- BABY, BABY, ALL THE TIME! MORE FROM MARTY GROSZ and the SELF-PRESERVATION ORCHESTRA: DANNY TOBIAS, JACK SAINT CLAIR, JIM GICKING, VINCE GIORDANO, JIM LAWLOR (Awbury Arboretum, Philadelphia: June 23, 2021)
- “OH, SISTER, AIN’T THAT HOT?” and TWO FOR LOUIS: DUKE HEITGER, BOB BARNARD, BOB HAVENS, BOBBY GORDON, JIM DAPOGNY, MARTY GROSZ, VINCE GIORDANO, KEVIN DORN (Jazz at Chautauqua, September 28, 2006)
- SWEET [COSMOLOGICAL] SOUNDS FROM SWING 46 (Part Three): DAN BLOCK, GABRIELLE STRAVELLI, MICHAEL KANAN, PAT O’LEARY (July 13, 2021)
- “I LIKE IT, I LIKE IT”: A NEW CD BY JOHN ROYEN’S NEW ORLEANS RHYTHM: KIM CUSACK, STEVE PIKAL, JOSHUA GOUZY, HAL SMITH (2020)
- SWEET SOUNDS FROM SWING 46 (Part Two): DAN BLOCK, GABRIELLE STRAVELLI, MICHAEL KANAN, PAT O’LEARY (July 13, 2021)
- SWEET SOUNDS FROM SWING 46 (Part One): DAN BLOCK, GABRIELLE STRAVELLI, MICHAEL KANAN, PAT O’LEARY (July 13, 2021)
- INFINITE PROPULSION: RAY SKJELBRED AND HIS CUBS at the SACRAMENTO MUSIC FESTIVAL (RAY SKJELBRED, KIM CUSACK, CLINT BAKER, JEFF HAMILTON, KATIE CAVERA, May 25, 2014)
- BRIAN KELLOCK’S “MARTY PARTY,” EDINBURGH JAZZ and BLUES FESTIVAL, JULY 21, 2021: LIVE AND ONLINE.
- CELEBRATING GEORGE BARNES at 100: The GEORGE BARNES – RUBY BRAFF Quartet (MICHAEL MOORE, WAYNE WRIGHT) at the Grande Parade du Jazz, July 21, 1974
- CLARINETS, ANYONE? BARNEY BIGARD, KENNY DAVERN, BOB WILBER, EDDIE DANIELS, TONY COE, DICK HYMAN, JACK SEWING, J.C. HEARD (Grande Parade du Jazz, July 15, 1977)
- LEO FORDE’S GRACIOUS MUSIC: THE GIZINTI ACOUSTIC TRIO, “ANNIE GOES OUT TO THE BALL GAME”
- ELLA FITZGERALD, JIMMIE ROWLES, KETER BETTS, BOBBY DURHAM at ANTIBES, “Festival de jazz d’Antibes, Juan-les-Pins,” July 22, 1981
- HEARD ON THE STREET: JON-ERIK KELLSO, MATT MUNISTERI, JAY RATTMAN, RICKY ALEXANDER (The EarRegulars at The Ear Out, June 27, 2021)
- STOMPING AT SUNDOWN: COLIN HANCOCK’S RED HOT EIGHT at THE MORRIS MUSEUM, MORRISTOWN: MIKE DAVIS, VINCE GIORDANO, TROY ANDERSON, JULIAN JOHNSON, ARNT ARNTZEN, ALBANIE FALLETTA, DAN LEVINSON (June 10, 2021)
- “CAN’T YOU SEE HOW HAPPY WE WOULD BE?”: DANNY TOBIAS AND THE SAFE SEXTET with MARY LOU NEWNAM (RANDY REINHART, MARK SHANE, PAT MERCURI, JOE PLOWMAN, JIM LAWLOR): Pennsylvania Jazz Society, June 13, 2021)
- “YOUR BUDDY MISSES YOU”: THE EarRegulars PLAY WALTER DONALDSON at The Ear Out: MATT MUNISTERI, JON-ERIK KELLSO, RICKY ALEXANDER, JAY RATTMAN (June 27, 2021)
- THE PHILADELPHIA STORY (Part Three), or MARTY PLAYS FATS, AGAIN: MARTY GROSZ, VINCE GIORDANO, DANNY TOBIAS, JACK SAINT CLAIR, JIM LAWLOR, JIM GICKING (Awbury Arboretum, June 23, 2021)
- SONATAS IN THE SUNSHINE (Opus Two): RICKY ALEXANDER, JAY RATTMAN, MATT MUNISTERI at The Ear Out, June 27, 2021
- “THERE’S SOME KIND OF MAGIC GOING ON”: “COLLEGIATE,” by THE ORIGINAL CORNELL SYNCOPATORS (Rivermont Records, 2021)
- BIG SID and BENNY, TRIUMPHANT (September 27, 1941)
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Tag Archives: Every Evening
A delicious interlude: Lynne Koehlinger and Peter Varshavsky do an inspired Charleston routine to Jimmie Noone’s “Every Evening,” at the 2008 Gatsby Ball.
Lynne and Peter defy the laws of physics. At some points, they seem to be moving in slow motion, with every kick and turn clear, never blurred. But you know that they’re really dancing at an exhausting pace. Hard work made to seem effortless! Their routine has a lovely shape: they begin as a couple in perfect physical harmony, then break out for inspired capers during Earl Hines’s solo and the stop-time chorus, and conclude as a pair. It’s worthy of Olympic consideration. Why there isn’t a category for Jazz Dance still mystifies me. Let’s call it Hot Made Visible.
Thanks to SUN, the Singers’ Underground Network (I just made that up) of Meredith Axelrod and Melissa Collard, who passed this gem on to me. And now, to you.
Melissa Collard should be someone readers of this blog know and admire. Her first CD, OLD FASHIONED LOVE, is a treasure. Rumor has it that she and Hal Smith have completed a second one, which is great news.
Meredith Axelrod, who often works with guitar genius Craig Ventresco, has thoroughly internalized the vocal styles of the early twentieth-century in a way both eerie and exhilirating.