- “GOOD FOR WHAT AILS YOU”: JIMMY McPARTLAND, ZIGGY ELMER, BUD FREEMAN, BOB WILBER, KENNY KERSEY, DON LAMOND, GEORGE WETTLING (“Dr. Jazz,” WMGM, March 14, 1952, Stuyvesant Casino)
- WE’RE ENCHANTED: JOE SULLIVAN IMPROVISES (March 1963)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirty-Seven) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
- THEY’RE SWELL, or ROCKING THE ROCKIES (CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON: Evergreen Jazz Festival, July 26, 2019)
- “MAKE WEIRD SOUNDS,” or ROCKING THE BLUES SOUTH OF FOURTEENTH STREET: MARA KAYE, ERNIE VEGA, CONAL FOWKES, KEVIN DORN, JON-ERIK KELLSO (Cafe Bohemia, December 5, 2019)
- SHORT YET SOARING: “WEARY BLUES,” BENT PERSSON and GORAN ERIKSSON
- BLISSFUL PLAYS: “EARLY RISERS,” JOHN SCURRY’S REVERSE SWING (Lionshare Records, 2 CDs)
- “IT’S DE-LOVELY”: UNHEARD ELLA FITZGERALD (BEN WEBSTER, CLYDE HART, BOBBY BENNETT, JOHN KIRBY, COZY COLE, EDGAR SAMPSON and others, 1.15.37)
- OH, THEY DO: RAY SKJELBRED AND HIS CUBS (November 25, 2016)
- “HOW’S YOUR LOUISNESS?” (January 1, 1947)
- CHRIS FLORY’S MAGIC DEEP-BLUE SWING ENGINE (with JON-ERIK KELLSO, EVAN ARNTZEN, NEAL MINER at CAFE BOHEMIA, November 14, 2019)
- SATURDAY NIGHT AT THE GIRLS’ SCHOOL (December 1, 1951)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirty-Eight) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
- THE PERFECT JAZZ REPERTORY QUINTET: DICK HYMAN, BOB WILBER, PEE WEE ERWIN, MILT HINTON, BOBBY ROSENGARDEN (Nice Jazz Festival, July 9, 1978)
- JOSH DUNN: MELODY MAN’S DREAM
- I’LL STRING ALONG WITH THEM: “STRAIGHT AHEAD,” THE DON STIERNBERG QUARTET
- “TWO TALKIN’ HORNS”: THIMO NIESTEROK, DAN BARRETT, HARRY KANTERS, STEFAN REY
- DANIEL HUCK’S JOYOUS MAGIC
- IT’S RAINING SWING! (1942)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirty-Six) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
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Tag Archives: Every Evening
A delicious interlude: Lynne Koehlinger and Peter Varshavsky do an inspired Charleston routine to Jimmie Noone’s “Every Evening,” at the 2008 Gatsby Ball.
Lynne and Peter defy the laws of physics. At some points, they seem to be moving in slow motion, with every kick and turn clear, never blurred. But you know that they’re really dancing at an exhausting pace. Hard work made to seem effortless! Their routine has a lovely shape: they begin as a couple in perfect physical harmony, then break out for inspired capers during Earl Hines’s solo and the stop-time chorus, and conclude as a pair. It’s worthy of Olympic consideration. Why there isn’t a category for Jazz Dance still mystifies me. Let’s call it Hot Made Visible.
Thanks to SUN, the Singers’ Underground Network (I just made that up) of Meredith Axelrod and Melissa Collard, who passed this gem on to me. And now, to you.
Melissa Collard should be someone readers of this blog know and admire. Her first CD, OLD FASHIONED LOVE, is a treasure. Rumor has it that she and Hal Smith have completed a second one, which is great news.
Meredith Axelrod, who often works with guitar genius Craig Ventresco, has thoroughly internalized the vocal styles of the early twentieth-century in a way both eerie and exhilirating.