Tag Archives: Ebay

O.P., IRVING, LOUIS

Last night, while in an eBay reverie, I was grazing through the meadow of Entertainment Memorabilia, sub-section Jazz, sub-sub section Original Autographs, when I found these three artifacts.  To some, they may seem irreplaceable treasures; to others, just weird debris.  The first seller had purchased a huge collection of Danish paper ephemera and added it to his already expansive holdings, the latter laid out for your pleasure here.

I’d never seen an Oscar Pettiford autograph before, and this one is from the last years of his too-short life.  The red diagonals suggest that this is, rather than an autograph for a fan, the return address — upper left corner — taken from an air-mail envelope.  Whether that increases or decreases value, I don’t know.  I haven’t identified the Copenhagen hotel, but since the autograph would be, at latest, from 1960, it is possible the hotel no longer exists:

And here is a very touching and brief remembrance of Oscar with guitarist Attila Zoller — performing Oscar’s THE GENTLE ART OF LOVE in Denmark, perhaps not that far away in time from the envelope above:

Then, something more odd: a photograph of Irving Mills and two men I don’t recognize, inscribed lovingly to film star Dorothea Summers, from whose collection this came:

and a magnified inscription:

Here is a promotional short film (or most of it) from 1931, where Irving Mills introduces three of his bands: Baron Lee and the Blue Rhythm Orchestra; Duke Ellington (with pleasing closeups of Arthur Whetsol), and Cab Calloway, with Al Morgan stealing the scene.  I thought that glimpses of Mills, reading from the script on his desk, would be easier on the nerves than his singing:

Finally, something I found exciting, even though it isn’t inscribed.  Louis Armstrong had a heart attack in June 1959, and I now assume that he received get-well cards from everyone who loved him . . . that’s a-plenty.  I had never seen his singularly Louis thank-you card, and a collector possessed not only the card but a publicity photograph that may have come with it:

I would like you to commit Louis’ poem to memory, please:

Here’s Louis in 1960 on the Bell Telephone Hour — magnificent readings of SUNNY SIDE OF THE STREET, LAZY RIVER, and a heartbreaking SOMETIMES I FEEL LIKE A MOTHERLESS CHILD, before a MUSKRAT RAMBLE that puts Louis with a modern version of the Mills Brothers who sing a version of the lyrics from BING AND SATCHMO:

May your happiness increase!

Advertisements

HOLLYWOOD’S FIRST SWING CONCERT: A TRIBUTE TO JOE SULLIVAN (1937)

Before anyone gets too excited, I do not have acetates or videos of this event to share with you.  All I can offer is the souvenir program, which was on sale a month ago on eBay here for $300.  This item does not seem to have sold, but the seller ended the sale.  If someone were interested, I’d suggest contacting the seller and opening negotiations again.

This program was from a benefit for Joe, ill with tuberculosis, from which he recovered.  I had never seen this paper treasure before; I thought you, too, would be intrigued.  And I’ve inserted some contemporaneous recordings by Joe to keep the display from being silent.  Since I’ve never seen or heard evidence that this concert was broadcast or that airshots or transcription discs exist, this paper chronicle is all we have.  It must have been a lovely evening of music and feeling.

and this, from 1945 (Archie Rosati, clarinet; Ulysses Livingston, guitar; Artie Shapiro, string bass; Zutty Singleton, drums — on the SUNSET label):

and

and SUMMERTIME, 1941, Commodore:

and

another Decca solo from 1935:

and (Larry and Everett were Crosby brothers; Bing had a large role in this):

and Joe’s Cafe Society Orchestra, with Ed Anderson, Big Joe Turner, Benny Morton, Ed Hall:

and

and the Cafe Society Orchestra with Helen Ward:

and what an assortment of stars and bands!

and LADY BE GOOD from the same band, in a performance I’d bet stretched out longer when live (Danny Polo takes the tenor solo):

and

and I CAN’T GIVE YOU ANYTHING BUT LOVE by the same band, with Ed Anderson building on Louis and Big Joe Turner making it a blues:

and

and

and

and

and

and

Joe recovered and lived on until October 1971, which to me shows the sustaining power of community in times of stress and despair.

May your happiness increase!

CAN’T HELP IT IF I WONDER: TOMMY DORSEY, DUKE ELLINGTON on eBay

First, the soundtrack to get you in the mood for jazz speculation, even though the subject of this wonderful performance is romance, not authenticity of paper ephemera (anything that gives me an excuse to listen to and share Louis is always welcome):

Now, two pieces of evidence, just spotted today on eBay.  The first one comes from a Detroit newspaper, with no other details, advertising something I would have liked to participate in: a personal appearance and autograph signing by an artist I admire, Tommy Dorsey:

My questions are perhaps reasonable but at this distance, I think unanswerable.  What was the name of the record?  Should we assume that the Dorsey band was playing a gig at the State Fair?  When was this?  And (most poignantly) when can I expect the R.C.A. VICTOR DANCE CARAVAN show up to my town?

I hear some of you hissing, “Never, Michael, never!”  to which I say, “I’ll bet you think Toto is dead, too.”  The link is here — should you want this mysterious sentimental artifact for your own.

The second item also raises questions: advertised as an autographed glossy photograph of the Duke Ellington Orchestra, each member signing his name in fountain pen, a glorious photograph that I had not seen before:

And here is the Ellington link.  I was a little skeptical at first, because real on-the-spot autographs tend to be less careful, and I wondered that everyone in the band either had the same fountain pen or they passed it from one to another.  I would guess that the photograph lay flat on a table for it to be signed by all those heroes ever so neatly.  But I stopped worrying when I saw that Sonny Greer had signed “Luck always,” which is the way he signed a Jazz Panorama lp for me in the Seventies.  Perhaps someone can say why the bassist — Wellman Braud, I assume — didn’t sign.  Now there‘s a mystery.

I can’t afford the Ellington photograph, but it’s lovely to see.

If you look for me, I’ll be scanning the street for Tommy Dorsey.  And I have my own fountain pen, thank you.

May your happiness increase!

“HIS GIRLFRIEND’S UNDER-SLIP”

Exhibit A:

The eBay seller reports:

Louis Armstrong performed in Ludington, Michigan on July 24, 1962. My husband and then girlfriend went to the concert. Satchmo signed my husband’s hanky and his girlfriend’s under-slip. The hanky has never been washed and is a bit yellowed as you can see. Newspaper article is included as proof.

Here is the link: ten  bids so far.

What I want to know is what became of the “then girlfriend” and the young man whose handkerchief it was.  And is the seller now his widow?  A short story, barely submerged, exists.

Where’s the under-slip?  I have the mental picture of Louis autographing that.

And for the Corrections Officials: no, it’s not one of Louis’ handkerchiefs.  But it is as close as we have gotten so far.  The signature looks authentic, and the green pen adds seriousness to the enterprise.

May your happiness increase!

“YOU FIT INTO THE PICTURE” (1935)

Again, rambling through eBay — very soothing especially if one doesn’t feel compelled to spend money — I found this wonderful artifact:

This was near the end of Annette’s career, so there are no commercial recordings of her performing the song.  However, it was popular enough that three are available to us on that lopsided cosmic jukebox called YouTube.  And the eBay seller took pictures of all the pages — so you can, as they used to say, try this out on your piano.  Here’s an early version (late November 1934) well-played dance music by Don Bestor with Joy Lynne singing:

and page one:

page two:

and another version, this from very early January 1935, featuring Bob Howard, Teddy Wilson, Benny Carter, first on alto, then on trumpet, Buster Bailey, Clarence Holiday, Elmer James, Cozy Cole (incidentally, those who are delighting in the new Teddy Wilson Mosaic set will find equivalent gems under Howard and Putney Dandridge’s name):

Howard seems to be influenced by another popular pianist-singer.  Who could it be?  But first, more sheet music.

and page four:

then, the Master, in dewy form, with the Blessed Bill Coleman of Paris, Kentucky, alongside Gene Sedric, Charlie Turner, Al Casey, and Harry Dial — one of the best early Waller dates:

and, for the finale:

I don’t covet a time machine, but it is sweet to dream of a time and place where this was the popular music one would hear from one’s radio.

May your happiness increase!

“Signed in person from original owner, 100% authentic and lifetime guarantee. Original with Lewis Allen composer credit, Sonny White is the pianist, Commodore first edition 10″ shellac 78 rpm V/V+ condition.”

Something new and old and rare and fragile and lasting and irreplaceable.  And fifteen thousand dollars (15,000.00 USD, as they say).  This is the link.

And the label of the precious object:

And the music:

Check the jar in the kitchen where you toss the quarters.  Who knows what’s added up there?

But I wonder what Billie would say of this offering.

May your happiness increase!

SALE! REDUCED! DJANGO! A LIMITED TIME ONLY!

Reduced from $12,000.  Now only $10,800.

And the descriptive paragraph:

Rare photograph signed by one of Europe’s first great jazz musicians, considered by many to be the finest guitarist the world has ever known.
Rare Photograph signed: “D. Reinhardt”. B/w, 5×6. Captioned at lower margin: “Club Rythmique de Belgique.” Jean Baptise “Django” Reinhardt (1910-1953), who was born in Belgium, grew up in a gypsy camp near Paris. Originally a violinist, he is best remembered for his jazz and swing performances on the acoustic guitar (because of youthful burn injuries that cost him two fingers, Reinhardt had to develop an original fingering system). In the 1930s, he performed with Stephane Grappelli in the Quintet of the Hot Club of France. Although he couldn’t read music, Reinhardt created many influential jazz compositions. The pioneer of the concept of the lead guitarist in a musical group, Reinhardt is best remembered for such songs as “My Sweet”, “Minor Swing”, “Tears”, “Belleville” “Djangology” and “Nauges”. In addition to touring throughout Europe, Reinhardt was acclaimed in the U.S., opening for Duke Ellington and playing at Carnegie Hall. Reinhardt, who influenced a number of styles of music, is consistently named as an influence by many modern guitarists and musicians, including Chet Atkins, Carlos Santana, B.B. King, Jerry Garcia, Jimi Hendrix, George Benson and Willie Nelson. Reinhardt is rare in any form. This is a fine example. Slightly soiled at blank margins. Minor surface scratches, some visible on forehead of image. Overall, fine condition.

And the link for those with disposable income.

And the reason — to many of us — for the adulation:

May your happiness increase!