This post is for my dear friend, the fine young trombonist Joe McDonough, who worships at the Teagarden shrine. A few days ago, I began to collect orts, fragments, and holy relics (from the treasure house of eBay and elsewhere) for him, and for you. Along with Louis, Sid Catlett, and Teddy Wilson, Jack was one of my earliest jazz heroes — and he remains one, memorably. Wonderful pieces of paper follow below, but no tribute to Jack could be silent. Although there are many versions of his hits in his discography, he made more superb recordings than many other players and singers. Here’s one of his late masterpieces, a sad song that reveals Jack as a compelling actor in addition to everything else. The trumpet is by Don Goldie:
and an early one, with support from Vic Berton and frolics from Joe Venuti:
and since we can, here’s another take (who knows at this point which is the master and the alternate?):
And the 1954 LOVER, with an astonishing cast: Jack, Ruby Braff, Sol Yaged, Lucky Thompson, Denzil Best, Milt Hinton, Kenny Kersey, Sidney Gross:
An early favorite of mine, the 1947 AUNt HAGAR’S BLUES, with beautiful work from Eddie Condon, Wild Bill Davison, and Pee Wee Russell:
And now, some pieces of paper. Remarkable ones!
Pages from an orchestral score for SUMMERTIME (title written in by Jack):
The seller of some of these treasures has a pleasing explanation, which I offer in full:
This is the score for Jack TEAGARDEN, when he performed in bands and orchestras, throughout the 1930s and 1940s. Jack TEAGARDEN was known as the jazz singer and jazz trombonist, who was an innovator at both. He was famous for playing trombone with the best – Paul WHITEMAN, the Dorseys, Louie Armstrong, etc., etc.
Teagarden’s wife, Addie was a great personal friend, throughout the 1980s. She shared some of Jack’s personal effects, including this historic and valuable score for “Summertime”, which Jack actually used in studio and on stage. This is a genuine original score. What a great piece of jazz and musical history.
Jack’s part on trombone is designated (in a small rectangle), on each of six, large, hand-written score sheets from Los Angeles and San Bernardino, California. The front of the sheets, when closed, has the words, Summer time, which have been doodled, by Jack.
I will be selling other TEAGARDEN and Louis Armstrong memorabilia, over the next year.
Weldon Leo “Jack” Teagarden (August 20, 1905 – January 15, 1964) was a jazz trombonist and singer. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and “one of the best jazz singers too”. Teagarden’s early career was as a sideman with the likes of Tommy Dorsey, Paul Whiteman and lifelong friend Louis Armstrong before branching out as a bandleader in 1939 and specializing in New Orleans Jazz-style jazz until his death.
At my age (77), I am beginning to sell a lifelong, eclectic, collection of unique artwork. I enjoyed this great collection. Now, it’s time to share it with others.
Is it “Milly” or “Willy”? Jack wished her or him the best of everything:
In 1936 and perhaps 1937, Jack was one-third of a small band aptly called THE THREE T’s. Here’s a page from a fan’s autograph book (selling for 449.95 or thereabouts on eBay):
in 1940, Jack either played a Martin trombone or advertised one, or both:
Some years later, the Belgian label issued BOOGIE WOOGIE by Jack — which is from his 1944 transcription sessions:
And this is a Billboard ad for that same or similar band:
At the end of the Swing Era, when big bands were dissolving and throwing their leaders into deep debt, Jack got telegrams, at least one decidedly unfriendly:
Jack inscribed this photograph to the Chicago photographer Nat Silberman:
and the newspaper advertisement for Jack’s last gig, at the Dream Room in New Orleans — where Connie Jones was with him:
At the end of the trail, Jack’s headstone with its very moving inscription, although I wonder if those sweet moving words were his idea:
May your happiness increase!