- “I HADN’T A CLUE”: BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, and RILEY BAKER (Jazz Bash by the Bay, March 8, 2020)
- “ON ROLLER SKATES,” or “SOMEBODY STOLE MY FATS!” (an eBay Vignette)
- “A MOMENT’S BLISS WE TOOK”: EPHIE RESNICK and MARTY GROSZ HONOR THE MELODY
- OUR MAN FROM MISSOURI: NEW JESS STACY DISCOVERIES (November 28, December 5, 1939)
- “DU REDST EYEDISH?” “NAY NAY.”
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Nine) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
- IT’S ALL SO NICE: BENNY CARTER, GEORGE BARNES, RUBY BRAFF, MICHAEL MOORE, VINNIE CORRAO, RAY MOSCA (July 25, 1975)
- YOU’LL WANT TO TAKE THEM HOME: THE OXBLOOD MELODIANS
- ISN’T HE ROMANTIC?
- DAN MORGENSTERN RECALLS TUBBY, CEE TEE, and ART (December 26, 2019)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Eight) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
- SEE IT NOW: RARE JAZZ PHOTOGRAPHS
- THE WEATHER FORECAST: 100% CHANCE OF SWING –BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, RILEY BAKER (Jazz Bash by the Bay, March 7, 2020)
- “IN YOUR HOLLYWOOD BED” and OTHER SEISMIC EXPERIENCES: CARL SONNY LEYLAND, JACOB ZIMMERMAN, LAKSHMI RAMIREZ, JEFF HAMILTON (Jazz Bash by the Bay, March 7, 2020)
- SKATING TEN FEET ABOVE THE GROUND: RAY SKJELBRED and his CUBS (America’s Classic Jazz Festival, Lacey, Washington: June 28/30, 2019)
- “LUCKY ALL MY LIFE”: EPHRAIM RESNICK, TROMBONE and PIANO (July 6, 2020)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Seven) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)
- ORAN THADDEUS PAGE: 1941, 1951, 1952
- “AT LEAST A SUGGESTION OF MELODY”: DON EWELL and DICK WELLSTOOD (Manassas Jazz Festival, December 3, 1978 and December 1, 1979)
- “PEOPLE SEEMED TO LIKE IT”: A VISIT TO MRS. CHRISTIAN (Chicago, April 25, 1961)
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Tag Archives: fresh air
I appreciate the comfort of improvising on familiar themes: I haven’t tired of the blues or BODY AND SOUL. But even the most “traditional” of listeners can find that venturing beyond one’s fenced front yard can be uplifting. A new CD, INTRODUCING MUSETTE EXPLOSION, is a happy, bracing exploration of fresh fields and pastures new (the lively cover art, befitting the music, is by Na Kim). The three impish yet serious improvisers on this disc are Will Holshouser, accordion / compositions; Matt Munisteri, guitar and banjo; Marcus Rojas, tuba.
The music they are exploring is French musette — dance-based pop music of Paris that flourished in the last century. A listener new to the form will hear some Django-connections, both literal (one of the compositions is the Reinhardt-Grappelli SWING 39) and whimsical — some songs are by the virtuoso accordionist Gus Viseur, others by guitarist Baro Ferret. But this isn’t another by-the-numbers Django-and-Stephane tribute, and the music has its own vivid energies, its own quirky turns.
Each track seems a small musical drama all its own — not simply an attempt by jazz musicians to pretend to be French strolling street musicians, but their delightful variations within and around the form.
Some performances instantly suggest films that haven’t yet been created (and there are a few neat aural interpolations — witty surprises that don’t feel hackneyed) but each track is its own dance. In fact, it is easy to listen to the whole disc at a sitting as if one were at a chamber-music concert with ten movements in a suite. (This variety, never forced or abrupt, is something few discs offer.)
This isn’t to suggest that the music is “contemporary classical,” with all the intellectual rigor implied by that name, because this trio swings. The performances are affectionate but I wouldn’t call them sentimental: no berets and striped sailor shirts are audible in this hour of music.
I first heard accordionist Holshouser on a Matt Munisteri CD, and was immediately impressed with the easy grace he brings to an instrument that, in other hands, can be melodramatic and rhythmically constrained. Munisteri shines wherever he is; he consistently improves the landscape — enough said. Tubaist Rojas is not only a splendid player who makes his instrument as light-hearted and melodic as any French hornist, but he is also a deft musical impersonator: the bird songs or whale murmurs heard on this CD come from him. (I was reminded of hornist Jimmy Buffington, and that is not small praise.)
In his notes, Will writes that he and Matt “got hooked” on French musette music — seduced by the “dark beauty and thrilling virtuosity” they heard in the classic recordings, “passionate and sweet, but played with a fierce edge — like jazz.” But rather than create a repertory project, another set of old records in contemporary fidelity, they brought jazz players’ vigor and willingness to explore to the songs and conventions they had grown to love, finding new ways to improvise on the material.
And as brilliant as Will, Matt, and Marcus are as soloists, they come together marvelously as ensemble players — something is always going on in every performance, and this combination of instruments that would seem odd or unbalanced in other hands sounds complete and rich here.
You can hear brief samples of the music on Will’s site here. The band has been captured on video, playing SWING VALSE:
and GITAN SWING:
Those who are members of the Terry Gross Fan Club have already heard Will play and talk about this band and their music on NPR’s FRESH AIR, but that fascinating segment can be heard here. The band’s Facebook page is here. And the disc itself can be found in all the old familiar places: CD Baby, Amazon (may I gently urge readers to investigate Amazon Smile, where a percentage from one’s purchases goes to a charity one selects), or iTunes.
I find this music happily atmospheric, so I offer a suggestion that is part challenge. I hope some creative film-school or drama-school type finds this music and begins to make short films, no dialogue needed, with each track as a central character in a theatre piece or a short film. Those who aren’t making films, writing, directing, or acting in theatre can simply buy copies of the disc or download it — rare pleasures are in store.
May your happiness increase!
“IT’S GOOD FOR YOU”: HOT JAZZ IN THE HEALTHY OPEN AIR with THE REYNOLDS BROTHERS and CLINT BAKER at the SACRAMENTO MUSIC FESTIVAL (May 26, 2012)
My mother used to gently urge me — “urge” is the nicest way of putting it — to go outside occasionally. “Are you going to stay in your room with a book all day? It’s so nice outside!”
This post’s for you, Mom — I made it out-of-doors at a jazz festival — the Sacramento Music Festival — and soaked up the sun, the Vitamin D, the sweet California air.
Of course, I didn’t notice much of those cosmic gifts, because I was busy feeling the good seismic disturbances that the Reynolds Brothers and Clint Baker were creating — that’s John on guitar, vocal, and whistling; Ralf on washboard and vocal; Marc Caparone on cornet and vocal; Katie Cavera on string bass and vocal; Clint Baker on trombone, clarinet, and occasional vocal (he had some laryngitis that weekend).
They began with their public profession of loving willingness from Alex Hill and perhaps Claude Hopkins, I WOULD DO ANYTHING FOR YOU. John asserts it all so willingly; who would doubt him?
Marc sings about that naughty flirtatious COQUETTE, so tantalizing:
Ralf and John team up for their classic SADIE GREEN (The Vamp of New Orleans):
No one sings on MAHOGANY HALL STOMP (the lyrics would be about the fleshpots of Storyville) but the ghosts of Louis and Higgy certainly were enjoying the outdoors as well:
John, more plaintively this time, gives us the early Thirties version of the solitary lover, pale and wan, HUMMIN’ TO MYSELF:
The other side of the amorous spectrum — having one’s hands full of delights — is offered by the witty Miss Cavera in CHARLEY, MY BOY. “Shivers of joy,” indeed:
My new quest. Where or what or why is SAN?:
For Harold Arlen, Louis, and Jack, Marc lets us know he’s GOT A RIGHT TO SING THE BLUES:
I don’t know the source of STOMP STOMP! (is it Slim and Slam or the Cats and the Fiddle or a physical therapist’s command?) but it certainly made the cosmos move:
“Jack, you really come on!” How true. Even though no one in the band is named Jack.
“See, Mom, I went outside! What? Now you want me to clean my room . . . . ?”
May your happiness increase.