lesson of hope and gratitude, something we need in these days and nights.

Because Tamar and friends are on this planet, I thank my lucky stars.  You are encouraged to join me in this emotion.

May your happiness increase!

IN JOY WE TRUST: TAMAR KORN’S WILDWOOD RAMBLERS (Part Three): JUNE 17, 2018

It’s Labor Day 2018, and instead of playing outdoors or being at someone’s barbecue, I’m inside at my computer — by choice, I add.  I have joy to spread.

This is the third in a series documenting a wonderful uplifting long afternoon out-of-doors, a Brice Moss Production featuring Tamar Korn, Evan Arntzen, Dennis Lichtman, Adam Brisbin, and Sean Cronin.  Parts one and two can be savored here.

Tonight, if you are caught in homeward-bound holiday traffic, this music will keep you from feeling trapped.  Just don’t stare at the screen, please?

Here are four more effusions of pure “It’s good to be alive.”  (There will be a Part Four as well.)

CREOLE LOVE CALL (scored for two clarinets, and one Songbird — flitting gracefully between Adelaide Hall and Louis’ slide whistle):

The ancient favorite — DARKTOWN STRUTTERS’ BALL — which my father taught me before I’d entered kindergarten.  Happily, there are no videos of my performances.  But here are the Wildwood Ramblers — and stay until the end for a very sweet surprise (although if I have to tell you that, something’s wrong):

Some very good advice (with choral effects) even if you don’t have a Sweetie to Squeeze, GET OUT AND GET UNDER THE MOON:

and another moon tune — DANCING IN THE MOONLIGHT:

The experience, then and now, makes me tremendously happy.  I feel that if anything will save us, it will be joy.  So drink deep (stay spiritually hydrated!) of what these blessed artists so generously offer.

May your happiness increase!

“BIRDS DO IT”: TAMAR KORN’S WILDWOOD RAMBLERS TAKE FLIGHT (Part Two): June 17, 2018

The stereotype of improvising musicians is that they come out at night; like bats, they avoid bright sunlight.  But this crew (Tamar Korn, Evan Arntzen, Dennis Lichtman, Adam Brisbin, Sean Cronin) seems so happy to be out in Nature, with no one calling to the bartender for another Stella.  The greenery and friendship is positively inspiring, and they offer us uplifting music.  You can savor the first part of this restorative afternoon here.  And here’s a second helping of brilliant joyous invention.  Thrilling to be there.

MILENBERG JOYS:

MUSKRAT RAMBLE:

I’VE GOT A FEELING I’M FALLING, vocal harmonies by Sean and Tamar:

LET’S DO IT (yes, let’s!):

I LOST MY GAL FROM MEMPHIS (with a Spanish tinge):

IT WAS ONLY A SUN SHOWER:

ONE LITTLE KISS, verse and chorus by host Brice Moss (a song I associate with Cliff Edwards and the Eton Boys):

Enjoying these videos again, I am reminded of 2009, when I brought Leroy “Sam” Parkins down to Banjo Jim’s to hear Tamar and the Cangelosi Cards, and he said, “You know, she gets me right in the gizzard.  She, Caruso, and Louis,” and that was no stage joke.  I think he would say the same thing of not only Tamar, but this band.  And somewhere, Sam is happily sitting in with them.

There’s more to come, two more posts’ worth.  Yes.

May your happiness increase!

“UNDER THAT AWNING THEY CALL THE SKY”: TAMAR KORN’S WILDWOOD RAMBLERS (Part One): June 17, 2018

Photograph c/o JAZZ LIVES

This was a joyous afternoon, full of delicious lights and shadows not found elsewhere.  It was the gift of Hot Jazz benefactor Brice Moss, who — once a year — turns the backyard of his mother’s house into a lawn party for those who feel the music deeply.  It’s a privilege to be there, and to be allowed to bring my camera.  So, although you must provide your own drinks and snacks, Brice invites you to join in the joys through JAZZ LIVES — more than generous of him.

In 2017, The New Wonders had a fine time playing and singing there: you can attend that party here.

This June, it was a wondrous gathering — I’ve named the band TAMAR KORN’S WILDWOOD RAMBLERS, which is a nod to the lovely greenery and several of their song choices.  The Ramblers were Evan Arntzen, reeds, vocal; Dennis Lichtman, clarinet, mandolin, vocal; Sean Eugene Zbigniew Cronin, string bass, vocal; Adam Brisbin, guitar, vocal.  They made the most glorious pastoral noises.  Here are several beauties from early in the afternoon, starting with a song that has the hilarious force of Chaplin’s MODERN TIMES for me:

and Irving Berlin’s homeopathic prescription for bliss, SUNSHINE:

James P. Johnson’s celebration of traditions, OLD-FASHIONED LOVE:

An instrumental romp on BLUES MY NAUGHTY SWEETIE GIVES TO ME:

and another Berlin gem, LAZY (rhyming “valise-full” / “peaceful” — don’t underestimate Mr. Berlin’s comic audacities):

There are more joys to come.

May your happiness increase!

DENNIS LICHTMAN and THE QUEENSBORO SIX: “JUST CROSS THE RIVER”

Slightly less than three years ago, the superbly gifted multi-instrumentalist / composer Dennis Lichtman assembled his Queensboro Six and gave a concert at the Louis Armstrong House Museum in Corona, Queens.  Here is the first half, and here is the second.  The music was multi-colored and seriously rewarding: Dennis’ tribute to the true jazz borough, Queens County, New York, home of so many jazz figures — from Clarence Williams and Basie to Louis and Dizzy, Milt Hinton and James P. Johnson — and currently home to so many more of the musicians we love.  Dennis assembled his Queensboro Six for a truly delightful new CD, its title above, its theme song below:

This disc is a model of how to do it — musicians and composers take note.  For one thing, the band has an immense rhythmic and melodic energy, but the pieces are compact — sometimes explosions of twenty-first century Hot, sometimes evocative mood pieces, but none of them sounding just like the preceding track.  Dennis is a real composer, so that even an exploration of Rhythm changes sounds lively and fresh.  His arrangements also make for refreshing variety, so that one doesn’t hear him as the featured soloist to the exclusion of the other luminaries, and the performances are multi-textured, harking back to the later Buck Clayton, to Charlie Shavers’ work for the John Kirby Sextet, Raymond Scott, to sensitive elegies and musings that hint at the work of Sidney Bechet and Django Reinhardt.  You’ll also notice compositions by and associated with those Queens denizens Louis, Fats, Clarence Williams.  As that borough boasts some of the finest ethnic restaurants, this disc offers one savory musical dish after another.   As they used to say, “For listening and dancing”!  Peter Karl is responsible for the lovely recorded sound and Ricky Riccardi for the fine liner notes.

Here are some details.  The musicians are Dennis, clarinet; Dalton Ridenhour, piano; Gordon Au, trumpet; J. Walter Hawkes, trombone; Rob Garcia, drums; Nathan Peck, string bass — with guest appearances by Jerron “Blind Boy” Paxton, vocal , guitar; Mazz Swift, violin, vocal; Terry Wilson, vocal; Nick Russo, guitar.  If you know even a few of those performers, you will want this disc, because they seem especially inspired by Dennis’ compositions, arrangements, and playing.  And no one imitates any of the Ancestors.

The songs are 7 EXPRESS / FOR BIX / MIDNIGHT AT THE PIERS / ROAD STREET COURT PLACE AVENUE DRIVE / SOMEDAY YOU’LL BE SORRY / WALTZ FOR CAMILA / L.I.C. STRUT / JUST CROSS THE RIVER FROM QUEENS / BLUE TURNING GREY OVER YOU / 23rd BETWEEN 23rd AND 23rd / SQUEEZE ME / THE POWER OF NOT THEN / I’D REMEMBER HAVING MET YOU / CAKE WALKING BABIES FROM HOME.

You may order a download or a disc here at very reasonable prices.

But perhaps more important than the disc itself, on August 1, the Queensboro Six will play two sets at Dizzy’s Club Coca Cola.  Tickets and details here.  Get yours today:

May your happiness increase!

WESTWARD HOT! EVERGREEN JAZZ FESTIVAL (July 27-29) and a BARN DANCE PARTY with the CARL SONNY LEYLAND TRIO (July 26)

I am a failure as a well-trained tourist, because I shun guidebook attractions such as churches and museums in favor of second-hand stores, outdoor markets, and restaurants.  But I am not yet at the stage where I want to stay at home all the time.  What makes me happy is going to a place (ideally, a beautiful one) where good friends play and sing the music that makes me even more glad to be alive.  And I know I am not alone in this desire.

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Such opportunities for musical joy and fulfillment still exist, and one of them is the double boon of the Evergreen Jazz Festival in Colorado, and the barn dance concert that Dorothy Bradford Vernon and friends put on in Longmont, in the same state — they coincide most happily.

For those who want to go directly to the source(s), here you can learn all about the barn dance — featuring the Carl Sonny Leyland Trio — and here is the official site for the Evergreen Jazz Festival, a long weekend of beautiful music.

The EJF rotates its out-of-state attractions, so although I have twenty posts (with video evidence!) from my trips there in 2014 and 2016, I don’t feel it’s right to use videos from bands that won’t be there in 2018 to promote the current festival.  However, by typing EVERGREEN into this blog’s search engine, you can enjoy the evidence for many hours.  More about the 2018 band lineup below.

But since Carl’s Trio is more or less intact with the splendid Jeff Hamilton on drums (I believe Marty Eggers is playing string bass instead of our friend Clint Baker) I have no qualms about sharing this 2016 post with you.  My videos cannot convey the great warm welcome that Dorothy and friends extend to anyone walking through the barn doors.  The music and the dancers were truly memorable.

The Evergreen Jazz Festival offers ten bands, which means that the main problem most guests will have can be expressed by “I can’t decide between seeing X, Y , or Z,” rather than by “There’s nothing to do.”

Here is the schedule: eleven hours on Friday, twelve hours on Saturday, seven hours on Sunday.  You can sleep on Monday, or on the plane.  

A few words about the bands (you can read full descriptions on the EJF site).  Since I am an out-of-towner, I have no problem putting my fellow o-o-t women and men first — a kind of upside-down local pride.

Carl Sonny Leyland will be rocking the house once again (even the elk were doing splendid rhythmic gyrations in the parking lot).

The Holland-Coots Jazz Quintet — a band I succumbed to instantly last year in Nashville, where they recorded their debut CD, a tribute to Fats Waller that brought happiness and swing.  They are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet and vocal; Evan Arntzen, reeds and vocal; Steve Pikal, string bass.

World-travelers Ivory&Gold — that’s Jeff Barnhart, piano and vocals; Anne Barnhart, flute and vocals — who offer musical world tours that always surprise.

The frolicsome Rock Island Roustabouts — co-led by Hal Smith, drums, and Jeff Barnhart, with Dave Kosmyna, cornet; Doug Finke, trombone; Jonathan Doyle, reeds; Bob Leary, banjo/guitar; Ryan Gould, string bass.  The names alone will tell you that hot music is assured.

Multi-instrumentalist Dennis Lichtman’s Brain Cloud (yes, the name is strange — from a Bob Wills song — but the music is intoxicating) featuring Dennis on clarinet, fiddle, mandolin, and more, also with the phenomenal vocalist Tamar Korn and our man in swing Kevin Dorn, drums.

Pianists Brian Holland, Carl Sonny Leyland, and Jeff Barnhart will perform three trio sets on two pianos in the wonderful Evergreen church: beware of flying black and white ivories!

There will be a jam session set by the “EJF All-Stars”: Marc Caparone, cornet; Eric Staffeldt, trombone; Roger Campbell, clarinet; Rory Thomas, banjo; Jeff Barnhart, piano; Ryan Gould, string bass; Kevin Dorn, drums.

Two sets by the Sweet and Hot Quartet: Jeff Barnhart, Bob Leary, Anne Barnhart, and Steve Pikal (Friday) and Hal Smith (Sunday).

If that were not enough . . . Denver’s own After Midnight, which fashions itself after the Goodman Sextet with vibraphone; Felonius Smith Trio, which pays tribute to venerable guitar blues; the Gypsy Swing Revue, which lives up to its billing;  Joe Smith and the Spicy Pickles, a young energized swing band; the Queen City Jazz Band, celebrating its 65th anniversary and featuring Wende Harston on vocals; youth bands from the University of Colorado, the Denver Claim Jumpers, and the Denver Jazz Club Youth All-Stars.

The EJF features lovely small venues . . . so you need to consider purchasing tickets sooner rather than later.  I’ll be there, but I only take up one seat.  Hope you can make it also!  It’s been a great deal of fun and with this schedule, I know it’s going to continue.

And just in case you say, “What!  No music?” here is RUSSIAN RAG by the Holland-Coots Jazz Quintet, recorded informally in Nashville in July 2017:

May your happiness increase!