Tag Archives: Emily Asher’s Garden Party

“MUSKRAT RAMBLE”: A NOBLE + WYLIE SHOWCASE (Part Two): EMILY ASHER’S GARDEN PARTY at the RUTGERS PRESBYTERIAN CHURCH: EMILY ASHER, MIKE DAVIS, JAY RATTMAN, DALTON RIDENHOUR, JAMES CHIRILLO, ROB ADKINS, JAY LEPLEY (January 7, 2019)

Emily Asher’s Garden Party, photograph by Renée Toplansky.

Here are more wonderful highlights from my first concert of 2019 (my first post, featuring the New Wonders, can be found here), a showcase for several bands under the brightly colored banner of Noble + Wylie, a musician-run enterprise that fills a real need, representing splendid traditional jazz performers, offering the best services to the artists and their audiences.  The co-founders are musicians Emily Asher and Katie Lee, who know the business from many angles.  You can read more about this promising company at the link above, but a few sentences from Emily give a taste of their forthright approach: “I see Noble + Wylie as an agency which elevates and celebrates excellence. By focusing on honesty and quality over chaos and hype, I look forward to fostering long-term positive relationships with diverse music venues, festivals, schools, and private clients in order to provide distinctive and creative music to audiences world-wide.”

(If you search for Noble & Wylie — connected by an ampersand — you’ll find only UK shoes, no music at all.  Caveat emptor.)

At the January 7 showcase, we (that’s R1 and me) had the opportunity to hear three groups represented by Noble + Wylie: The Ladybugs, the New Wonders, and Emily Asher’s Garden Party — and I brought back some tasty video evidence.  Here is the first set by the Garden Party, a versatile band playing hot and sweet, mixing jazz classics and memorable new compositions. For this occasion, they are Emily Asher, trombone, vocal, compositions; Mike Davis, cornet; Jay Rattman, reeds; Dalton Ridenhour, piano; James Chirillo, guitar; Rob Adkins, string bass; Jay Lepley, drums, with incidental singing by members of the band.  My videos came from an odd angle, but I hope all can be forgiven.  This friendly, warm band knows tempos: hear their easy rock!

MUSKRAT RAMBLE:

WHEN YOU WORE A TULIP, with a Second Line sashay and a glee club, too:

Hoagy Carmichael’s MEMPHIS IN JUNE, arranged by Rob Adkins, with Jay Rattman bringing Johnny Hodges into church:

Emily’s own AN OPEN INVITATION TO A RAINSTORM, in honor of Beth Campbell:

Her Carmichael-inflected PACIFIC LULLABY, which deserves your close attention until James Chirillo’s closing chime:

And the wry MY LIFE WOULD BE EASY:

I recorded more music from this concert, and it will appear in the near future. Thanks to these unpretentious gifted musicians, and of course to Noble + Wylie.

May your happiness increase!

NOBLY DONE! (THE SECOND NOBILIS NIGHT, FRIDAY, MAY 13, 2016)

Nobilis logo

What does that lovely calligraphic logo have to do with jazz or JAZZ LIVES?

Easy.  Let’s start with someone I admire, the fine musician Emily AsherIf you’ve been paying attention to the scene for the last ten years, you’ve heard and seen Emily — an inventive trombonist, a winning singer, a delightful composer, arranger, and leader of fine appealing ensembles — on her own, with her Garden Party, her Endangered Species Trio, with Wycliffe Gordon, with Shannon  Barnett, as a charter member of Mighty Aphrodite, around New York and the Pacific Northwest . . . wherever good music can be found.  I’ve featured her on this blog (visit the handy search bar when you have an hour or so).

But Emily is more than a fine, consistently inspiring musician.  Early in her career, she was leading groups — sometimes an unrewarding experience — and from that, she learned a great deal . . . practical knowledge about how to survive in that thing called “the music business,” where dealing with clubowners, getting gigs, maintaining good relations with other musicians, being paid fairly — all the things that audiences don’t see when the band takes the stage.  Emily has a big heart as well as a big range, so rather than jealously keep her wisdom to herself, she founded the Nobilis Music Group with the idea of helping other musicians and groups avoid pitfalls and — dare we say it — happily make a living.

She was not content to print up business cards, rent office space, and sit at a desk behind a sign reading Sole Proprietor. That’s not her style.  (Emily runs marathons.)

Last month, on April 2, Nobilis held its first evening — six bands showed what they could do (and more) to an intent and amazed audience. Here is the YouTube playlist of the musicians who performed that night.  Although some might call Emily’s usual music a cross between Old Time Modern and New Lyrical (she writes and sings songs that are reminiscent of her idol Hoagy Carmichael) the range of music under the Nobilis banner is astonishing, from 1926 Hot to twenty-first century Modern to surrealistic rock-opera.  All of it genuine, original, lively.

Nobilis May 13 banner

The second Nobilis evening (as depicted above) will feature Marshall Gilkes, Eric Doob, and Matt Clohesy; Michele Zayla; Nadje Noorhuis and James Shipp. All of this will happen on Friday, May 13, from 7-11 PM.  (Twenty dollars for four hours of music is a deep bargain, as jazz listeners know.)  This energized creativity will take place at Club Bonafide, 212 E 52nd Street, Third Floor, New York, New York 10022.  And you can learn more here.

Here is the Facebook event page, and here is the link to purchase tickets (inexpensive ones for a night of music) online.

I urge you to drop by (Club Bonafide is very inviting — cozy, too — not for the usual platitudes.  “For the good of the music.”  “To keep live jazz alive.”  “To support a worthy venture.”  Those are all true, but I know, from the first Nobilis evening, that you won’t yawn, scowl, feel bored, or feel the need to check your phone.  Rare experiences in this time and place.  The press release describes the three bands as “sonically luscious.”  If that isn’t an inducement to show up, look at yourself closely in the mirror next time you pass by and ask, “Who is that person?”

May your happiness increase!

SHE KNOWS HOW TO THROW A PARTY! EMILY ASHER’S GARDEN PARTY AT JOE’S PUB (PART TWO: JUNE 7, 2015): EMILY ASHER, MIKE DAVIS, EVAN ARNTZEN, DALTON RIDENHOUR, NICK RUSSO, ROB ADKINS, JAY LEPLEY

You can find the first part of this delicious evening here.

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

And some words:

I’m honored to count Emily Asher as a friend and musical colleague, and I was thrilled to be at her swinging concert at Joe’s Pub on June 7, 2015.  To the uninitiated, Emily’s band — Garden Party — might seem just another retro-swing outfit, offering variations on familiar music.  That would be a deep misconception, because as the videos below will show, Emily and her musical pals have musical integrity — that is, they play honest music from their hearts — and expansive visions — so that any gig she’s on is going to be wide-ranging, each selection both improvised on the spot and well-thought out.  This is not a band devoted to copying the predictable, but its innovations don’t jostle or hurt.

Here is the second part of that very gratifying night at Joe’s Pub. Emily is our trusted trombonist, singer, composer, arranger; with her are Mike Davis, trumpet, vocal; Evan Arntzen, clarinet, alto sax; Dalton Ridenhour, piano; Nick Russo, guitar, banjo; Rob Adkins, string bass; Jay Lepley, drums, vocal.

Hoagy goes to the Pacific Northwest in Emily’s brooding, lovely PACIFIC LULLABY:

Hoagy, himself — LAZY BONES:

Percy Venable, not for the lactose-intolerant — BIG BUTTER AND EGG MAN:

Emily’s own evocation of country angst, MEET ME IN THE MORNING:

A gospel-on-wry sort-of-love-song, MY LIFE WOULD BE EASY:

And Emily’s loving tribute to her very adorable niece, SWEET PEA:

Now that you’ve heard and seen this band in their 2015 selves, please consider. This isn’t a repertory orchestra, tied to the old records; this isn’t a band with a stylistic set of restrictions (“We don’t play anything that the Golden Leaf Mendicants wouldn’t have played on American Music Records”).  What distinguishes this band is a delicious freedom for everyone to follow those evanescent yet memorable impulses . . . so there are tinges of gospel, country, “Dixieland,” Forties rhythm and blues, soul, “modern jazz,” and more — no one’s hemmed in and there is a wonderful energetic lyricism permeating every aspect of every performance.

Someone should take notice.  A residency for the Garden Party, anyone?

May your happiness increase!

SHE KNOWS HOW TO THROW A PARTY! EMILY ASHER’S GARDEN PARTY AT JOE’S PUB (PART ONE: JUNE 7, 2015): EMILY ASHER, MIKE DAVIS, EVAN ARNTZEN, DALTON RIDENHOUR, NICK RUSSO, ROB ADKINS, JAY LEPLEY

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Perhaps when you think of a party you envision fascinating forbidden foods — in small or large portions — and many cheerful people mingling.  That’s not a bad image at all.  When I went to Google Images to find something suitable for this blog, most of the photographs were of athletic-looking women in brightly-colored swimwear, arms extended on high.  Nice, but I don’t remember being invited to those parties, so I chose something more appropriate.

I’m honored to count Emily Asher as a friend and musical colleague, and I was thrilled to be at her swinging concert at Joe’s Pub on June 7, 2015.  To the uninitiated, Emily’s band — Garden Party — might seem just another retro-swing outfit, offering variations on familiar music.  That would be a deep misconception, because as the videos below will show, Emily and her musical pals have musical integrity — that is, they play honest music from their hearts — and expansive visions — so that any gig she’s on is going to be wide-ranging, each selection both improvised on the spot and well-thought out.  This is not a band devoted to copying the predictable, but its innovations don’t jostle or hurt.

Here are the first six selections from that very gratifying night at Joe’s Pub. Emily is our trusted trombonist, singer, composer, arranger; with her are Mike Davis, trumpet, vocal; Evan Arntzen, clarinet, alto sax; Dalton Ridenhour, piano; Nick Russo, guitar, banjo; Rob Adkins, string bass; Jay Lepley, drums, vocal.

WHEN YOU WORE A TULIP (a bright yellow tulip, no less) to start things rocking, with a delicious New Orleans parade beat from Jay:

I’VE GOT A FEELING I’M FALLING (a little romance from Tom and Andy — Waller and Razaf, that is — sung by Emily and Mike):

A rousing suggestion for increased personal happiness, WALK IT OFF, sung by Jay — and the band rocks in good middle-Forties style:

GARDEN PARTY PARTY, evoking Kid Ory’s SAVOY BLUES, but with no copying implicit or explicit:

A gorgeous evocation of Hoagy’s MEMPHIS IN JUNE thanks to Rob and Evan:

Music heals, we hope.  Listen to Emily’s joyously defiant AN OPEN INVITATION TO A RAINSTORM:

A swell party, indeed — full of musical energy, much more sustaining than bacon-wrapped shrimp and mojitos.  And there are more performances to come.

May your happiness increase!

EXPANSIVE, EXUBERANT: “THE VERY NEXT THING,” THE HOT JAZZ JUMPERS

Let me begin with a public service announcement.  If you prefer your jazz safe, timid, predictable; if you like it to be categorizable, neatly cut into half-inch dice, please read no farther.  The CD/DVD package I am about to announce and praise, THE  VERY NEXT THING,  is anything but formulaic.  It is, as leader Nick Russo says in the video below, an “eclectic mix of music.”

HJJ cover larger

The beautiful art is by Roy Kinzer.

Here’s some footage of the band — and a few pointed words from some of the musicians:

and here’s another view of Nick — with great insights from the musicians:

Now, I first met Nick a number of years ago as a member of Gordon Au’s Grand Street Stompers, Emily Asher’s Garden Party, and other groups.  I knew, when I came in the door and saw Nick that there were going to be engaging — sometimes surprising — melodies created, that the rhythm would be bountiful and imaginative.  I could relax and anticipate great things.  But I’d never heard Nick’s Hot Jazz Jumpers until now, when they are celebrating the pre-release of their new CD/DVD, and they make fine unfettered spacious music.

Most compact discs by one musical organization that come my way — and this is not surprising — offer similar musical experiences all the way through, sometimes seventy-five minutes’ worth.  And for many listeners, this is consoling, rather like buying a chunk of Manchego at the cheese counter. But the HJJ (if I may be so informal) are too large, energetic, and unruly to be confined to one stylistic box.  So the new disc — with seventeen performances — offers the beautifully idiomatic “traditional jazz” of WHEN THE RED, RED ROBIN COMES BOB, BOB, BOBBIN’ ALONG featuring trusted New York swing stars Gordon Au and Dennis Lichtman among others . . . three tracks later, one hears a free improvisation for Nick, guitar, and Miles Griffith, voice.  The range of repertoire is delightful broad, brave, and the results are compelling: CARAVAN, YOU ARE MY SUNSHINE, NOBODY BUT MY BABY IS GETTING MY LOVE (when was the last time you heard that Clarence Williams song performed?), IN A MELLOTONE, SWEET GEORGIA BROWN, MANHA DE CARNAVAL, AIN’T MISBEHAVIN’, I’VE GOT MY MOJO WORKING, and THIS LITTLE LIGHT OF MINE.  Then there are originals and less familiar numbers: two versions of the New Orleans JOCK-A-MO, the bluegrass FREIGHT TRAIN, JAM FOR LENNY, DIRTY40.

Listening to the CD, I was delighted by its expansive conceptions: the Hot Jazz Jumpers offered what their name promised, but I also heard more contemporary New Orleans music, echoes of Motown, of classic rhythm ‘n’ blues,  and less familiar forms that I learned were Gullah Geechee rhythms, North Indian classical music, and world music.  I heard subtle and bold percussion and rhythms, and two powerful voices: Bettina Hershey’s, vibrant, folk-inflected, eloquent, and the quite remarkable Miles Griffith, who — singing or scatting — roams freely in his own universe, whose monarchs are Leo Watson and Leon Thomas.

On the CD, you’ll hear Nick, guitar, tenor banjo, resonator, baritone resonator; Bettina Hershey, voice, guitar; Miles Griffith, voice / scats; David Pleasant, drums, harmonica, voice; Essiet Essiet, bass; Mamadou Ba, bass; Gordon Au. trumpet; Josh Holcomb, trombone; Dennis Lichtman, clarinet; Mike Russo, guitar.  The accompanying DVD has Eleven more songs, including video presentations of CARAVAN (with a delightful impromptu beginning), INDIANA, NOBODY BUT MY BABY, RED RED ROBIN, FIVE FOOT TWO, and some other surprises.

Now, I hope I’ve enticed the bold and tantalized the lively.  The best way to experience Nick Russo’s music is in person, although the two videos give strong evidence.

On Friday, July 24, 2015, you can hear and see the Nick Russo Trio featuring: Nick Russo, guitar/banjo;  Nathan Peck, string bass; Harvey Wirht, drums; with special guests Miles Griffith & Betina Hershey — at Bar Next Door (http://lalanternacaffe.com/) 129 MacDougal St, New York, NY 10012 (212) 529-5945 — three sets, at 7:30, 9:30, and 11:30.  Here is the Facebook event page.

On Saturday, July 25, 2015, Hot Jazz Jumpers New York City CD/DVD Release at WhyNot Jazz Room, 14 Christopher St. @ Gay St. NYC.  Tickets – $12
Doors 10:30pm // Showtime 11pm: Miles Griffith, voice/scats; Betina Hershey, voice/guitar;  Nick Russo, guitar/banjo/voice; David Pleasant, drums/harmonica/voice. Here is the Facebook event page for the 25th.

HOT JAZZ JUMPERS

Photo by Lynn Redmille

At these gigs, the CD/DVD will be available for sale — but the official national release of it is not until later in the year, so you will be well ahead of the pack. (Eventually, it will be available on CDBaby and iTunes, but right now you can have the delightful experience of purchasing it from the musicians who made it.)

Want to know more?  Here is the band’s website.  Nick is so versatile that he has two Facebook pages: here and here.

And for those who might be visiting Massachusetts in August, the HJJ have a mini-concert tour there in Woods Hole, August 3  – 5:  DVD/CD pre-release concerts at Quicks Hole Tavern in Woods Hole, 29 Railroad Ave, Woods Hole, MA 02543. Each concert goes from 9-11:30.  Details here.  At any of these concerts or gigs, I know you will hear honest, lively, stirring music. And purchasing the CD/DVD will enable you to take the Hot Jazz Jumpers home with you as well.  They’ve assured me they won’t mind.

May your happiness increase!

WE MUST CULTIVATE OUR GARDEN: EMILY ASHER and GARDEN PARTY ARE STARTING SOMETHING

I had sworn off Kickstarter appeals for a time, but for trombonist / singer / composer / arranger Emily Asher and her neat band, GARDEN PARTY, I surely will make an exception.

Why?

Freshness without ostentatious “genre-bending,” a loving respect for melodies old and new, consistent loving good feeling and consistent inventive swinging. Who could ask for more?  Not even Voltaire, who liked his music more sedate, I am told.

Emily and Garden Party are seeking funding to make a new full-length CD. Their mini-CD, CARNIVAL OF JOY, a Hoagy Carmichael tribute, was both reverential and lively (in the right spirit), and the new one promises to be even better.

The Kickstarter campaign ends on July 29, and if they don’t raise the money they are aiming for, nothing comes out of your or my pocket.  I know some people, both musicians and fans, are chagrined by Kickstarter and similar appeals, but there are few record labels who can bankroll such projects.

Have you read enough for the moment?

Here is where you can find out more, watch an endearingly witty video that Emily has made (she explains it all) and even part with a few crumpled bills in the name of sweet hot music.

And if Emily and her trowel-wielding candid pals are new to you, I propose you sit yourself down on the soft moist earth and watch Carnival this (announcing CARNIVAL OF JOY, aptly named) —  One (the first part of their San Francisco house concert) — Two (the second) — and a little taste from Cafe Divine, February 2014:  Divine.

For those who simply can’t get enough, and I understand the feeling, I’ve also captured Ms. Asher and friends in performance in New York, at The Ear Inn, at Radegast, and elsewhere.

“Every nickel helps a lot,” even if you’re not a Shoe Shine Boy. Or, as Candide said (in the original), “Dig you now, plant you later.”

May your happiness increase!

FROM EAST TO WEST, EMILY ASHER BRINGS GOOD SOUNDS (Cafe Divine, February 17, 2014)

Trombonist, singer, composer, arranger Emily Asher is so blissfully bicoastal that she makes the rest of us seem as if we’re glued to our recliners.  She flies from Hither to Yon, whisking back and forth from Seattle to Brooklyn, making friends for the music wherever she goes, a marathon runner for good music.

Here’s a very recent sample, from an intriguing gig at Cafe Divine in San Francisco — which began as a duo of trombone (Emily) and accordion (Rob Reich) but expanded in the most graceful way.  The first Special Guest was string bassist Daniel Fabricant, who joined in for a romping ROYAL GARDEN BLUES:

Daniel had to go off to make a gig with Gaucho (those spreaders of joy) so Emily and Rob asked the sweet but pointed question, WHY DON’T YOU GO DOWN TO NEW ORLEANS?:

I think Frank Loesser’s imagined ship would be too sluggish for our Ms. Asher, but she likes the tune ON A SLOW BOAT TO CHINA:

BLUE SKIES featured an Impromptu but Expert Girl Trio — An Historic Moment — Emily, Meredith Axelrod, and Kally Price, with Rob and the esteemed Craig Ventresco, guitar:

Meredith showed us the way to MY BLUE HEAVEN:

Now, if you’re reading this on the East Coast and feeling deprived, there is Good News Tonight.  On Saturday, March 1, Emily Asher’s Endangered Species Trio (yes!) will begin New Brunswick Jazz Project’s Women in Jazz month.  They will play at the Alfa Art Gallery in New Brunswick, New Jersey, immediately following a viewing of the very fine film THE GIRLS IN THE BAND.

Details here and here.  The event begins at 6:30; the film screening will be from about 7:20-8:45, and the band will play from 9-11 PM: with Emily, the EST is Tom Abbott, bass saxophone; Rob Reich, accordion.  I’d be there if I could.

May your happiness increase!

DOUBLE DIGGING THE PERENNIALS: EMILY ASHER’S GARDEN PARTY LIVE IN SAN FRANCISCO, JANUARY 16, 2014: PART TWO

“A good time was had by all” continued to be true for the second half of this delightful evening.  (Here is the first half, for anyone who missed it.)

I present again Emily Asher’s Garden Party — captured here nearing the end of their 2014 West Coast Tour (historians take note).  Here they are at a very rewarding house concert in San Francisco, hosted by Daniel Fabricant and Vic Wong, offering a good-old-good one and three Hoagy Carmichael classics.

The GP in these videos is Emily, trombone, vocals, arrangements / compositions; Mike Davis, trumpet, vocal; Tom Abbott, reeds; Nick Russo, banjo, guitar; Rob Adkins, string bass; Jay Lepley, drums. (My videos are a little dark but the music blazes brightly.)

DARDANELLA, featuring Tom Abbott and the rhythm:

GEORGIA ON MY MIND, with a soulful vocal from Mike Davis:

LAZY BONES, with preaching by Ms. Emily after a wonderfully surprising introduction:

RIVERBOAT SHUFFLE, for the ensemble, a happily free-wheeling bunch:

May your happiness increase!

DOIN’ THE HORTICULTURAL: EMILY ASHER’S GARDEN PARTY LIVE IN SAN FRANCISCO, JANUARY 16, 2014: PART ONE

A good time was had by all.

Emily Asher’s Garden Party — captured here nearing the end of their 2014 West Coast Tour (historians take note).  Here they are at a very rewarding house concert in San Francisco, hosted by Daniel Fabricant and Vic Wong, offering good-old-good ones, Hoagy Carmichael, music associated with Louis Armstrong, and a few locally-sourced originals.

The GP in these videos is Emily, trombone, vocals, arrangements / compositions; Mike Davis, trumpet, vocal; Tom Abbott, reeds; Nick Russo, banjo, guitar; Rob Adkins, string bass; Jay Lepley, drums. (My videos are a little dark but the music blazes brightly.)

For Ella, the Mills Brothers, Sammy Cahn, Saul Chaplin, and the elusive Hy Zaret, DEDICATED TO YOU:

Emily’s original, dedicated to a clamorous stretch of road in her home town, EAST MERIDIAN:

TWO SLEEPY PEOPLE, a sweet bit of Carmichael voiced for Asher and Davis, soft-shoe tempo provided by that nimble rhythm section:

Appropriate for a Garden Party, WHEN YOU WORE A TULIP:

Thinking again of Ella and Chick, the band shouts HALLELUJAH!:

A small Louis-Jack trilogy (catch Mr. Davis’ beautiful sound here) STARS FELL ON ALABAMA:

From ‘way out West, BIG BUTTER AND EGG MAN:

At a nice tempo, MUSKRAT RAMBLE:

Emily’s original, for her flowering niece, SWEET PEA:

Music in blossom, with more to come!

May your happiness increase!

THE SWING WE HEARD LAST SUMMER (Part Two): CLINT BAKER’S NEW ORLEANS SWING BAND at EPIC SWING (July 13, 2013)

Remembering the past is a good thing, especially when the evidence is so rewarding and swings so well.  Here are some more performances from the evening of merriment and hot music performed by Clint Baker and his New Orleans Swing Band at Epic Swing, San Mateo, California, July 13, 2013.  (The first assortment can be viewed here.)

The band sounds wonderful and I am especially enamored of the Hopperesque lighting afforded everyone onstage.

The participants?  Clint, trumpet, reeds, vocal; Robert Young, reeds, vocal; Ray Skjelbred, piano; Jason Vanderford, guitar / banjo; Tom Wilson, string bass; Jeff Hamilton, drums.

IF I COULD BE WITH YOU ONE HOUR TONIGHT:

THE GIRLS GO CRAZY:

HONEYSUCKLE ROSE:

ABSOLUTELY, POSITIVELY (sung affirmatively by Clint):

IN THE SHADE OF THE OLD APPLE TREE (vocal Jason):

THE SECOND LINE:

SHAKE THAT THING:

LADY BE GOOD:

More to come! Clint and friends will be playing the Wednesday Night Hop in Mountain View, on January 8, 2014 — a very good way to welcome the New Year in.  Details here.  (And on the 15th, Emily Asher’s Garden Party will take the stand!)

May your happiness increase!

THE SWING WE HEARD LAST SUMMER (Part One): CLINT BAKER’S NEW ORLEANS SWING BAND at EPIC SWING (July 13, 2013)

Remembering the past is a good thing, especially when the evidence is so rewarding and swings so well.  Here are some performances from the evening of merriment and hot music performed by Clint Baker and his New Orleans Swing Band at Epic Swing, San Mateo, California, July 13, 2013.

The band sounds wonderful and I am especially enamored of the Hopperesque lighting afforded everyone onstage.

The participants?  Clint, trumpet, reeds, vocal; Robert Young, reeds, vocal; Ray Skjelbred, piano; Jason Vanderford, guitar / banjo; Tom Wilson, string bass; Jeff Hamilton, drums.

CRAZY RHYTHM (with an astonishing extended Skjelbred interlude):

COQUETTE:

PUT ON YOUR OLD GREY BONNET:

SARATOGA SWING:

SOME OF THESE DAYS:

EPIC SWING:

ROYAL GARDEN BLUES:

SWEET SUE, JUST YOU (in a Noone-Poston-Hines mood):

To get the full effect, set the YouTube “toothed wheel” or “gear” to 1080, watch in full screen with sufficient volume, gather the family, roll up the rug . . . .

More to come! And I don’t mean simply another set of videos, but Clint and friends will be playing the Wednesday Night Hop in Mountain View, on January 8, 2014 — a very good way to welcome the New Year in.  Details here.  (And on the 15th, Emily Asher’s Garden Party will take the stand!)

May your happiness increase!

UNDER WESTERN SKIES, JAZZ HORIZONS

Long-Beach-California-Sunrise

With great pleasure, I have transplanted myself from one coast to the other, from suburban New York to Marin County in California, where I will be for the next eight months.  So what follows is a brief and selective listing of musical events the Beloved and I might show up at . . . feel free to join us!

Clint Baker and his New Orleans Jazz Band will be playing for the Wednesday Night Hop in San Mateo on January 8: details and directions here.

Emily Asher’s Garden Party will be touring this side of the continent in mid-January, with Emily’s Hoagy Carmichael program.  On January 16, she, friends, and sitters-in will make merry at a San Francisco house concert: details here.  On the 17th, the Garden Party will reappear, bright and perky, at the Red Poppy Art House, to offer another helping of subtle, lyrical, hot music: details to come here.

Clint and Friends (I don’t know the official band title, so am inventing the simplest) will be playing for the Central Coast Hot Jazz Society in Pismo Beach on January 26.  Details are not yet available on the website, but I have it on good authority that the band will include Marc Caparone, Dawn Lambeth, Mike Baird, Carl Sonny Leyland, and Katie Cavera.

A moment of self-advertisement: I will be giving a Sunday afternoon workshop at Berkeley’s The Jazz School  — on February 9, called LOUIS ARMSTRONG SPEAKS TO US.  Details here.’

And, from February 21-23, the Beloved and I will be happily in attendance at the San Diego Jazz Party — details here — to be held at the Del Mar Hilton, honoring guitar legend Mundell Lowe and featuring Harry Allen, John Allred, Dan Barrett, John Cocuzzi, John Eaton, Eddie Erickson, Rebecca Kilgore, Ed Metz, Butch Miles, Nicki Parrott, Houston Person, Bucky Pizzarelli, Ed Polcer, Chuck Redd, Antti Sarpila, Richard Simon, Bria Skonberg, Rossano Sportiello, Dave Stone, Johnny Varro, Jason Wanner.  The sessions will offer solo piano all the way up to nonets, with amiable cross-generational jazz at every turn.  In a triumph of organization, you can even see here who’s playing with whom and when, from Friday afternoon to Sunday farewell.

In March, the Jazz Bash by the Bay in Monterey . . . make your plans here!

And — a little closer to the here and now — if you don’t have plans for a New Year’s Eve gala, check out ZUT! in Berkeley.  Good food — and Mal Sharpe and the Big Money in Jazz (with singer Kallye Gray) will be giving 2013 a gentle push at the stroke of midnight.  Details here.

We hope to see our friends at these events!

May your happiness increase!

EMILY ASHER’S JOYOUS CARNIVAL CONTINUES

Some months back, I wrote an eager announcement of a new compact disc by Emily Asher’s Garden Party — a six-song tribute to Hoagy Carmichael, called CARNIVAL OF JOY.  Truth in advertising!  The disc is one of those creative efforts that grows deeper with each visit, and it balances exuberance, intelligence, and subtle understanding.

CARNIVAL OF JOY

The facts.  The personnel (are they Partiers or Gardeners or Garden Partiers?) are Emily Asher, trombone / vocals / arrangements; Mike Davis, trumpet / cornet / vocal; Tom Abbott, clarinet / alto saxophone; Dalton Ridenhour, piano; Nick Russo, guitar / banjo; Sean Cronin, string bass (2, 4) / arrangement and vocal (6); Rob Adkins, string bass, 1, 3, 5, 6); Jay Lepley, drums.  The songs: RIVERBOAT SHUFFLE / LAZY BONES / JUBILEE / TWO SLEEPY PEOPLE / BALTIMORE ORIOLE / ROCKIN’ CHAIR.

Click here to hear LAZY BONES from the CD — and, not incidentally, learn more about the many swinging exploits of our Ms. Asher.

I said above, “exuberance, intelligence, and deep understanding.”  High praise and, for some, difficult to live up to.  But not for Emily and her colleagues.

The exuberance comes through from the start of the disc.  It’s not loud music (although there is the delightful possibility of good-humored raucousness on several of the tracks) but to me it felt very much like young Judy and Mickey with his father’s barn — the quality of “Let’s put on a show!” And the glee is authentic: it’s not the stagy “enthusiasm,” part of the act, we sometimes see.

What I perceive as “intelligence” and “deep understanding” come through in the thought-processes behind this disc.  Tributes are sometimes easy ways for artists who haven’t decided who they are to masquerade as more remarkable ones — the more enlightened artists come to understand that wearing a gardenia in your hair may be an absolute impediment to understanding Billie Holiday or becoming one’s self.

But CARNIVAL OF JOY is not an attempt to copy hallowed recordings or performances.  Of course I hear sly touches of Louis and Fats and Hoagy himself in these performances, but they are admiring glances rather than full-dress impersonations.  Emily and her friends have understood something deep about the delicate balance between honoring the originals and creating something new, so each of the six songs here is a small, casual drama in itself — joyous or somber, wild or pensive (and in the case of ROCKIN’ CHAIR, nearly ominous) — with singing and playing that adeptly honor the song and carry its many messages straight to us.

I’ve been playing CARNIVAL OF JOY often, and my only reservation about the disc is that it contains six songs . . . not eighteen or more.  Listen and see if you don’t agree.  Thank you, Emily, Mike, Sean, Tom, Dalton, Nick, Rob, Jay, and of course Hoagy.

May your happiness increase!

EMILY LOVES HOAGY and THE RESULT is A CARNIVAL OF JOY!

Miss Asher and Friends have been out gardening.  Not planting tomatoes or begonias — but they’ve nurtured a fine blossoming crop of organic swing for us.

I’ll let the cheerful, swinging video speak for itself:

My sources tell me that this expertly exuberant band has also created / cut? / waxed? a six-song Carmichael CD, which I am eagerly anticipating!  From the sounds here, they aren’t SMALL FRY or LAZY BONES or SLEEPY PEOPLE. No, I predict a JUBILEE from start to finish.

May your happiness increase!

EMILY ASHER’S DREAMS TAKE US ALOFT

Something good.  And about time!  It’s trombonist / singer / composer / arranger / bandleader Emily Asher’s debut CD, sweetly titled DREAMS MAY TAKE YOU.

Along with Emily, you will hear Wycliffe Gordon, on sousaphone and trombone; Bria Skonberg, trumpet, vocal; Philip Dizack, trumpet; Dan Levinson, tenor sax, clarinet; William Anderson, alto sax; Nick Russo, guitar, banjo; Gordon Webster, piano; Kelly Friesen, bass; Rob Adkins, bass; Kevin Dorn, drums; Rob Garcia, drums.  For those of you familiar with the hot New York scene, those names are a guarantee of fine swinging inventive jazz.

Much of the repertoire would appear to be “good old good ones,” including SUNNY SIDE OF THE STREET and SOMEDAY YOU’LL BE SORRY, but the CD is anything but by-the-numbers.  Emily is more than a fine trombonist and a sweetly winning singer: she is an imaginative musician, so the CD doesn’t bog down in the same thing; every track is its own vignette.

It begins with a romping version of ORY’S CREOLE TROMBONE, which Emily delivers with a fine gutty fervor (and her own version of a trombone cadenza).  The soloists share Emily’s high-flying enthusiasm, and the rhythm sections couldn’t be better.  So the chestnuts have a delightful 2012 Condonite bounce and looseness.  The CD’s title comes from an Asher original — by Emily’s father — called LULLABY FOR A LITTLE ONE, on which Miss Asher sings with winsome charm.  (And she knows when to leave an audience wanting more: the LULLABY is a delicious cameo, slightly over two minutes.)  It’s followed by a New Orleans “second line” version of CHANGES MADE, which would cause the sedentary to start dancing.  The original SWEET PEA is part cowboy-ballad, part rocking barcarolle, with touches of Fifties West Coast cool arranging.  HEY, LOOK ME OVER is Emily’s childhood party piece — which begins in an easy waltz-time before morphing into sleek swing — that won me over when I saw her do it (with apt choreography) at Radegast.  A streamlined EMPEROR NORTON’S HUNCH has shed all its two-beat trappings, and bursts forth gracefully.  SUNNY SIDE OF THE STREET features the duet stylings of Asher and Skonberg — neatly warbling the hip variations I associate with John Birks Gillespie — before the ensemble gives way to a piano / trombone duet.  Emily’s original GREAT BIG WALL will be the only song you know (I would guess) that mixes Latin rhythms and Middle Eastern tonalities.  Successfully, I must add.  YOU ARE MY SUNSHINE begins with a slide guitar / trombone duet and then blossoms, lyrically.  MUSKRAT RAMBLE begins with the Hot Five introduction and rocks from the first note (not too slow, not too fast, either) — with a splendidly tapping drum solo by Kevin Dorn in the middle.  SOMEDAY YOU’LL BE SORRY, taken at a brisk clip, is another trombone-piano outing, very delicate in its earnestness, with a straight-from-the-shoulder vocal by Emily, taking the lyrics with a gentle seriousness that would have pleased its creator.  And the disc ends with LIMEHOUSE BLUES, a version that had the energy of the World’s Greatest Jazz Band of fabled memory.

Nothing’s dull or forced on this CD: it’s one of those rare creations where you want to play it over again when it ends.

I couldn’t attend Emily’s May 29 CD release party at Radegast — a true Garden Party, I hear — but the CD is its own jubilant party.  You can purchase one here — either as a digital download or a physical CD.

And the GP will be strolling around the New Jersey Jazz Society’s JAZZFEST on Saturday, June 16, which begins at noon and ends at 9 PM.  And when Emily and company need a rest, you can hear Jon Burr,  Lynn Stein, Andy Farber’s Swing Mavens featuring Champian Fulton, the Harlem Renaissance Orchestra, the Tony DeSare trio, Eddie Monteiro, Swingadelic, and more.  Tickets can be ordered at 908.273.7827 or online at http://www.njjs.org.

Look out, world: here she comes!

May your happiness increase.