Tag Archives: Franz Lizst

MAKING MELODY COME ALIVE: ROSSANO SPORTIELLO and DAN BARRETT at the Sacramento Music Festival (May 2012)

I find these performances from the 2012 Sacramento Music Festival very moving — a solo and duet from players who know the truth of Bobby Hackett’s assertion, “Melody is a must.”

The Maestro, Rossano Sportiello, brings Western classical music and hot jazz together in a matter of minutes, making his extraordinary light shine through the notes.  His solo feature begins with a reading of Lizst’s Consolation # 3 — unusual material for a jazz festival, but it produced an attentive hush in the audience . . . then Rossano segued into a swinging stride exploration of the 1931 pop tune, LITTLE GIRL.  I don’t think the two compositions are linked by their possible alphabetical proximity — or, as Sylvia Fine wrote and Louis sang, “Put Lizst on that list!” — they are just both awe-inspiring music with different shadings and approaches to beauty:

Then Rossano invited the splendid Dan Barrett on stage for a searching, tender performance of Billy Strayhorn’s CHELSEA BRIDGE.  (Dan begins by thanking Rebecca Kilgore for this interlude — Miss Kilgore knows all their is to know about making melody come alive, as you will see if you don’t already know):

Here is missionary work for my readers: why not forward this post to all the people you know who say, “Well, I really like music.  But I don’t like / don’t understand / don’t get what you hear in jazz.”  Perhaps Maestri Sportiello and Barrett could do some subtle enlightening and make more people open themselves to this music — spreading the good word without seeming to preach.

May your happiness increase.

SIGN UP FOR “OHYEAHDAY”!

From Tamas Itzes, virtuoso pianist, violinist, and director of the Bohem Ragtime Jazz Band and its annual jazz festival:

 
1. The 20th International Bohém Ragtime & Jazz Festival in Kecskemét, Hungary (March 25-27, 2011), again, offers a great line-up and different tourist packages.  Because it will be the 200th anniversary of the birth of Franz Liszt, the event runs under the theme “Liszt Year in Ragtime” and we will feature 5 fabulous pianists (Mimi Blais, Morten Gunnar Larsen, Butch Thompson, Paolo Alderighi, Adam Swanson) and the fantastic Paris-based New Orleans style band, The Night Owls. “Festival Only” packages and “7-day Wellness packages” are available.  Visit http://www.bohemragtime.com/en/act.html for more information. 
 
2. LET’S MAKE THE 4TH OF AUGUST INTERNATIONAL DAY OF CLASSIC JAZZ EVERY YEAR.

August 4 is Louis Armstrong’s documented birthday (although he always celebrated on the 4th of July and stated that he was born in 1900), so his 110th anniversary in 2011 is a perfect date to start such a movement.

We have plenty of ideas about how to use this International Day all year long for different projects that help generate more media coverage for jazz events worldwide and would also draw young audiences in. 

But to achieve this, we need plenty of supporters (not financial support, only people who join the movement by signing it on the website). So if you agree (and why wouldn’t you?), please visit www.OhYeahDay.com and support the idea.

Our goal is to get 100,000 (yes, one hundred thousand) supporters (no, not Facebook Like’s but people who sign up at the website).
 
Note that there IS an International Day of Jazz but it is not connected to any birthday of a jazz giant but to the Sacramento Jazz Festival as the initiative came from the Jubilee’s side decades ago.  But almost nobody knows about this today anymore and it would be a waste of time to try to bring that back to life as it never really has been a worldwide festive event. That’s the reason that I found out about the day of CLASSIC jazz; Armstrong’s name is still known around the globe and his anniversary would be a good starting point for such a festivity.
 
Therefore I really am asking everyone not only to sign the idea but to send it around to ALL of your friends so we can reach that high number of supporters. Please, understand that I am only the initiator but this movement is NOT for my benefit, this is for ALL OF US, jazz lovers, jazz musicians.
 
Please sign up at www.OhYeahDay.com

I’ve signed up: won’t you?