Tag Archives: Evergreen Jazz Festival

TRIUMPHANT! (Part One) THE HOLLAND-COOTS JAZZ QUINTET at the SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL in SEDALIA, MISSOURI (May 31-June 2, 2018): BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, EVAN ARNTZEN, STEVE PIKAL

For me, one great thrill is being there for the birth of a band, fierce and subtle.  The Holland-Coots Jazz Quintet is just such a memorable band, co-led by Brian Holland, piano; Danny Coots, drums, with Steve Pikal, string bass; Marc Caparone, cornet and vocal; Evan Arntzen, clarinet, tenor saxophone, and vocal.

I didn’t get to see them at the Durango Ragtime Festival in 2017, but I delighted in Judy Muldawer’s YouTube videos.  I followed them to Nashville that summer, and did the same for the Scott Joplin International Ragtime Festival just a few days ago. I’m still vibrating with happiness — not a new disorder I have to tell my neurologist about.

The Holland-Coots Jazz Quintet, Nashville, Summer 2017: From left, Marc Caparone, Steve Pikal, Danny Coots, Evan Arntzen, Brian Holland. Photograph by Amy Holland.

So, here is the band’s first set of that festival: outdoors, before noon, making remarkable music.  You don’t need to know more.

MAPLE LEAF RAG:

YOU TELL ME YOUR DREAM (frankly, a highlight of my year: see if you agree):

KANSAS CITY STOMPS:

DOWN IN HONKY TONK TOWN:

I intentionally left out a few details when I wrote above, “You don’t need to know more.”

You just might.  One is that the band’s debut CD, THIS IS SO NICE IT MUST BE ILLEGAL, a tribute to Fats Waller and his musical associations, has been pleasing listeners for some time now.  You can get your copy here.  And to experience this band in person — you can see the joyous energy they generate — come to the Evergreen Jazz Festival — which will happen in Colorado on July 27-28-29.  I’ll be there, and there’s room for you as well.

In the interim, share this music with friends, with strangers you feel kindly to, relatives, concert and festival promoters . . . you can extend this list at your leisure.  Brighten the corner, guided by these five most excellent sages.

May your happiness increase!  

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WESTWARD HOT! EVERGREEN JAZZ FESTIVAL (July 27-29) and a BARN DANCE PARTY with the CARL SONNY LEYLAND TRIO (July 26)

I am a failure as a well-trained tourist, because I shun guidebook attractions such as churches and museums in favor of second-hand stores, outdoor markets, and restaurants.  But I am not yet at the stage where I want to stay at home all the time.  What makes me happy is going to a place (ideally, a beautiful one) where good friends play and sing the music that makes me even more glad to be alive.  And I know I am not alone in this desire.

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Such opportunities for musical joy and fulfillment still exist, and one of them is the double boon of the Evergreen Jazz Festival in Colorado, and the barn dance concert that Dorothy Bradford Vernon and friends put on in Longmont, in the same state — they coincide most happily.

For those who want to go directly to the source(s), here you can learn all about the barn dance — featuring the Carl Sonny Leyland Trio — and here is the official site for the Evergreen Jazz Festival, a long weekend of beautiful music.

The EJF rotates its out-of-state attractions, so although I have twenty posts (with video evidence!) from my trips there in 2014 and 2016, I don’t feel it’s right to use videos from bands that won’t be there in 2018 to promote the current festival.  However, by typing EVERGREEN into this blog’s search engine, you can enjoy the evidence for many hours.  More about the 2018 band lineup below.

But since Carl’s Trio is more or less intact with the splendid Jeff Hamilton on drums (I believe Marty Eggers is playing string bass instead of our friend Clint Baker) I have no qualms about sharing this 2016 post with you.  My videos cannot convey the great warm welcome that Dorothy and friends extend to anyone walking through the barn doors.  The music and the dancers were truly memorable.

The Evergreen Jazz Festival offers ten bands, which means that the main problem most guests will have can be expressed by “I can’t decide between seeing X, Y , or Z,” rather than by “There’s nothing to do.”

Here is the schedule: eleven hours on Friday, twelve hours on Saturday, seven hours on Sunday.  You can sleep on Monday, or on the plane.  

A few words about the bands (you can read full descriptions on the EJF site).  Since I am an out-of-towner, I have no problem putting my fellow o-o-t women and men first — a kind of upside-down local pride.

Carl Sonny Leyland will be rocking the house once again (even the elk were doing splendid rhythmic gyrations in the parking lot).

The Holland-Coots Jazz Quintet — a band I succumbed to instantly last year in Nashville, where they recorded their debut CD, a tribute to Fats Waller that brought happiness and swing.  They are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet and vocal; Evan Arntzen, reeds and vocal; Steve Pikal, string bass.

World-travelers Ivory&Gold — that’s Jeff Barnhart, piano and vocals; Anne Barnhart, flute and vocals — who offer musical world tours that always surprise.

The frolicsome Rock Island Roustabouts — co-led by Hal Smith, drums, and Jeff Barnhart, with Dave Kosmyna, cornet; Doug Finke, trombone; Jonathan Doyle, reeds; Bob Leary, banjo/guitar; Ryan Gould, string bass.  The names alone will tell you that hot music is assured.

Multi-instrumentalist Dennis Lichtman’s Brain Cloud (yes, the name is strange — from a Bob Wills song — but the music is intoxicating) featuring Dennis on clarinet, fiddle, mandolin, and more, also with the phenomenal vocalist Tamar Korn and our man in swing Kevin Dorn, drums.

Pianists Brian Holland, Carl Sonny Leyland, and Jeff Barnhart will perform three trio sets on two pianos in the wonderful Evergreen church: beware of flying black and white ivories!

There will be a jam session set by the “EJF All-Stars”: Marc Caparone, cornet; Eric Staffeldt, trombone; Roger Campbell, clarinet; Rory Thomas, banjo; Jeff Barnhart, piano; Ryan Gould, string bass; Kevin Dorn, drums.

Two sets by the Sweet and Hot Quartet: Jeff Barnhart, Bob Leary, Anne Barnhart, and Steve Pikal (Friday) and Hal Smith (Sunday).

If that were not enough . . . Denver’s own After Midnight, which fashions itself after the Goodman Sextet with vibraphone; Felonius Smith Trio, which pays tribute to venerable guitar blues; the Gypsy Swing Revue, which lives up to its billing;  Joe Smith and the Spicy Pickles, a young energized swing band; the Queen City Jazz Band, celebrating its 65th anniversary and featuring Wende Harston on vocals; youth bands from the University of Colorado, the Denver Claim Jumpers, and the Denver Jazz Club Youth All-Stars.

The EJF features lovely small venues . . . so you need to consider purchasing tickets sooner rather than later.  I’ll be there, but I only take up one seat.  Hope you can make it also!  It’s been a great deal of fun and with this schedule, I know it’s going to continue.

And just in case you say, “What!  No music?” here is RUSSIAN RAG by the Holland-Coots Jazz Quintet, recorded informally in Nashville in July 2017:

May your happiness increase!

CLIMB EVERY MOUNTAIN: STILL MORE FROM THE FAT BABIES at the EVERGREEN JAZZ FESTIVAL (July 30, 2016)

fatbabiespress2

Yes!  Even more from one of the most gratifying jazz bands — and working bands — on the planet.  THE FAT BABIES can offer electrifying transcriptions of recordings both familiar and obscure, but they can wonderfully “go for themselves” in convincing solos and hot ensemble playing.  In the videos below, you’ll hear idiomatic and swinging evocations of Benny Carter, Joe Robichaux, Jelly Roll Morton, Andy Kirk, Jabbo Smith, and Bing Crosby (is that Nat W. Finston and the Paramount Orchestra I hear in the hills?) — beautifully done with no museum archaisms or modern “innovations.”  Just good fun — created by Beau Sample, string bass and leader; Alex Hall, drums; Jake Sanders, guitar and banjo; Paul Asaro, piano and an ANIMULE vocal; Jonathan Doyle, John Otto, saxophones; Dave Bock, trombone; Andy Schumm, cornet.

I’ve posted a goodly number of Fat Babies videos from the Evergreen Jazz Festival hereherehere, and here — so no one can go to the larder and find it bare of salutary Fat.  But my videos (I’m proud of them) are nothing compared to the experience of hearing and seeing this band live, so the message should be clear.

KRAZY KAPERS:

NOBODY’S SWEETHEART:

THE SOPHOMORE:

THE ANIMULE DANCE:

PLEASE:

WEIRD BLUES:

KING KONG STOMP:

Check their website to see their schedule, learn about their new CD, and more. I see they will be back at the Evergreen Jazz Festival at the end of July 2017.

May your happiness increase!

“IT’S FAT LIKE THAT”: MORE FROM THE FAT BABIES at the EVERGREEN JAZZ FESTIVAL (July 30, 2016)

Rainbow One

One of the great pleasures of the summer of 2016 was the Evergreen Jazz Festival in Evergreen, Colorado.  There I and others enjoyed the Carl Sonny Leyland trio with Clint Baker and Jeff Hamilton; the Kris Tokarski trio with Tim Laughlin and Hal Smith (and guest star Andy Schumm), and the Fat Babies, with Beau Sample, Andy Schumm, Dave Bock, John Otto, Jonathan Doyle, Paul Asaro,  Jake Sanders, and Alex Hall.

I’ve posted videos from the Fat Babies’ July 29 set here.  And some especially Fat music here. And even here.

Here are three more from the next day’s frolic.

The first, a composition from 1925 where Louis Armstrong plays slide whistle as well as cornet with his Hot Five, WHO’S IT . . . which I am assuming might have something with playing tag or an adult version rather than being a metaphysical inquiry into the slippery parameters of identity.

whos-it

Here are the Fat Babies romping through the thickets of swing:

Another Louis-related item, I AIN’T GONNA PLAY NO SECOND FIDDLE, which he recorded with Perry Bradford’s Jazz Phools as well as with Bessie Smith:

and Jimmie Noone’s APEX BLUES:

And here is my review of the band’s latest CD — on the Delmark Records label, SOLID GASSUH — a disc whose virtues I do not exaggerate.

Support The Fat Babies!  They’re remarkable.

May your happiness increase!

TRUTH IN (HOT) ADVERTISING: THE FAT BABIES, “SOLID GASSUH,” DELMARK RECORDS 257

We hope this truth can be made evident.  The new CD by The Fat Babies, SOLID GASSUH, on Delmark Records, embodies Truth in Advertising in its title and its contents.

solid-gassuh

“Solid gassuh,” as Ricky Riccardi — the Master of all things Louis — informs us in his excellent liner notes, was Louis’ highest expression of praise.  (I’d like to see it replace “sick” and “killin'” in the contemporary lexicon.  Do I dream?)

The Fat Babies are a superb band — well-rehearsed but sublimely loose, authentic but not stiff.  If you don’t know them, you are on the very precipice of Having Missed Out On Something Wonderful — which I can rectify herehere, and here.  (Those posts come from July 29, 2016 at the Evergreen Jazz Festival, and feature the “new” Fat Babies with the addition of the heroic Jonathan Doyle on reeds.)

SOLID GASSUH was recorded at the Babies’ hangout, the Honky Tonk BBQ, but there’s no crowd noise — which is fine — and the recorded sound is especially spacious and genuine, thanks to Mark Haynes and Alex Hall.  I know it’s unusual to credit the sound engineers first, but when so many recordings sound like recordings rather than music, they deserve applause.

The Babies, for this recording, their third, are Andy Schumm, cornet and arrangements; Dave Bock, trombone; John Otto, reeds; Paul Asaro, piano and vocals (also the chart for EGYPTIAN ELLA), Jake Sanders, banjo and guitar, Beau Sample, leader, string bass; Alex Hall, drums.

Their repertoire, for those deep in this music, says so much about this band — DOCTOR BLUES / AFTER A WHILE / FEELIN’ GOOD / DID YOU EVER SEE A DREAM WALKING? / ORIGINAL CHARLESTON STRUT / PENCIL PAPA / I MISS A LITTLE MISS / PARKWAY STOMP / YOU WERE ONLY PASSING TIME WITH ME / ALABAMY BOUND / SLOW RIVER / DELIRIUM / EGYPTIAN ELLA / SING SONG GIRL / MAPLE LEAF RAG.  There are many associations here, but without looking anything up I think of Ben Pollack, Paul Mares, Boyce Brown, Ted Lewis, Benny Goodman, Bix Beiderbecke, Fud Livingston, Red Nichols, Miff Mole, Luis Russell, Bud Freeman, Bing Crosby, Nat Finston, Thomas Morris, Lil Hardin, Sidney Catlett, Al Wynn, Punch Miller, Alex Hill . . . and you can fill in the other blanks for yourself.  And even though some of the songs may be “obscure,” each track is highly melodic and dramatic without ever being melodramatic.  (As much as we love ROYAL GARDEN BLUES, it’s reassuring to know that it wasn’t the only song ever played.)

The Babies are remarkable for what they aren’t — not a “Dixieland” or “New Orleans” or “Condon” ensemble, but a group of musicians who obviously have studied the players, singers, and the recordings, but use them as inspired framework for their own creativity.  Occasionally, the Babies do offer us a transcription of a venerable recorded performance, but it is so energized (and by that I don’t mean faster or louder) that it seems as if someone has cleaned centuries of dust off an Old Master and it’s seen freshly.  More often, they use portions of an original arrangement, honoring it, as a way to show off their own bright solos.  So the effect at times is not an “updating,” but music seen from another angle, an alternate take full of verve and charm, as if the fellows had been playing the song on the job rather than in the studio.

If you follow the Babies, and many do, you will have known that this recording is coming, and will already have it.  When my copy arrived, I played it through three times in a row, marveling at its energy and precision, its lively beating heart.  SOLID GASSUH is immensely satisfying, as are the Fat Babies themselves.

You can purchase the disc and hear sound samples here, and  this is the Delmark Records site, where good music (traditional and utterly untraditional) flourishes.

May your happiness increase!

SO FAT, SO GOOD (Part One): THE FAT BABIES at the EVERGREEN JAZZ FESTIVAL (July 29, 2016)

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Wonder of wonders (continue) with the Miracle Boys of Hot, The Fat Babies, at their July 29, 2016.  Even the elk were swinging.  They are (of course) Alex Hall, drums; Beau Sample, string bass; Paul Asaro, piano / vocal; Jake Sanders, guitar / banjo; Jonathan Doyle, John Otto, reeds; Dave Bock, trombone; Andy Schumm, cornet, clarinet, arrangements.

MANDY, MAKE UP YOUR MIND:

PLEASURE MAD (later known as VIPER MAD, by Sidney “Bash-shay” in any case:

HE MAY BE YOUR MAN (BUT HE COMES  TO SEE ME SOMETIMES):

and a quick but satisfying set-closer, MAPLE LEAF RAG, Charles LaVere 1935 style:

So hot it’s delightful.  And another whole Evergreen set to come.

And . . . the Babies have three CDs out on the Delmark label: CHICAGO HOT, 18th and RACINE, and the new Baby, SOLID GASSUH, as well as two featuring Paul Asaro on Rivermont, WHAT A HEAVENLY DREAM (devoted to Fats) and SWEET JAZZ MUSIC (for Jelly).  Lay in a supply.  They say it’s going to be a cold cold winter.

May your happiness increase!

“OH, FAT THAT THING!” THE FAT BABIES, featuring PAUL ASARO and JOHN OTTO, PLAY FATS WALLER (Evergreen Jazz Festival, July 29, 2016)

The most difficult part of this blogpost has been trying to find a polite title for the congenial combination of THE FAT BABIES and THOMAS “FATS” WALLER, but I think I’ve managed to be as little offensive as possible.  I hope.  No suggestions solicited, please.

Here are three performances by that wonderful octet — Andy Schumm, cornet; Dave Bock, trombone; John Otto and Jonathan Doyle, reeds; Paul Asaro, piano and vocals; Jake Sanders, banjo / guitar; Beau Sample, leader / string bass; Alex Hall, drums — at the Evergreen Jazz Festival in Evergreen, Colorado, on July 29, 2016.

THE FAT BABIES, before Jonathan Doyle had joined the band.

THE FAT BABIES, before Jonathan Doyle had joined the band.

From Fats’ first published song (based on THE BOY IN THE BOAT, as we know), onwards to a sadder one:

Finally, the delightful Jimmy McHugh tune that Fats made his own — performing it in the 1935 film KING OF BURLESQUE.  (Then, it got taken up by Louis and others, happily):

On all these performances, the ebullient Paul Asaro — striding, singing, and smiling — stands out, as he always does.  Paul has made two CDs — tributes to Waller and Morton — with the Fat Babies, issued on Rivermont Records.

More to come from Colorado — and if you’re near Chicago, you can hear The Fat Babies live.  http://www.thefatbabies.com/ is their website and performing schedule.  And — even more! — I’m waiting for a copy of their latest release, correctly titled SOLID GASSUH (!) on Delmark Records.

Hotter than a fat baby, for sure.

May your happiness increase!