Tag Archives: Diane Naegel

ZELDA: THE MAGAZINE OF THE VINTAGE NOUVEAU

This post is about a charming magazine you ought to know — ZELDA: THE MAGAZINE OF THE VINTAGE NOUVEAU — whose fifth issue has just appeared.

If you are instantly taken by that cover, you may skip what follows and leap into http://www.zeldamag.com — why waste time with descriptions when you could become a subscriber right away?  ZELDA is published twice a year, and its issues are not the kind of thing you would want to throw out.

ZELDA (named for the brilliantly creative and underacknowledged bride of F. Scott Fitzgerald) was the creation of the very talented Diane Naegel — who died far too young after battling breast cancer.  Her fiance Don Spiro and the people who love her and her vision have kept ZELDA afloat — feeling, I think, that to do anything else out of grief would be the wrong thing entirely.  I learned about the magazine from Lynn Redmile, who has a fine eye for detail — current and vintage.

For three years, Diane and Don (a fine photographer) have also produced a series of monthly evenings (held in a former Manhattan speakeasy) called “Wit’s End,” Jazz Age-themed evenings “with Prohibition-era cocktails and a dress code.”  At these events, friends of Don and Diane played hot jazz — including Dan Levinson, Molly Ryan, Baby Soda, The Red Hook Ramblers, Cynthia Sayer, Gelber and Manning, and others.*

Not irrelevantly, the first Wit’s End party of 2012 is coming up in a few days — and it features the music of the Big Tent Jazz Band (where you can hear Lucy Weinman swing out) in a tribute to Texas Guinan.  Here’s the Facebook link.

But back to ZELDA itself.  It is not a museum catalogue of ancient clothing that one might look at but never put on.  Rather it is a vivid tribute to all things “vintage,” a term that includes the music.

In the best way, ZELDA celebrates living artistically in a style which continues to be strikingly fashionable if one understands it.  “Vintage” here is not just a kind of antique Halloween getup to be applied when the time is right, but an entire way of being — something that Oscar Wilde would have approved of: creating oneself as a living work of art.

But it’s not all about black-and-white shoes.

Well-written features in past issues have included a recalled interview with Ginger Rogers, current interviews with actress Marsha Hunt (then 92), Charles “Buddy” Rogers, and Ziegfeld showgirl Doris Eaton Travis, profiles of Janet Klein, Jesse Gelber and Kate Manning, features on vintage cocktails, neckties, fingerwaving, pincurling, profiles of various cities for their vintage appeal, advertisements from shops and online sellers of everything from rare records to vintage jewels, an advice column . . . and more!

The newest issue contains articles and features on Fanny Brice, cosmetics, the Sweet Hollywallians, KING KONG, and more.  It’s beautifully laid out and a pleasure to read . . . and you’ll find yourself returning to older issues for witty, arcane yet pertinent information.  For myself, I will never be a vintage fashion icon — but I take great pleasure in learning about the art and its practitioners.

*For more information about the Wit’s End gatherings, visit    http://clubwitsend.com/

But these events are serious about vintage attire, so be forewarned: “ABSOLUTELY NO ENTRY WILL BE PERMITTED TO THOSE WEARING JEANS, ATHLETIC SHOES, ZIP-UP JACKETS, OR CASUAL ATTIRE.”  Elegance asks only that we leave our sneakers at home for one night — to recall a time and place where one dressed differently for, say, gardening, and going to an evening dance.

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LYNN REDMILE: PAINTER WITH A CAMERA

Since it appears that everyone has a camera or a camera phone, I sometimes imagine the cosmos brimful of pixels flying hither and yon.  But often the results suggest that these well-intentioned people are aiming their cameras in the approximate vicinity of something they like and hoping for the best.  Consider the two high-school girls exuberantly aiming their phone at their own happy faces.  It’s a way to create lovely memories, but it is far from photography, the art of creating portraits that will stand deep scrutiny.

Lynn Redmile is a genuine photographer, the exception to the proliferation of cheerfully evanescent candid shots.  In a world of pointers and shooters, she is a painter who happens to have a camera rather than a set of brushes and a palette.

Because Lynn so deeply loves the sound of the music that improvisers create and the motions that she and other dancers invent in response, her photography has a sweet willingness to take risks, a smile as part of the ultimate exposure.

Consider the photograph below, taken at a November 11, 2011, evening in honor of Diane Naegel*, who died at 31 of breast cancer.  It presents three young women, each singularly beautiful, assembled as if into a casually friendly constellation.  The bright star on the right (dressed in red) is Nasiveli Sarygulova.  (I am sure she or someone else will provide the name of the two other luminaries.)  You might be thinking, “With such extraordinary human material to work with, anyone could take a great photo,” but I think this would be incorrect.

I see the careful artistic imagination of the photographer here, making choices: arranging the three friends in this way, with a wise intuitive knowledge of colors and shapes in balance.  And it is not simply their beauty that makes the portrait so compelling, but the way in which these three Graces have revealed themselves to Lynn.

Having seen both the reality — life as it appears to one’s eyes — and the photographic portraits Lynn has made of that reality, I know that she creates depths and shadings that we would not have seen before.  This isn’t a matter of equipment — to ask Lynn what camera she uses is an irrelevancy.  And the beauty of this portrait has nothing to do with Photoshop.  No, Lynn has seen something in her subject that might not otherwise have been accessible to our eyes or to a quick snapshot.

Lynn’s site is full of such portraits — that make even the most hasty scanner stop, consider, and savor.  And I can say quietly — receiving no commission for these words — she is available for swing dances, baby pictures, dog and cat portraits, nude studies of your heartthrob, weddings, and more.

Works of art.  See for yourself at http://www.lynnredmile.com.

*Diane and Don Spiro created the magazine ZELDA — a witty, precise piece of art devoted to all things vintage —  http://www.zeldamag.com/  — which I will write more about in another post.  For now, visit the magazine’s website and marvel.