Tag Archives: Dorothy Lamour

HOLLYWOOD’S FIRST SWING CONCERT: A TRIBUTE TO JOE SULLIVAN (1937)

Before anyone gets too excited, I do not have acetates or videos of this event to share with you.  All I can offer is the souvenir program, which was on sale a month ago on eBay here for $300.  This item does not seem to have sold, but the seller ended the sale.  If someone were interested, I’d suggest contacting the seller and opening negotiations again.

This program was from a benefit for Joe, ill with tuberculosis, from which he recovered.  I had never seen this paper treasure before; I thought you, too, would be intrigued.  And I’ve inserted some contemporaneous recordings by Joe to keep the display from being silent.  Since I’ve never seen or heard evidence that this concert was broadcast or that airshots or transcription discs exist, this paper chronicle is all we have.  It must have been a lovely evening of music and feeling.

and this, from 1945 (Archie Rosati, clarinet; Ulysses Livingston, guitar; Artie Shapiro, string bass; Zutty Singleton, drums — on the SUNSET label):

and

and SUMMERTIME, 1941, Commodore:

and

another Decca solo from 1935:

and (Larry and Everett were Crosby brothers; Bing had a large role in this):

and Joe’s Cafe Society Orchestra, with Ed Anderson, Big Joe Turner, Benny Morton, Ed Hall:

and

and the Cafe Society Orchestra with Helen Ward:

and what an assortment of stars and bands!

and LADY BE GOOD from the same band, in a performance I’d bet stretched out longer when live (Danny Polo takes the tenor solo):

and

and I CAN’T GIVE YOU ANYTHING BUT LOVE by the same band, with Ed Anderson building on Louis and Big Joe Turner making it a blues:

and

and

and

and

and

and

Joe recovered and lived on until October 1971, which to me shows the sustaining power of community in times of stress and despair.

May your happiness increase!

“MISTER CRISTOFO COLOMBO”: BING, LOUIS, PHIL, FRANK, DOROTHY and MORE (1950)

Thanks to the tireless Franz Hoffmann, here is a Bing / Louis sighting I had never seen before — a staged “impromptu” romp on a train from HERE COMES THE GROOM, a 1950 film.  The “song” is in praise of Christopher Columbus, who in those Cold War times, is heralded as the man who made the unique freedoms of the USA possible.  Rather unsubtly.  The Commies were watching these musicals and trembling, perhaps, at the “opening of freedom’s door”?

I prefer Fats Waller’s version of the “discovery” of “America,” myself.

It seems that Bing enlisted all his friends for this Paramount film and this number: Dorothy Lamour, Louis, Phil Harris, Cass Daley, Frank Fontaine.  Austin J. Casey, connoisseur of such things, points out that the man to Bing’s left (twenty seconds) sang tenor with the Modernaires.  In some ways, it is a development of the bus-mania of the Thirties, where Clark Gable could get everyone to sing THE MAN ON THE FLYING TRAPEZE in the 1934 IT HAPPENED ONE NIGHT.

I find it a fascinating example of how cruel old-fashioned humor was and how (I hope) it seems painful now: Cass Daley’s crossed eyes are nothing to “Crazy Guggenheim,” Fontaine’s intellectually-challenged character — a staple of Jackie Gleason’s television shows — his “Crazy Guggenheim” a mask for his lovely singing voice.  But this was the era of the “moron” joke, so “Crazy” gets the last . . . word?

But any opportunity, no matter how vapid the material, to see Bing and Louis in each other’s company, uplifts.

May your happiness increase.