Tag Archives: Dominican University

SWING IN PARADISE (The Second Set): ROSSANO SPORTIELLO, STEPHANIE TRICK, NICKI PARROTT, HAL SMITH at FILOLI (July 29, 2012)

The only mournful thing about the music that follows is that it’s the last set of two divine concerts by this happy group — Rossano and Stephanie, piano; Nicki, vocal and string bass; Hal, drums — that took place at Dominican University, San Rafael (July 28) and at extraordinary Filoli, Woodside (July 29).

Rossano and Nicki began this set with a patented Sportiello – Parrott Extravaganza, which took in SCENES FROM CHILDHOOD, a bit of Bach, LULLABY OF BIRDLAND, and more.  I’ve called it JAZZ MEETS THE CLASSICS, and it’s a wondrous ride:

For something more familiar by this stellar group, Henri Woode’s ROSETTA:

And that 1930 celebration of love found at last, EXACTLY LIKE YOU:

Stephanie is the least threatening of mortals, so it’s amusing that she plays Pete Johnson’s ominously-named DEATH RAY BOOGIE (had Mr. Johnson been reading Thirties science-fiction in pulp magazines, I wonder?):

She goes to town on Fats Waller’s MINOR DRAG:

Who knew Nicki was so deeply involved in Yiddischkeit?  Hear for yourself — BEI MIR BIS DU SCHOEN:

And the question remains — posed with such insouciant swing by Nicki — IS YOU IS OR IS YOU AIN’T MY BABY?:

The appropriate finale was AFTER YOU’VE GONE:

But the wise crowd didn’t want to let these four players out of their sight, so the quartet baked a delicious two-layer cake of an encore, TAKING A CHANCE ON LOVE- LIZA:

Now, who among us will begin to book the global concert tour for this group?  They and the rest of the world surely deserve it.

May your happiness increase.

A SWING TIME WAS HAD BY ALL (Part Two): ROSSANO SPORTIELLO, STEPHANIE TRICK, NICKI PARROTT, HAL SMITH (Dominican University, San Rafael, California: July 28, 2012)

If you’ve seen the first half of this concert (expertly produced by Paul Blystone) I don’t have to tell you how fine it was.  If not, you can see it here.

Rossano opened the second half with one of his solo extravaganzas, connecting O SOLE MIO, Johnny Mandel’s A TIME FOR LOVE, Chopin’s Nocturne in Eb and his “Revolutionary” Etude:

The quartet reassembled for a strolling version of ROSETTA:

EXACTLY LIKE YOU began as a duo-piano exploration, then Nicki and Hal joined in — the latter’s hi-hat cymbal work a special pleasure:

Stephanie took the spotlight for Fats Waller’s MINOR DRAG:

She then offered Albert Ammons’ BOOGIE WOOGIE STOMP — and a man from Milan couldn’t resist joining in:

Nicki asked the vexing question (courtesy of Louis Jordan) IS YOU IS OR IS YOU AIN’T MY BABY?

Early in the performance, Rossano warmly welcomed the stride pianist and scholar Mike Lipskin — a student of Willie “the Lion” Smith’s.  To close the concert, Rossano asked Mike to join the quartet for a truly mobile AFTER YOU’VE GONE:

It was an extraordinary concert — and the first time these four artists had performed as a group.

P.S.  After an Italian dinner and a night’s sleep, this quartet reassembled for an Afternoon of Swing at the beautiful Filoli Gardens.  Those performances are coming soon to a blog near you.

May your happiness increase.

A SWING TIME WAS HAD BY ALL (Part One): ROSSANO SPORTIELLO, STEPHANIE TRICK, NICKI PARROTT, HAL SMITH (Dominican University, San Rafael, California: July 28, 2012)

The pianist Rossano Sportiello is a consistent delight as a musician and as a gracious, witty person — someone I’ve admired since I first heard him play and met him in autumn 2004.  And he has good taste in musical friends / colleagues / accomplices: witness the first set of this concert from Saturday, July 28, 2012, at Dominican University in San Rafael, California, produced by Paul Blystone.

Rossano was joined by the expert drummer Hal Smith, the strong bassist and charming singer Nicki Parrott, and the young piano phenomenon Stephanie Trick.

The concert at Dominican University took place in the beautifully old-fashioned Angelico Hall — great acoustics — and these four players obviously took Jake Hanna’s advice: “Start swinging from the beginning.  If you’re not swinging, what are you there for?” to heart from the first note.

Every solo passage was beautifully shaped, but the generous interplay among the four musicians was even more rewarding.  Duo-piano concerts sometimes become an overwhelming tidal wave of notes, but Rossano, Stephanie, Nicki, and Hal were gracious swing conversationalists, politely leaving the other players (and the audience) room to breathe.

They began with a sentimental favorite (often used to end the dance!) that became a swing classic in the Thirties, I’LL SEE YOU IN MY DREAMS:

Since everyone except Nicki was already seated, it was perhaps logical to play I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER — and it honors Mister Waller, always a good idea:

I NEVER KNEW brings back the 1933 Benny Carter recording with Teddy Wilson as well as the irreplaceable Keynote session with Lester Young, Slam Stewart, Johnny Guarneri, and Sidney Catlett:

Stephanie took the stage for a leisurely AIN’T MISBEHAVIN’:

Here she rocks SHOUT FOR JOY:

Willie “the Lion” Smith’s early KEEP YOUR TEMPER:

Nicki turns romantic with a pretty EAST OF THE SUN:

Ms. Parrott raised the temperature in the hall considerably with her rendition of Peggy Lee’s FEVER:

And the foursome closed the first half with a dual homage — to the Benny Goodman small groups and the stride master James P. Johnson, who composed RUNNIN’ WILD:

More to come.

May your happiness increase.