Tag Archives: Do The Math

JUST FOUR BARS

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

The nominees for the 2018 Jazz Journalists’ Awards were just announced, and my blog, JAZZ LIVES, is one of the four blogs nominated for Blog of the Year. Very gratifying, and thanks to everyone who pushed this labor-and-love-intensive blog into the public eye once again. I’m pleased to be in the company of DO THE MATH, JAZZ WAX, and RIFFTIDES as well.

Here is the link, so you can see all the eminent musicians and journalists as well.

Whether JAZZ LIVES wins an award or not, I couldn’t have done it without you. In fact, I wouldn’t have done it without you.  The decade I’ve spent on this blog has been exceedingly rewarding.  Each one of you — musician, commenter, researcher — has increased my happiness.

The soundtrack du jour, inspired by last night’s conversation with Ricky Riccardi — this choice is so Ricky and I won’t fight over Louis’ version:

May your happiness increase!

Advertisements

LIVING KINDNESS: A MILT HINTON STORY

The extraordinary pianist Ethan Iverson (of The Bad Plus) has a superb blog called DO THE MATH, and most recently he has offered a lengthy, lively conversation with string bassist Bob Cranshaw here. This story seized me.

BC:  Milt Hinton was one of the first bass players that I heard. This was before TV. I heard him on the radio. I think he was my biggest influence. When I heard him play, the shit was swinging so hard that the radio was about to jump off the table. I went to my father, and I said, “I want to play that.”

I have a story about Milt when I came to New York. I had been in New York maybe a few months, and I was on 48th and Broadway. I was on my way to rehearsal with somebody and I had a bag on my bass that was raggedy and about to fall off, but I couldn’t afford anything else. I was walking down to the rehearsal and this gentleman dressed with a tie stopped me on the street. He said, “Hi. What’s your name?” I said, “Bob Cranshaw.” He said, “Are you a professional bassist?” I said, “Yes, sir.” He said, “I’m Milt Hinton.” I said, “Oh, shit.” It was like meeting God. Here’s my mentor.

He took me into Manny’s and he bought me a bass case on the spot.

EI:  Really? Hadn’t even heard you play a note?

BC:  Took me and bought me a bass case right there. He said as a professional, I couldn’t be walking around with a bag like that. What I teach in my method and my thought of music is, I say, “The Milt Hinton Method,” because when I came, I followed Milt around. I used to just go. They were doing a lot of recording. They were recording all day. I would just go to the date and I would sit on the side. I didn’t want to disturb anybody, but just to watch him. What I got from watching him was when – it could be 50 musicians – when The Judge walked into the room, you could feel the energy. Everybody was talking. That was the kind of guy he was. That was the life. He was my biggest, my most wonderful influence, was watching The Judge. When I started to play, when I started to work with Joe Williams and so forth, Milt did all the record dates. He was part of the rhythm section with Osie Johnson and a couple other guys. I would go to the dates and just watch him because I was working with Joe and I was going to have to play the same music the next week. I said, “I might as well get it from the horse’s mouth. Let me get the first thing and then I have a better understanding of what I need to play when we go out on the road with Joe Williams.”

I followed Milt’s career all the way to the point where I used to call him every Sunday. I’d say, “Judge, I just want me blessing,” just to talk to him and so forth. One Sunday I called, and his wife said, “The Judge is at a club meeting.” I’m saying, “He’s almost 90 years old. What kind of club meeting? What could he be into now?” There was a club called the Friendly Fifties that are in New York and I’m a member now. I joined following his thing. It was what guys like Jonah Jones and a bunch of the older guys put together, this club, so that the wives could be more together when they were traveling. These were the early days. I became part of the Friendly Fifties, and I wrote an article for Allegro at the union about all of these famous guys that were part of this club that nobody had any idea it existed.

I love the rest of the stories — because Milt in person was the embodiment of Wise Joy — but it is the little anecdote of the bass case that catches me and will not subside into a Nice Anecdote about One of My Heroes. You will notice that Milt didn’t lecture the young man about how wrong he was; he didn’t sell him a case and ask for money to be paid back; he was serious but gently fixed what was wrong with loving alacrity.

We all praise Kindness as a virtue.  We try to be Kind.  But how many of us would have made it so vibrantly alive as Milt did?  Kindness in Action.

Several years ago, I wrote a post I am still proud of: I called it What Would Louis Do?.

Meaning Louis no disrespect, I would like to propose the quiet religion of Hintonism. Nothing new except the name. Doing good without asking for recompense. Taking good care of a stranger.

When we lie down in bed at night, we could ask ourselves, “Did I do my Milt today?”  If we did, fine.  We could try to do several Milts the next day, and ever onwards.  We might have less money, but we’d be surrounded by love and that love would surely be immortal.  Just a thought.

May your happiness increase!